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1073LBEQ Mono EQ module - Please call to confirm Stock
R26,995.00
{"id":11587253071,"title":"1073LBEQ Mono EQ module - Please call to confirm Stock","handle":"1073lbeq-mono-eq-module","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLegendary EQ for 500-series\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"font-style: inherit; font-weight: inherit;\"\u003e\u003cspan style=\"color: #000000;\"\u003eLaunched in 1970, the original Neve 1073 module is perhaps the world’s most famous and desirable microphone preamp and EQ for recording vocals and instruments of all types.\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eThe big, punchy sound of the 1073 complements any musical genre – from rock to pop, hip-hop to rap, thrash to classical. And now it is available for your 500-series rack.\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe first choice of countless leading producers and artists, the 1073 delivers the unique Neve sound featured on many of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 classic complements any musical genre – from rock to pop, hip hop to rap, thrash to classical. And now the EQ section of that classic unit is available for your 500-series rack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eCrafted in England by Neve engineers, the 1073LBEQ mono EQ module retains the unique sonic characteristics of the original 1073 classic EQ by using the same EQ circuit architecture and matching components. And it delivers it in a modern and portable form-factor that professional producers and engineers demand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith new features like a signal presence LED and Neve’s cleverAudio Processing Insert design, the 1073LBEQ takes your 500-series rack to the next level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSimply install into an empty slot in your compatible 500-series rack, connect your line level signals and inject the legendary Neve EQ sound into your audio creations. And it’s the perfect pairing for the incredible \u003ca href=\"https:\/\/ams-neve.com\/1073lb\/\" style=\"font-style: inherit; font-weight: inherit; color: #000000;\"\u003eNeve 1073LB microphone preamp module\u003c\/a\u003e. The 1073LBEQ module can be inserted between the input and output stages of the 1073LB module, creating a true 1073 classic audio path.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary 3-band EQ design\u003c\/li\u003e\n\u003cli\u003eRotary controls provide accurate adjustment of the 1073 3-band EQ and High Pass filter\u003c\/li\u003e\n\u003cli\u003eSignal presence LED illuminates green from a level of -25dB and red from a level of +24dB\u003c\/li\u003e\n\u003cli\u003eSwitch for EQ IN\/OUT function, with LED indication\u003c\/li\u003e\n\u003cli\u003eElectronically balanced circuits used in Line Input and Line Output stages for standalone module use\u003c\/li\u003e\n\u003cli\u003eAudio Processing Insert design allows the audio to\/from the 1073LBEQ module to be inserted into the audio path of an existing \u003ca href=\"https:\/\/ams-neve.com\/1073lb\/\" style=\"color: #000000;\"\u003e1073LB module\u003c\/a\u003e(modules must be fitted in the same 500-series rack)\u003c\/li\u003e\n\u003cli\u003eFully screened module, packaged in Mu-metal case helps eliminate stray electromagnetic fields from 500-series rack PSU or other module types\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2017-06-10T18:03:25+02:00","created_at":"2017-06-10T18:09:34+02:00","vendor":"NEVE","type":"500 Series","tags":["500 series","Brand_NEVE","DistEasternAcoustics","EQ"],"price":2699500,"price_min":2699500,"price_max":2699500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45918936527,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"1073LBEQ Mono EQ module - Please call to confirm Stock","public_title":null,"options":["Default Title"],"price":2699500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/1073LBEQ-Mono-EQ-module.png?v=1497111256"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/1073LBEQ-Mono-EQ-module.png?v=1497111256","options":["Title"],"content":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eLegendary EQ for 500-series\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"font-style: inherit; font-weight: inherit;\"\u003e\u003cspan style=\"color: #000000;\"\u003eLaunched in 1970, the original Neve 1073 module is perhaps the world’s most famous and desirable microphone preamp and EQ for recording vocals and instruments of all types.\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eThe big, punchy sound of the 1073 complements any musical genre – from rock to pop, hip-hop to rap, thrash to classical. And now it is available for your 500-series rack.\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe first choice of countless leading producers and artists, the 1073 delivers the unique Neve sound featured on many of the most famous recordings of the past 40 years. The big, punchy sound of the 1073 classic complements any musical genre – from rock to pop, hip hop to rap, thrash to classical. And now the EQ section of that classic unit is available for your 500-series rack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eCrafted in England by Neve engineers, the 1073LBEQ mono EQ module retains the unique sonic characteristics of the original 1073 classic EQ by using the same EQ circuit architecture and matching components. And it delivers it in a modern and portable form-factor that professional producers and engineers demand.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith new features like a signal presence LED and Neve’s cleverAudio Processing Insert design, the 1073LBEQ takes your 500-series rack to the next level.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSimply install into an empty slot in your compatible 500-series rack, connect your line level signals and inject the legendary Neve EQ sound into your audio creations. And it’s the perfect pairing for the incredible \u003ca href=\"https:\/\/ams-neve.com\/1073lb\/\" style=\"font-style: inherit; font-weight: inherit; color: #000000;\"\u003eNeve 1073LB microphone preamp module\u003c\/a\u003e. The 1073LBEQ module can be inserted between the input and output stages of the 1073LB module, creating a true 1073 classic audio path.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"padding-left: 30px;\"\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary 3-band EQ design\u003c\/li\u003e\n\u003cli\u003eRotary controls provide accurate adjustment of the 1073 3-band EQ and High Pass filter\u003c\/li\u003e\n\u003cli\u003eSignal presence LED illuminates green from a level of -25dB and red from a level of +24dB\u003c\/li\u003e\n\u003cli\u003eSwitch for EQ IN\/OUT function, with LED indication\u003c\/li\u003e\n\u003cli\u003eElectronically balanced circuits used in Line Input and Line Output stages for standalone module use\u003c\/li\u003e\n\u003cli\u003eAudio Processing Insert design allows the audio to\/from the 1073LBEQ module to be inserted into the audio path of an existing \u003ca href=\"https:\/\/ams-neve.com\/1073lb\/\" style=\"color: #000000;\"\u003e1073LB module\u003c\/a\u003e(modules must be fitted in the same 500-series rack)\u003c\/li\u003e\n\u003cli\u003eFully screened module, packaged in Mu-metal case helps eliminate stray electromagnetic fields from 500-series rack PSU or other module types\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e"}
BSS FCS960
R31,962.00
{"id":4055087428,"title":"BSS FCS960","handle":"z-fcs-960","description":"\u003cp\u003e30 Band dual Graphic EQ: Constant Q; -0\/+10 Gain; Dual Mode\/Stereo Normal\/Fine+\/-10dB 45mm Faders; 18dB\/octave Butterworth 20 Hz to 250Hz HPF; 6kg; 3RU\u003c\/p\u003e\n\u003cdiv class=\"product_main_tab_content content active\"\u003e\n\u003cdiv class=\"description text-content\"\u003e\n\u003cp\u003eThe FCS-960 is a 30-band graphic equaliser featuring Dual Mode switching between Normal and Fine filter width settings on each channel.\u003cbr\u003e\u003cbr\u003eThe FCS-960 provides two channels in 3U of rack space. Constant Q-filters with filter-bypass centre taps are controlled by high grade, 45mm faders with moulded polymer fader knobs which eliminate visual parallax error even under low light conditions.\u003cbr\u003e\u003cbr\u003eAlso included are sweepable\/switchable Hi-pass filter, Gain control and electronic balanced inputs and outputs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca name=\"extended_description\" href=\"http:\/\/bssaudio.com\/en\/products\/fcs-960\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3 class=\"content-nav\" data-magellan-destination=\"extended_description\"\u003eMore Details\u003c\/h3\u003e\n\u003cdiv class=\"product_main_tab_content content \"\u003e\n\u003cdiv class=\"extended_description\"\u003e\n\u003ch2\u003eARCHITECTS AND ENGINEERS SPECIFICATION\u003c\/h2\u003e\n\u003ch4\u003eFCS-960 DUAL MODE GRAPHIC EQUALISER\u003c\/h4\u003e\n\u003cp\u003eThe graphic equaliser shall have two channels each having thirty boost\/cut faders to control filters at standard third-octave isocentre frequencies from 25Hz to 20kHZ. Each fader shall have a 45 mm travel with a mechanical centre detent and electrical centre tap which removes its filter from the signal path at the zero fader setting. A Mode switch on each channel shall allow its filters to be configured with a Normal Q-factor or Fine Q-factor. In both Modes, the Q-factor of each filter shall be constant for any fader level setting.\u003c\/p\u003e\n\u003cp\u003eEach channel shall have a Hi-Pass filter (18dB\/Oct) variable between 20Hz-25OHz with independent bypass switch, Output Gain trim with LED Clip indicator and an EQ IN\/OUT switch which defaults to a passive relay bypass in OUT mode. The relay bypass shall also operate automatically in case of power failure.\u003c\/p\u003e\n\u003cp\u003eSystem performance shall meet or exceed the following specifications: THD @ +4dBu \u0026lt;0.005%; 20-20kHz faders flat; Output Noise \u0026lt;-90dBu 22 -22kHz faders flat. Maximum boost\/cut shall be nominally +\/- 10dB.\u003c\/p\u003e\n\u003cp\u003eInputs shall be electronically balanced (transformers optional), outputs shall be electronically balanced and floating (transformers optional). A Tamperproof Security Cover shall be available as an option. The graphic equaliser shall be 3U (5_\"), 19\" rackmount and capable of operating from a 90-120V or 190-250V AC power source.\u003c\/p\u003e\n\u003cp\u003eThe graphic equaliser shall be the BSS FCS-960.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-12-28T11:04:00+02:00","created_at":"2015-12-28T11:04:24+02:00","vendor":"BSS","type":"EQ","tags":["Brand_BSS","DistW\u0026M","live sound","pro audio"],"price":3196200,"price_min":3196200,"price_max":3196200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12857763204,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Z\/FCS-960","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"BSS FCS960","public_title":null,"options":["Default Title"],"price":3196200,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/hi_fcs960_full_width.jpeg?v=1453799506"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/hi_fcs960_full_width.jpeg?v=1453799506","options":["Title"],"content":"\u003cp\u003e30 Band dual Graphic EQ: Constant Q; -0\/+10 Gain; Dual Mode\/Stereo Normal\/Fine+\/-10dB 45mm Faders; 18dB\/octave Butterworth 20 Hz to 250Hz HPF; 6kg; 3RU\u003c\/p\u003e\n\u003cdiv class=\"product_main_tab_content content active\"\u003e\n\u003cdiv class=\"description text-content\"\u003e\n\u003cp\u003eThe FCS-960 is a 30-band graphic equaliser featuring Dual Mode switching between Normal and Fine filter width settings on each channel.\u003cbr\u003e\u003cbr\u003eThe FCS-960 provides two channels in 3U of rack space. Constant Q-filters with filter-bypass centre taps are controlled by high grade, 45mm faders with moulded polymer fader knobs which eliminate visual parallax error even under low light conditions.\u003cbr\u003e\u003cbr\u003eAlso included are sweepable\/switchable Hi-pass filter, Gain control and electronic balanced inputs and outputs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ca name=\"extended_description\" href=\"http:\/\/bssaudio.com\/en\/products\/fcs-960\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003ch3 class=\"content-nav\" data-magellan-destination=\"extended_description\"\u003eMore Details\u003c\/h3\u003e\n\u003cdiv class=\"product_main_tab_content content \"\u003e\n\u003cdiv class=\"extended_description\"\u003e\n\u003ch2\u003eARCHITECTS AND ENGINEERS SPECIFICATION\u003c\/h2\u003e\n\u003ch4\u003eFCS-960 DUAL MODE GRAPHIC EQUALISER\u003c\/h4\u003e\n\u003cp\u003eThe graphic equaliser shall have two channels each having thirty boost\/cut faders to control filters at standard third-octave isocentre frequencies from 25Hz to 20kHZ. Each fader shall have a 45 mm travel with a mechanical centre detent and electrical centre tap which removes its filter from the signal path at the zero fader setting. A Mode switch on each channel shall allow its filters to be configured with a Normal Q-factor or Fine Q-factor. In both Modes, the Q-factor of each filter shall be constant for any fader level setting.\u003c\/p\u003e\n\u003cp\u003eEach channel shall have a Hi-Pass filter (18dB\/Oct) variable between 20Hz-25OHz with independent bypass switch, Output Gain trim with LED Clip indicator and an EQ IN\/OUT switch which defaults to a passive relay bypass in OUT mode. The relay bypass shall also operate automatically in case of power failure.\u003c\/p\u003e\n\u003cp\u003eSystem performance shall meet or exceed the following specifications: THD @ +4dBu \u0026lt;0.005%; 20-20kHz faders flat; Output Noise \u0026lt;-90dBu 22 -22kHz faders flat. Maximum boost\/cut shall be nominally +\/- 10dB.\u003c\/p\u003e\n\u003cp\u003eInputs shall be electronically balanced (transformers optional), outputs shall be electronically balanced and floating (transformers optional). A Tamperproof Security Cover shall be available as an option. The graphic equaliser shall be 3U (5_\"), 19\" rackmount and capable of operating from a 90-120V or 190-250V AC power source.\u003c\/p\u003e\n\u003cp\u003eThe graphic equaliser shall be the BSS FCS-960.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
BSS FCS966
R15,885.00
{"id":4055087492,"title":"BSS FCS966","handle":"z-fcs-966","description":"\u003ch3 class=\"content-nav\" data-magellan-destination=\"extended_description\"\u003e\u003cstrong\u003eConstant Q Filters\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv class=\"product_main_tab_content content \"\u003e\n\u003cdiv class=\"extended_description\"\u003e\n\u003cp\u003eThe modern generation of graphic eq's \u003cbr\u003euses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. \u003cbr\u003e\u003cbr\u003eCompared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMore Gain Control Per Filter\u003c\/strong\u003e\u003cbr\u003eEach eq fader has +\/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Pass Filter\u003c\/strong\u003e\u003cbr\u003eAlso provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMetering\u003c\/strong\u003e\u003cbr\u003eBSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCentre Bypass\u003c\/strong\u003e\u003cbr\u003eWhen any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.\u003cbr\u003eLive Sound AccessoriesE\u003cbr\u003e\u003cstrong\u003eInput\/Outputs\u003c\/strong\u003e\u003cbr\u003eAll the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1\/4\" TRS jack and Phoenix\/Combicon screw terminals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRelay Bypass\u003c\/strong\u003e\u003cbr\u003eThe EQ IN buttons switch the EQ path \u003cbr\u003einto circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Descriptions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFaders\u003c\/strong\u003e\u003cbr\u003e30 EQ filter faders on ISO centres, each with nominal +\/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHP Filter\u003c\/strong\u003e\u003cbr\u003eSweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLF Contour\u003c\/strong\u003e\u003cbr\u003eSmooth shelving filter, +\/-6dB of gain at 50Hz \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHF Contour\u003c\/strong\u003e\u003cbr\u003eSmooth shelving filter, +\/-6dB of gain at 14kHz. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003cbr\u003eUsed for overall unity gain adjustment. Adjustable from - infinity to +10dB. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCLIP\u003c\/strong\u003e\u003cbr\u003eTriple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLED Meter\u003c\/strong\u003e\u003cbr\u003eShows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2015-12-28T11:04:00+02:00","created_at":"2015-12-28T11:04:24+02:00","vendor":"BSS","type":"EQ","tags":["Brand_BSS","DistW\u0026M","live sound","pro audio"],"price":1588500,"price_min":1588500,"price_max":1588500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":12857763716,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Z\/FCS-966","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"BSS FCS966","public_title":null,"options":["Default Title"],"price":1588500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/hi_fcs966_full_width.jpeg?v=1453799697"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/hi_fcs966_full_width.jpeg?v=1453799697","options":["Title"],"content":"\u003ch3 class=\"content-nav\" data-magellan-destination=\"extended_description\"\u003e\u003cstrong\u003eConstant Q Filters\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cdiv class=\"product_main_tab_content content \"\u003e\n\u003cdiv class=\"extended_description\"\u003e\n\u003cp\u003eThe modern generation of graphic eq's \u003cbr\u003euses the Constant Q topology, pioneered by BSS Audio, which means that the filter width is constant whatever the fader gain setting. \u003cbr\u003e\u003cbr\u003eCompared to the earlier 'gyrator' style of filters, Constant Q filters provide a smoother and more predictable interaction between adjacent faders and the resulting eq curve more closely resembles the actual fader positions. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMore Gain Control Per Filter\u003c\/strong\u003e\u003cbr\u003eEach eq fader has +\/-15dB of adjustable gain, more than many competitive graphic eq's. The faders are long-throw 45mm types for precision control. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHigh Pass Filter\u003c\/strong\u003e\u003cbr\u003eAlso provided on the FCS-966 is a sweepable high-pass filter which can be used very effectively to restrict the low-energy output for better amplifier and loudspeaker performance. Stage monitors also benefit from the application of a high-pass filter to remove bass signals e.g. from vocal-only wedges.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMetering\u003c\/strong\u003e\u003cbr\u003eBSS Audio believes in providing engineers with information, and the FCS-966's 8-segment led meter shows output level and warns of signal clipping within the eq. When the unit is switched to bypass, the meter will read the input level, allowing accurate matching of the 'dry' and equalised signals using the gain control. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCentre Bypass\u003c\/strong\u003e\u003cbr\u003eWhen any eq fader is in its centre detent position, the filter is automatically bypassed, for optimum performance.\u003cbr\u003eLive Sound AccessoriesE\u003cbr\u003e\u003cstrong\u003eInput\/Outputs\u003c\/strong\u003e\u003cbr\u003eAll the inputs and outputs of the FCS-966 are electronically balanced, with optional transformer balancing. To make installation of the FCS-966 easier, we've provided three differerent interface connectors: XLR-type, 1\/4\" TRS jack and Phoenix\/Combicon screw terminals.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRelay Bypass\u003c\/strong\u003e\u003cbr\u003eThe EQ IN buttons switch the EQ path \u003cbr\u003einto circuit. When switched out, or power fails, a high-quality relay switches the input signal directly to the output connectors.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eControl Descriptions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFaders\u003c\/strong\u003e\u003cbr\u003e30 EQ filter faders on ISO centres, each with nominal +\/-15dB of gain. Positive centre-detent on 45mm long-throw precision faders. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHP Filter\u003c\/strong\u003e\u003cbr\u003eSweepable high pass filter, frequency adjustable from OUT (flat) up to 250Hz.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLF Contour\u003c\/strong\u003e\u003cbr\u003eSmooth shelving filter, +\/-6dB of gain at 50Hz \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHF Contour\u003c\/strong\u003e\u003cbr\u003eSmooth shelving filter, +\/-6dB of gain at 14kHz. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003cbr\u003eUsed for overall unity gain adjustment. Adjustable from - infinity to +10dB. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCLIP\u003c\/strong\u003e\u003cbr\u003eTriple-point clip detector that indicates red when the internal signal is clipping at any one of three critical points. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLED Meter\u003c\/strong\u003e\u003cbr\u003eShows output signal level (input signal when eq is bypassed) from -24dBu to +18dBu in 8 steps.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Dangerous Music BAX EQ
R48,995.00
{"id":4652144964,"title":"Dangerous Music BAX EQ","handle":"dangerous-music-bax-eq","description":"\u003ch3\u003e\u003cspan\u003eStereo Mastering and Mix Bus Shelving Equalizer with Stepped Controls\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/22N3FUeHbaY\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"normal\"\u003eIf you’ve ever adjusted the bass and treble on a hi-end stereo system, a boom box or even a car stereo, then you’ve used a Baxandall EQ. Originally designed by the now legendary electronics designer Peter Baxandall, these are the world’s most popular EQ curves for a good reason: they are able to improve the sound of anything you throw at them. The Dangerous BAX EQ is the first professional, stand-alone EQ to use the famous Baxandall curves, and our version – designed by our own legendary designer Chris Muth – has become an instant classic among mixing, mastering and tracking engineers. It’s so loved, in fact, that most are leaving it patched into their audio path full time where it sweetens and deepens all kinds of music…day in, day out, all year long.\u003c\/p\u003e\n\u003cp class=\"normal\"\u003e\u003ciframe width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/JEO1N427VOY\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eBIG MOVES AND BROAD STROKES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eAt the heart of this stereo unit are gently sweeping treble and bass EQ shelves (the Baxandall Curves) that give you subtle yet profound control over wide sections of the frequency spectrum. The opposite of a surgical tool, the BAX EQ is all about sweetening sounds with broad, musical adjustments. Starting far below and above the human hearing limit, the broad and gentle EQ curves gently tug at the audible frequencies in ways that other EQs cannot. This unique design provides a distinctively sweet and open treble along with a powerful and three-dimensional low-end you simply can’t get out of other EQs.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eTHE PARADOX OF TRANSPARENCY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eThe bass and treble shelves found on most professional EQs introduce phase delay and other audible artifacts, sometimes called “color.” The BAX EQ’s shelves maintain phase coherence, and — because it is built from the same ultra-high-grade components we use in all our equipment — the BAX EQ does not change the characteristics of the original sound. This is the ineffable paradox of real analog transparency: you have the ability to make powerful changes without substantially altering the original sonic characteristics. Rather than adding more color, you’ll hear the original colors more beautifully, more openly and more powerfully, no matter how far you push it.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eSOPHISTICATED FILTERING\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eBeyond the easy-to-use shelf controls, the BAX EQ is equipped with sophisticated filtering options that vastly expand its versatility. The cut filters on either end of the spectrum dial out unneeded frequencies that will be boosted at the far end of the shelves. On the low end, you can cut below 12 Hz, where headroom-eating, infrasonic rumble and DC-offset live. On the high end, you can dial out ultra-sonics like 70 kHz that can carry out-of-band noise that translates as harshness in many A\/D converters. And when you start playing the cut filters against the shelves, a whole world of unique tone-shaping opens up within the audible frequency band – sounds you wont get anywhere else.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eEFFORTLESS RESULTS FOR TRACKING, MIXING \u0026amp; MASTERING\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eIn a category all its own, the BAX EQ will compliment any studio configuration. Outstanding in a mastering rig, on a whole mix or in any tracking chain, the BAX EQ lets you effortlessly sweeten and deepen any music — like the best bass-treble controls you’ve ever used.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eTHE DANGEROUS PHILOSOPHY EMBODIED\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eAs with all of our products, the Bax EQ incorporates a sophisticated circuit design, uncompromising quality, and is elegantly straightforward to use.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eKEY FEATURES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cul class=\"highlights\"\u003e\n\u003cli\u003eUnique Design Based on the bass-treble tone control EQ.\u003c\/li\u003e\n\u003cli\u003eUltra-high quality components.\u003c\/li\u003e\n\u003cli\u003eStepped controls throughout for accuracy and repeatability.\u003c\/li\u003e\n\u003cli\u003eBroad Q-shelving for a natural, open transparent sound.\u003c\/li\u003e\n\u003cli\u003e7-position phase coherent high-pass and low-pass filters on relays.\u003c\/li\u003e\n\u003cli\u003e8-position high- and low-frequency selection.\u003c\/li\u003e\n\u003cli\u003e5dB cut and boost controls in 1\/2dB step for precise control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"normal\"\u003eTECH SPECS\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003cbr\u003e+- 0.1dB from 10Hz to 20kHz\u003cbr\u003e+- 0.2dB from 1Hz to 80kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum level:\u003cbr\u003e\u003c\/strong\u003e\u0026gt;+28dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise floor:\u003c\/strong\u003e\u003cbr\u003e\u0026lt;-92dBu band limited from 22Hz-22kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N: \u003c\/strong\u003e\u003cbr\u003e\u0026lt;0.002%\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIMD: \u003c\/strong\u003e\u003cbr\u003e\u0026lt;0.003%\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk rejection: \u003c\/strong\u003e\u003cbr\u003e\u0026gt;105dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e\u003cbr\u003eUSA 500mA fast blow for 120V\u003cbr\u003eEurope 250mA fast blow for 240V\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance: \u003c\/strong\u003e\u003cbr\u003e25K Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance: \u003c\/strong\u003e\u003cbr\u003e50 Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty: \u003c\/strong\u003eFree 2 year extended warranty with online registration.\u003c\/p\u003e\n\u003cp\u003eStandard warranty: 90 days parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians.\u003c\/p\u003e\n\u003ch4\u003eDOWNLOADS\u003c\/h4\u003e\n\u003cp\u003eManuals\u003cbr\u003e\u003ca href=\"http:\/\/dangerousmusic.com\/wp-content\/uploads\/downloads\/bax-manual-v4.pdf\"\u003eBAX EQ Manual\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eOther\u003cbr\u003e\u003ca href=\"http:\/\/dangerousmusic.com\/wp-content\/uploads\/downloads\/bax-eq-chop-shop.pdf\"\u003eBAX EQ Chop Shop\/Fact Snack\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/dangerousmusic.com\/wp-content\/uploads\/downloads\/bax-eq-front-line-drawing.pdf\"\u003eBAX EQ Front Panel (PDF)\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/dangerousmusic.com\/wp-content\/uploads\/downloads\/bax-recall-sheet.pdf?cache=16899127210490405000\"\u003eBAX EQ Recall Sheet\u003c\/a\u003e\u003c\/p\u003e","published_at":"2016-03-26T12:31:00+02:00","created_at":"2016-03-26T12:35:11+02:00","vendor":"Dangerous Music","type":"Equalization","tags":["dropdown","EQ","mastering"],"price":4899500,"price_min":4899500,"price_max":4899500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":17052350916,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dangerous Music BAX EQ","public_title":null,"options":["Default Title"],"price":4899500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/BAXEQ-xlarge.jpg?v=1458988515","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/DANGEROUS_BAX_EQ1.jpeg?v=1458989448","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/xl_5e5a1af2590a5bb754f5643f4b2f539e.jpeg?v=1458989470","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/bax-fact-snack-gif.gif?v=1458989487"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/BAXEQ-xlarge.jpg?v=1458988515","options":["Title"],"content":"\u003ch3\u003e\u003cspan\u003eStereo Mastering and Mix Bus Shelving Equalizer with Stepped Controls\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/22N3FUeHbaY\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"normal\"\u003eIf you’ve ever adjusted the bass and treble on a hi-end stereo system, a boom box or even a car stereo, then you’ve used a Baxandall EQ. Originally designed by the now legendary electronics designer Peter Baxandall, these are the world’s most popular EQ curves for a good reason: they are able to improve the sound of anything you throw at them. The Dangerous BAX EQ is the first professional, stand-alone EQ to use the famous Baxandall curves, and our version – designed by our own legendary designer Chris Muth – has become an instant classic among mixing, mastering and tracking engineers. It’s so loved, in fact, that most are leaving it patched into their audio path full time where it sweetens and deepens all kinds of music…day in, day out, all year long.\u003c\/p\u003e\n\u003cp class=\"normal\"\u003e\u003ciframe width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/JEO1N427VOY\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eBIG MOVES AND BROAD STROKES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eAt the heart of this stereo unit are gently sweeping treble and bass EQ shelves (the Baxandall Curves) that give you subtle yet profound control over wide sections of the frequency spectrum. The opposite of a surgical tool, the BAX EQ is all about sweetening sounds with broad, musical adjustments. Starting far below and above the human hearing limit, the broad and gentle EQ curves gently tug at the audible frequencies in ways that other EQs cannot. This unique design provides a distinctively sweet and open treble along with a powerful and three-dimensional low-end you simply can’t get out of other EQs.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eTHE PARADOX OF TRANSPARENCY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eThe bass and treble shelves found on most professional EQs introduce phase delay and other audible artifacts, sometimes called “color.” The BAX EQ’s shelves maintain phase coherence, and — because it is built from the same ultra-high-grade components we use in all our equipment — the BAX EQ does not change the characteristics of the original sound. This is the ineffable paradox of real analog transparency: you have the ability to make powerful changes without substantially altering the original sonic characteristics. Rather than adding more color, you’ll hear the original colors more beautifully, more openly and more powerfully, no matter how far you push it.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eSOPHISTICATED FILTERING\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eBeyond the easy-to-use shelf controls, the BAX EQ is equipped with sophisticated filtering options that vastly expand its versatility. The cut filters on either end of the spectrum dial out unneeded frequencies that will be boosted at the far end of the shelves. On the low end, you can cut below 12 Hz, where headroom-eating, infrasonic rumble and DC-offset live. On the high end, you can dial out ultra-sonics like 70 kHz that can carry out-of-band noise that translates as harshness in many A\/D converters. And when you start playing the cut filters against the shelves, a whole world of unique tone-shaping opens up within the audible frequency band – sounds you wont get anywhere else.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eEFFORTLESS RESULTS FOR TRACKING, MIXING \u0026amp; MASTERING\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eIn a category all its own, the BAX EQ will compliment any studio configuration. Outstanding in a mastering rig, on a whole mix or in any tracking chain, the BAX EQ lets you effortlessly sweeten and deepen any music — like the best bass-treble controls you’ve ever used.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eTHE DANGEROUS PHILOSOPHY EMBODIED\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"normal\"\u003eAs with all of our products, the Bax EQ incorporates a sophisticated circuit design, uncompromising quality, and is elegantly straightforward to use.\u003c\/p\u003e\n\u003ch4 class=\"normal\"\u003e\u003cstrong\u003eKEY FEATURES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cul class=\"highlights\"\u003e\n\u003cli\u003eUnique Design Based on the bass-treble tone control EQ.\u003c\/li\u003e\n\u003cli\u003eUltra-high quality components.\u003c\/li\u003e\n\u003cli\u003eStepped controls throughout for accuracy and repeatability.\u003c\/li\u003e\n\u003cli\u003eBroad Q-shelving for a natural, open transparent sound.\u003c\/li\u003e\n\u003cli\u003e7-position phase coherent high-pass and low-pass filters on relays.\u003c\/li\u003e\n\u003cli\u003e8-position high- and low-frequency selection.\u003c\/li\u003e\n\u003cli\u003e5dB cut and boost controls in 1\/2dB step for precise control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"normal\"\u003eTECH SPECS\u003c\/h4\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003cbr\u003e+- 0.1dB from 10Hz to 20kHz\u003cbr\u003e+- 0.2dB from 1Hz to 80kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaximum level:\u003cbr\u003e\u003c\/strong\u003e\u0026gt;+28dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise floor:\u003c\/strong\u003e\u003cbr\u003e\u0026lt;-92dBu band limited from 22Hz-22kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N: \u003c\/strong\u003e\u003cbr\u003e\u0026lt;0.002%\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIMD: \u003c\/strong\u003e\u003cbr\u003e\u0026lt;0.003%\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk rejection: \u003c\/strong\u003e\u003cbr\u003e\u0026gt;105dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReplacement Fuses:\u003c\/strong\u003e\u003cbr\u003eUSA 500mA fast blow for 120V\u003cbr\u003eEurope 250mA fast blow for 240V\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance: \u003c\/strong\u003e\u003cbr\u003e25K Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance: \u003c\/strong\u003e\u003cbr\u003e50 Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty: \u003c\/strong\u003eFree 2 year extended warranty with online registration.\u003c\/p\u003e\n\u003cp\u003eStandard warranty: 90 days parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications\/attempted repair by unauthorized technicians.\u003c\/p\u003e\n\u003ch4\u003eDOWNLOADS\u003c\/h4\u003e\n\u003cp\u003eManuals\u003cbr\u003e\u003ca href=\"http:\/\/dangerousmusic.com\/wp-content\/uploads\/downloads\/bax-manual-v4.pdf\"\u003eBAX EQ Manual\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eOther\u003cbr\u003e\u003ca href=\"http:\/\/dangerousmusic.com\/wp-content\/uploads\/downloads\/bax-eq-chop-shop.pdf\"\u003eBAX EQ Chop Shop\/Fact Snack\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/dangerousmusic.com\/wp-content\/uploads\/downloads\/bax-eq-front-line-drawing.pdf\"\u003eBAX EQ Front Panel (PDF)\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/dangerousmusic.com\/wp-content\/uploads\/downloads\/bax-recall-sheet.pdf?cache=16899127210490405000\"\u003eBAX EQ Recall Sheet\u003c\/a\u003e\u003c\/p\u003e"}
Great River Harrison 32 EQ
R16,995.00
{"id":4623605380,"title":"Great River Harrison 32 EQ","handle":"greatriver-eq32","description":"\u003cp\u003eThe 32EQ is the result of a close collaboration between Great River and the original designers of Harrison’s 32 Series consoles. The result is the 32EQ – a faithful reproduction of the legendary equalizer and filter based on Harrison’s exact schematics that sounds and behaves just like the original. Even better, the 32EQ’s modular design integrates directly into the highly popular 500 series rack format. That way, you can incorporate this vintage equalizer conveniently into an configuration with other incredible components to achieve the perfect sound chain, which makes the EQ32 even more versatile than conventional signal processors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreat River 32EQ Modular Vintage-style Equalizer at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGet the real, vintage sound of the legendary Harrison 32 Series console equalizer\u003c\/li\u003e\n\u003cli\u003ePlug into the power and versatility of the 500 series rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGet the real, vintage sound of the legendary Harrison 32 Series console equalizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGreat River worked directly with the original designers at Harrison who developed the first 32-bus “in-line” recording consoles from which the “32 Series” console derived its name. These consoles were responsible for countless hit records during the birth of modern pop, including Abba, Queen, and both Janet and Michael Jackson. In fact, within the EQ32 is the same technology that shaped the sound of Michael Jackson’s Thriller, the best-selling album of all time. And with the 32EQ, you can bring that same powerful technology into your 500 series rack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlug into the power and versatility of the 500 series rack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are some things that make the 32EQ even better than the original Harrison 32 Series console equalizers – namely the freedom the that 500 Series rack gives you from a giant mixer. With a 500 series rack, you can partner the 32EQ with a wide assortment of other, world-class modules like vintage preamplifiers and dynamics units. And while the 32EQ delivers large-format sound, its small-format price makes it easier to get your hands on the all the rest of the components you want.\u003c\/p\u003e\n\u003cp\u003eLow, low-mid, hi-mid, and high bands with gain and frequency controls. Low and high band “peaking” switches. EQ in\/out switch. Harrison’s renowned highpass and lowpass filters with sweepable frequency. Filter in\/out switch. An internal jumper provides selection of the “vintage” feedback design and non-feedback option.\u003c\/p\u003e","published_at":"2016-03-21T16:31:00+02:00","created_at":"2016-03-21T16:29:08+02:00","vendor":"Great River","type":"Eqaulizers","tags":["500 series","Brand_GreatRiver","DistEasternAcoustics","EasternAcoustics","EQ"],"price":1699500,"price_min":1699500,"price_max":1699500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":16894277380,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"H-EQ32","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Great River Harrison 32 EQ","public_title":null,"options":["Default Title"],"price":1699500,"weight":3,"compare_at_price":null,"inventory_quantity":7,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/GREAT-RIVER-HARRISON-32EQ.jpeg?v=1458570626","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/GREAT-RIVER-HARRISON-32EQ-21.jpeg?v=1458570682"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/GREAT-RIVER-HARRISON-32EQ.jpeg?v=1458570626","options":["Title"],"content":"\u003cp\u003eThe 32EQ is the result of a close collaboration between Great River and the original designers of Harrison’s 32 Series consoles. The result is the 32EQ – a faithful reproduction of the legendary equalizer and filter based on Harrison’s exact schematics that sounds and behaves just like the original. Even better, the 32EQ’s modular design integrates directly into the highly popular 500 series rack format. That way, you can incorporate this vintage equalizer conveniently into an configuration with other incredible components to achieve the perfect sound chain, which makes the EQ32 even more versatile than conventional signal processors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGreat River 32EQ Modular Vintage-style Equalizer at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eGet the real, vintage sound of the legendary Harrison 32 Series console equalizer\u003c\/li\u003e\n\u003cli\u003ePlug into the power and versatility of the 500 series rack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGet the real, vintage sound of the legendary Harrison 32 Series console equalizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGreat River worked directly with the original designers at Harrison who developed the first 32-bus “in-line” recording consoles from which the “32 Series” console derived its name. These consoles were responsible for countless hit records during the birth of modern pop, including Abba, Queen, and both Janet and Michael Jackson. In fact, within the EQ32 is the same technology that shaped the sound of Michael Jackson’s Thriller, the best-selling album of all time. And with the 32EQ, you can bring that same powerful technology into your 500 series rack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlug into the power and versatility of the 500 series rack\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are some things that make the 32EQ even better than the original Harrison 32 Series console equalizers – namely the freedom the that 500 Series rack gives you from a giant mixer. With a 500 series rack, you can partner the 32EQ with a wide assortment of other, world-class modules like vintage preamplifiers and dynamics units. And while the 32EQ delivers large-format sound, its small-format price makes it easier to get your hands on the all the rest of the components you want.\u003c\/p\u003e\n\u003cp\u003eLow, low-mid, hi-mid, and high bands with gain and frequency controls. Low and high band “peaking” switches. EQ in\/out switch. Harrison’s renowned highpass and lowpass filters with sweepable frequency. Filter in\/out switch. An internal jumper provides selection of the “vintage” feedback design and non-feedback option.\u003c\/p\u003e"}
SSL 500-Series E EQ Module - Please call to confirm Stock
Sold Out
{"id":4554263108,"title":"SSL 500-Series E EQ Module - Please call to confirm Stock","handle":"729720x1","description":"\u003ch3\u003eE-Series EQ Module for API 500 format racks\u003c\/h3\u003e\n\u003cp\u003eThe E-Series EQ Module for 500 Series racks reproduces the legendary sonic signature of an early 80's classic, the Solid State Logic SL 4000 E console channel strip, which has featured on countless classic recordings from the 1980's to the present. The E-Series EQ Module features two different EQ's found on editions of the console produced between 1981 and 1989. Each EQ has unique response curves and tonal character. Historically the type of EQ fitted in an individual console was distinguished by the colors used on the LF knob caps so the two flavors have become known as the 'Brown' and 'Black' EQ's. On the E Series EQ Module you can switch between these two different flavors of EQ that have been loved by generations of professional producers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImmortal SSL 4000 E Series circuitry\u003c\/li\u003e\n\u003cli\u003e\"Black-242\" and \"Brown-02\" twin EQ design\u003c\/li\u003e\n\u003cli\u003eVersatile 4 band channel EQ\u003c\/li\u003e\n\u003cli\u003eBell curve option on HF and LF\u003c\/li\u003e\n\u003cli\u003eFully parametric LMF and HMF with Q\u003c\/li\u003e\n\u003cli\u003eBased on classic 611E console channel strip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe 'Brown' EQ, featured on the discontinued SSL E-Signature Channel Strip, is now uniquely available on the E-Series EQ Module.\u003c\/p\u003e\n\u003ch4\u003eA little SSL EQ history\u003c\/h4\u003e\n\u003cp\u003ePrior to 1987 SSL used the colour of the Low Frequency EQ knob caps to indicate which type of EQ was fitted. All consoles were custom built and could feature different combinations of EQ module. The following colour codes apply:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE-Series BROWN:\u003c\/strong\u003e The original SSL EQ fitted to all consoles prior to the summer of 1985. Despite the rumours these equalisers only came in one version. The EQ card was called the '02'.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE Series ORANGE:\u003c\/strong\u003e The infamous EQP equaliser. This was a variation on the Brown EQ with controls simulating the curves of a valve type EQ. Very few were sold. This card was named the '132'.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE-Series BLACK:\u003c\/strong\u003e The last version of the standard E series EQ. It evolved in the early 1980's from discussions with many top engineers and proved very popular. The EQ card was called the '242'.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eG-Series:\u003c\/strong\u003e With the arrival of the G Series console in 1987 the colour coding was abandoned and the classic SSL end cap colour scheme used today was adopted. First introduced in 1987 the original G Series EQ introduced Q characteristics which were proportional to gain settings and had a degree of over shoot when boosting and under shoot when cutting.\u003cbr\u003eThe current generation of SuperAnalogue console EQ (featured on Duality, AWS 900 + SE \u0026amp; the X-Rack EQ module) are switchable between EQ characteristics that offer either the E-Series 'Black' EQ or the G Series EQ.\u003c\/p\u003e","published_at":"2016-03-11T10:47:00+02:00","created_at":"2016-03-09T21:24:00+02:00","vendor":"SSL","type":"500 Series","tags":["500 series","Brand_SSL","DistHi-Tech","dropdown","EQ"],"price":1999500,"price_min":1999500,"price_max":1999500,"available":false,"price_varies":false,"compare_at_price":2255900,"compare_at_price_min":2255900,"compare_at_price_max":2255900,"compare_at_price_varies":false,"variants":[{"id":16577248580,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"729720X1","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SSL 500-Series E EQ Module - Please call to confirm Stock","public_title":null,"options":["Default Title"],"price":1999500,"weight":0,"compare_at_price":2255900,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/SSL-E-Series-EQ-Module-for-500-Format-Racks_lrg.jpeg?v=1457686104"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/SSL-E-Series-EQ-Module-for-500-Format-Racks_lrg.jpeg?v=1457686104","options":["Title"],"content":"\u003ch3\u003eE-Series EQ Module for API 500 format racks\u003c\/h3\u003e\n\u003cp\u003eThe E-Series EQ Module for 500 Series racks reproduces the legendary sonic signature of an early 80's classic, the Solid State Logic SL 4000 E console channel strip, which has featured on countless classic recordings from the 1980's to the present. The E-Series EQ Module features two different EQ's found on editions of the console produced between 1981 and 1989. Each EQ has unique response curves and tonal character. Historically the type of EQ fitted in an individual console was distinguished by the colors used on the LF knob caps so the two flavors have become known as the 'Brown' and 'Black' EQ's. On the E Series EQ Module you can switch between these two different flavors of EQ that have been loved by generations of professional producers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eImmortal SSL 4000 E Series circuitry\u003c\/li\u003e\n\u003cli\u003e\"Black-242\" and \"Brown-02\" twin EQ design\u003c\/li\u003e\n\u003cli\u003eVersatile 4 band channel EQ\u003c\/li\u003e\n\u003cli\u003eBell curve option on HF and LF\u003c\/li\u003e\n\u003cli\u003eFully parametric LMF and HMF with Q\u003c\/li\u003e\n\u003cli\u003eBased on classic 611E console channel strip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe 'Brown' EQ, featured on the discontinued SSL E-Signature Channel Strip, is now uniquely available on the E-Series EQ Module.\u003c\/p\u003e\n\u003ch4\u003eA little SSL EQ history\u003c\/h4\u003e\n\u003cp\u003ePrior to 1987 SSL used the colour of the Low Frequency EQ knob caps to indicate which type of EQ was fitted. All consoles were custom built and could feature different combinations of EQ module. The following colour codes apply:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE-Series BROWN:\u003c\/strong\u003e The original SSL EQ fitted to all consoles prior to the summer of 1985. Despite the rumours these equalisers only came in one version. The EQ card was called the '02'.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE Series ORANGE:\u003c\/strong\u003e The infamous EQP equaliser. This was a variation on the Brown EQ with controls simulating the curves of a valve type EQ. Very few were sold. This card was named the '132'.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eE-Series BLACK:\u003c\/strong\u003e The last version of the standard E series EQ. It evolved in the early 1980's from discussions with many top engineers and proved very popular. The EQ card was called the '242'.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eG-Series:\u003c\/strong\u003e With the arrival of the G Series console in 1987 the colour coding was abandoned and the classic SSL end cap colour scheme used today was adopted. First introduced in 1987 the original G Series EQ introduced Q characteristics which were proportional to gain settings and had a degree of over shoot when boosting and under shoot when cutting.\u003cbr\u003eThe current generation of SuperAnalogue console EQ (featured on Duality, AWS 900 + SE \u0026amp; the X-Rack EQ module) are switchable between EQ characteristics that offer either the E-Series 'Black' EQ or the G Series EQ.\u003c\/p\u003e"}
Thermionic Culture - Freebird - POR
R47,119.00
{"id":4382766468,"title":"Thermionic Culture - Freebird - POR","handle":"freebird3","description":"\u003cp\u003eThe Freebird is a 3 Channel valve Equaliser and comes in Thermionic Culture's half rack design format and has a built-in but detachable power supply. It will work normally as a stand alone unit but if desired The Freebird can be put in a Thermionic Culture 19 inch rack case together with another unit to give 6 channels of EQ, or you can add a different Thermionic Culture half rack unit such as The Nightingale.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/kJ720-zds7g\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Freebird EQ circuit has a broad and musical nature. It adds a warmth and natural sounding character on it's own and can be used in conjunction with the output from a DAW to provide the character and natural feel that a plugin EQ will struggle to ever really match.\u003c\/p\u003e\n\u003cp\u003eHaving 3 channels means that this unit does not need to be consigned to a stereo bus alone, or it can be thought of as a multichannel type EQ such as that found on a classic mixing console.\u003c\/p\u003e\n\u003cp\u003eThe indented and switched controls give the user a high degree of recall-ability which is very useful when moving between mix projects.\u003c\/p\u003e\n\u003cp\u003eThe EQ section of The Freebird is based around several designs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Baxandall 'Bass'\u003c\/strong\u003e and 'Top' controls give the user 2 shelving EQs that can move continuously between cut or boost.\u003c\/p\u003e\n\u003cp\u003eWe have given two frequencies (15\/9 KHz and 100\/50Hz switched) at which the 'Top' and 'Bass' controls operate.\u003c\/p\u003e\n\u003cp\u003eJust these controls alone give a very broad but powerful and interactive type of EQ.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe 'Presence' \u003c\/strong\u003econtrol gives the user 5 unique lifting EQ curves based around the midrange frequencies. This curve was first developed by Vic Keary in 1960 to emulate the difference in frequency response when playing back a tape machine track with an NAB curve when recorded with a CCIR curve.\u003c\/p\u003e\n\u003cp\u003eSwitched positions 'L', 'M' and 'H' take the curve centre from around 700Hz to around 3KHz with a boost of approximately 3dB. Positions 'H+' and 'H++' take the lift of the 'H' curve up by 5dB and 8dB respectively.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe 'Midcut'\u003c\/strong\u003e is a 31 position indented pot that gives the user a narrow cut in frequencies at 700Hz continuously variable from 0 to 20dB. This EQ curve is taken from The Rooster 'mid cut' control as it proved to be so popular with users.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe 'HPF'\u003c\/strong\u003e control gives 12dB\/octave high pass filters operating at 25Hz and 65Hz. The 25Hz position will effectively remove unwanted sub bass frequencies and also allow the user to go further with the amount of bass boost that they choose to use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Gain\u003c\/strong\u003e control is an indented continuously variable control and it can either help the user to match the EQ'd signal's apparent volume to the un-EQ'd volume. Or it can allow the user to experiment with the variation in sound with operating level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Input\u003c\/strong\u003e is transformer balanced so that any input can be applied to the Freebird without any loss of level. The output is unbalanced to preserve the great \"open\" quality for which this kind of circuit is renowned. The Bypass switch removes all the electronics enabling a comparison to be made between the original and the eq'd signal, with the aid of the gain control.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 Channel valve eq. with a broad and musical nature adding warmth and naturality.\u003c\/li\u003e\n\u003cli\u003eMade in half rack format enabling use with a 2nd Freebird or a Nightingale.\u003c\/li\u003e\n\u003cli\u003eBuilt-in but detachable power supply.\u003c\/li\u003e\n\u003cli\u003eBaxandall 'Bass' and 'top' controls.\u003c\/li\u003e\n\u003cli\u003e'Presence' control giving the user 5 unique lifting EQ curves.\u003c\/li\u003e\n\u003cli\u003eIndented and switched controls enabling recall.\u003c\/li\u003e\n\u003cli\u003eGain control ranging from -12dB to +5dB.\u003c\/li\u003e\n\u003cli\u003e'HPF' control gives 12dB\/octave high pass filters operating at 25Hz and 65Hz.\u003c\/li\u003e\n\u003cli\u003eCan be used in conjunction with the output from a DAW without loss.\u003c\/li\u003e\n\u003cli\u003eGreat Stereo buss eq. with a 'free' extra channel.\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2016-02-12T17:40:00+02:00","created_at":"2016-02-12T17:40:49+02:00","vendor":"Thermionic Culture","type":"EQ","tags":["Brand_Thermionic Culture","DistBenjamin","dropdown","EQ"],"price":4711900,"price_min":4711900,"price_max":4711900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14698745604,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Freebird3","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thermionic Culture - Freebird - POR","public_title":null,"options":["Default Title"],"price":4711900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/thermionic-culture-freebird.jpeg?v=1455352794","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/freebirdFront.jpeg?v=1455352794","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/FreeFrontTop.jpeg?v=1455352794"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/thermionic-culture-freebird.jpeg?v=1455352794","options":["Title"],"content":"\u003cp\u003eThe Freebird is a 3 Channel valve Equaliser and comes in Thermionic Culture's half rack design format and has a built-in but detachable power supply. It will work normally as a stand alone unit but if desired The Freebird can be put in a Thermionic Culture 19 inch rack case together with another unit to give 6 channels of EQ, or you can add a different Thermionic Culture half rack unit such as The Nightingale.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/kJ720-zds7g\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Freebird EQ circuit has a broad and musical nature. It adds a warmth and natural sounding character on it's own and can be used in conjunction with the output from a DAW to provide the character and natural feel that a plugin EQ will struggle to ever really match.\u003c\/p\u003e\n\u003cp\u003eHaving 3 channels means that this unit does not need to be consigned to a stereo bus alone, or it can be thought of as a multichannel type EQ such as that found on a classic mixing console.\u003c\/p\u003e\n\u003cp\u003eThe indented and switched controls give the user a high degree of recall-ability which is very useful when moving between mix projects.\u003c\/p\u003e\n\u003cp\u003eThe EQ section of The Freebird is based around several designs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Baxandall 'Bass'\u003c\/strong\u003e and 'Top' controls give the user 2 shelving EQs that can move continuously between cut or boost.\u003c\/p\u003e\n\u003cp\u003eWe have given two frequencies (15\/9 KHz and 100\/50Hz switched) at which the 'Top' and 'Bass' controls operate.\u003c\/p\u003e\n\u003cp\u003eJust these controls alone give a very broad but powerful and interactive type of EQ.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe 'Presence' \u003c\/strong\u003econtrol gives the user 5 unique lifting EQ curves based around the midrange frequencies. This curve was first developed by Vic Keary in 1960 to emulate the difference in frequency response when playing back a tape machine track with an NAB curve when recorded with a CCIR curve.\u003c\/p\u003e\n\u003cp\u003eSwitched positions 'L', 'M' and 'H' take the curve centre from around 700Hz to around 3KHz with a boost of approximately 3dB. Positions 'H+' and 'H++' take the lift of the 'H' curve up by 5dB and 8dB respectively.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe 'Midcut'\u003c\/strong\u003e is a 31 position indented pot that gives the user a narrow cut in frequencies at 700Hz continuously variable from 0 to 20dB. This EQ curve is taken from The Rooster 'mid cut' control as it proved to be so popular with users.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe 'HPF'\u003c\/strong\u003e control gives 12dB\/octave high pass filters operating at 25Hz and 65Hz. The 25Hz position will effectively remove unwanted sub bass frequencies and also allow the user to go further with the amount of bass boost that they choose to use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Gain\u003c\/strong\u003e control is an indented continuously variable control and it can either help the user to match the EQ'd signal's apparent volume to the un-EQ'd volume. Or it can allow the user to experiment with the variation in sound with operating level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Input\u003c\/strong\u003e is transformer balanced so that any input can be applied to the Freebird without any loss of level. The output is unbalanced to preserve the great \"open\" quality for which this kind of circuit is renowned. The Bypass switch removes all the electronics enabling a comparison to be made between the original and the eq'd signal, with the aid of the gain control.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 Channel valve eq. with a broad and musical nature adding warmth and naturality.\u003c\/li\u003e\n\u003cli\u003eMade in half rack format enabling use with a 2nd Freebird or a Nightingale.\u003c\/li\u003e\n\u003cli\u003eBuilt-in but detachable power supply.\u003c\/li\u003e\n\u003cli\u003eBaxandall 'Bass' and 'top' controls.\u003c\/li\u003e\n\u003cli\u003e'Presence' control giving the user 5 unique lifting EQ curves.\u003c\/li\u003e\n\u003cli\u003eIndented and switched controls enabling recall.\u003c\/li\u003e\n\u003cli\u003eGain control ranging from -12dB to +5dB.\u003c\/li\u003e\n\u003cli\u003e'HPF' control gives 12dB\/octave high pass filters operating at 25Hz and 65Hz.\u003c\/li\u003e\n\u003cli\u003eCan be used in conjunction with the output from a DAW without loss.\u003c\/li\u003e\n\u003cli\u003eGreat Stereo buss eq. with a 'free' extra channel.\u003c\/li\u003e\n\u003c\/ul\u003e"}
Thermionic Culture Pullet
R27,108.00
{"id":4382766404,"title":"Thermionic Culture Pullet","handle":"pullet","description":"\u003cp\u003eThe Pullet is a passive EQ which has a sharp focus on mid range frequencies.\u003c\/p\u003e\n\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BemLfx9Dmec\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Pullet will provide the EQ network to a signal but will reduce the signal level so that a preamplifier with a gain of up to 40dB is needed in order to lift the signal back up to unity gain when the Pullet EQ is set to 'flat' or bypass.\u003c\/p\u003e\n\u003cp\u003eThe preamplifier is used at the output of the Pullet. The fact is that most people will already have a preamplifier that can be used, either a standalone outboard unit, or a mic-preamp built into a console, so the Pullet can make a lot more use from the preamps that would otherwise be sitting around unused during a mix.\u003c\/p\u003e\n\u003cp\u003eThe Pullet provides a variation on the classic passive EQ designs that have proved so popular (eg. Pultec).\u003c\/p\u003e\n\u003cp\u003eHowever, there is far more control and choice in the mid range frequencies than can be found in previous designs.\u003c\/p\u003e\n\u003cp\u003eThe Pullet can provide a variable Q boost of up to 21dB over 11 different frequencies and fixed Q cut at 11 frequencies. There is also a 'High top' control that provides a switched set of shelving style filters to boost or cut high frequencies.\u003c\/p\u003e\n\u003cp\u003eThe Pullet was originally designed for use with the Earlybird 2.2 mic preamp but early on a decision was made to alter the design so that the Pullet can be used with any mic preamp available with a gain of up to 40dB.\u003c\/p\u003e\n\u003cp\u003eThe input impedance of the Pullet is set at 10k? and the Sowter input transformer is utilised so that it will function normally when placed in a chain after any piece of equipment.\u003c\/p\u003e\n\u003cp\u003eThe Pullet can produce some radical EQ curves due to the very high amount of boost and cut available but the passive nature of the EQ will always allow the results to sound as natural as possible.\u003c\/p\u003e\n\u003cp\u003eIt is \"balanced\" in and out on XLR connectors. Short, high quality leads are supplied for connection to mic amps.\u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePassive natural sounding EQ with a sharp focus on mid range frequencies.\u003c\/li\u003e\n\u003cli\u003eProvides a variation on the classic passive EQ designs with an improvement in choice and control in the mid range.\u003c\/li\u003e\n\u003cli\u003e'Air' type control for high top lift\/cut.\u003c\/li\u003e\n\u003cli\u003eCan be used with almost any mic preamp available with a gain of around 40dB.\u003c\/li\u003e\n\u003cli\u003eExceptional amount of lift (over 20dB), and cut available.\u003c\/li\u003e\n\u003cli\u003eBalanced\" in and out on XLR connectors.\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2016-02-12T17:40:00+02:00","created_at":"2016-02-12T17:40:49+02:00","vendor":"Thermionic Culture","type":"EQ","tags":["Brand_Thermionic Culture","DistBenjamin","dropdown"],"price":2710800,"price_min":2710800,"price_max":2710800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14698745540,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Pullet","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thermionic Culture Pullet","public_title":null,"options":["Default Title"],"price":2710800,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":null}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/thermionic_pullet_1.jpeg?v=1455358660","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/pullet-2__18786.jpeg?v=1455358683","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/thepulletfronttoplyrs-13.jpeg?v=1455358706"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/thermionic_pullet_1.jpeg?v=1455358660","options":["Title"],"content":"\u003cp\u003eThe Pullet is a passive EQ which has a sharp focus on mid range frequencies.\u003c\/p\u003e\n\u003ciframe width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/BemLfx9Dmec\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Pullet will provide the EQ network to a signal but will reduce the signal level so that a preamplifier with a gain of up to 40dB is needed in order to lift the signal back up to unity gain when the Pullet EQ is set to 'flat' or bypass.\u003c\/p\u003e\n\u003cp\u003eThe preamplifier is used at the output of the Pullet. The fact is that most people will already have a preamplifier that can be used, either a standalone outboard unit, or a mic-preamp built into a console, so the Pullet can make a lot more use from the preamps that would otherwise be sitting around unused during a mix.\u003c\/p\u003e\n\u003cp\u003eThe Pullet provides a variation on the classic passive EQ designs that have proved so popular (eg. Pultec).\u003c\/p\u003e\n\u003cp\u003eHowever, there is far more control and choice in the mid range frequencies than can be found in previous designs.\u003c\/p\u003e\n\u003cp\u003eThe Pullet can provide a variable Q boost of up to 21dB over 11 different frequencies and fixed Q cut at 11 frequencies. There is also a 'High top' control that provides a switched set of shelving style filters to boost or cut high frequencies.\u003c\/p\u003e\n\u003cp\u003eThe Pullet was originally designed for use with the Earlybird 2.2 mic preamp but early on a decision was made to alter the design so that the Pullet can be used with any mic preamp available with a gain of up to 40dB.\u003c\/p\u003e\n\u003cp\u003eThe input impedance of the Pullet is set at 10k? and the Sowter input transformer is utilised so that it will function normally when placed in a chain after any piece of equipment.\u003c\/p\u003e\n\u003cp\u003eThe Pullet can produce some radical EQ curves due to the very high amount of boost and cut available but the passive nature of the EQ will always allow the results to sound as natural as possible.\u003c\/p\u003e\n\u003cp\u003eIt is \"balanced\" in and out on XLR connectors. Short, high quality leads are supplied for connection to mic amps.\u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePassive natural sounding EQ with a sharp focus on mid range frequencies.\u003c\/li\u003e\n\u003cli\u003eProvides a variation on the classic passive EQ designs with an improvement in choice and control in the mid range.\u003c\/li\u003e\n\u003cli\u003e'Air' type control for high top lift\/cut.\u003c\/li\u003e\n\u003cli\u003eCan be used with almost any mic preamp available with a gain of around 40dB.\u003c\/li\u003e\n\u003cli\u003eExceptional amount of lift (over 20dB), and cut available.\u003c\/li\u003e\n\u003cli\u003eBalanced\" in and out on XLR connectors.\u003c\/li\u003e\n\u003c\/ul\u003e"}
Warm Audio WA-EQP Pultec Style Tube Equalizer
R11,699.00
R10,195.00
{"id":4382765636,"title":"Warm Audio WA-EQP Pultec Style Tube Equalizer","handle":"eqp-wa","description":"\u003ch1\u003eEQP-WA Pultec Style Tube Equalizer\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eThe EQP-WA is a re-creation of the most renown tube Equalizer in studio history, the \"Pultec EQP-1A\". Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that's nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"533\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/Tk8lOXjyCMw\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTube Equalizer based on the classic \"Pultec\" EQP-1A\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCineMag input and output transformers - Made in U.S.A.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePremium high voltage 12AX7 and 12AU7 tubes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCineMag inductor EQ section\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEQ section is bypassable - signal still passes through tubes and transformers for warming effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNo insertion loss - loss restored by tube amplifier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eXLR and TRS transformer balanced inputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eXLR and TRS transformer balanced outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlat frequency response from 20 Hz - 50 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBoost and Cut controls can be used simultaneously for phase effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh frequency cut - 3, 4, 5, 10, 20 kHz - 14 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e5 added frequency points for greater flexibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSwitchable 115\/230 volt IEC power inlet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDimensions: 19 x 3.5 x 6 inches - 2RU rack mountable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-11-07T20:38:35+02:00","created_at":"2016-02-12T17:40:48+02:00","vendor":"Warm Audio","type":"Equalization","tags":["Brand_Warm Audio","DistBenjamin","dropdown","EQ","HOT Feb","mastering","mixing"],"price":1019500,"price_min":1019500,"price_max":1019500,"available":true,"price_varies":false,"compare_at_price":1169900,"compare_at_price_min":1169900,"compare_at_price_max":1169900,"compare_at_price_varies":false,"variants":[{"id":14698744708,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"EQP-WA","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-EQP Pultec Style Tube Equalizer","public_title":null,"options":["Default Title"],"price":1019500,"weight":0,"compare_at_price":1169900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/warm-audio-eqp-wa-kmraudio.jpeg?v=1455373836","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/Circuit_Web_Ready_Snip.jpeg?v=1455373836","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/EQP-WA_FACE_Web_Size.png?v=1455373836"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/warm-audio-eqp-wa-kmraudio.jpeg?v=1455373836","options":["Title"],"content":"\u003ch1\u003eEQP-WA Pultec Style Tube Equalizer\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eThe EQP-WA is a re-creation of the most renown tube Equalizer in studio history, the \"Pultec EQP-1A\". Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that's nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"533\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/Tk8lOXjyCMw\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTube Equalizer based on the classic \"Pultec\" EQP-1A\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCineMag input and output transformers - Made in U.S.A.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePremium high voltage 12AX7 and 12AU7 tubes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCineMag inductor EQ section\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEQ section is bypassable - signal still passes through tubes and transformers for warming effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNo insertion loss - loss restored by tube amplifier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eXLR and TRS transformer balanced inputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eXLR and TRS transformer balanced outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlat frequency response from 20 Hz - 50 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBoost and Cut controls can be used simultaneously for phase effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh frequency cut - 3, 4, 5, 10, 20 kHz - 14 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e5 added frequency points for greater flexibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSwitchable 115\/230 volt IEC power inlet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDimensions: 19 x 3.5 x 6 inches - 2RU rack mountable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e"}
Warm Audio WA-EQP Pultec Style Tube Equalizer
R11,699.00
R10,195.00
{"id":1197732298788,"title":"Warm Audio WA-EQP Pultec Style Tube Equalizer","handle":"warm-audio-wa-eqp-pultec-style-tube-equalizer","description":"\u003ch1\u003eEQP-WA Pultec Style Tube Equalizer\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eThe EQP-WA is a re-creation of the most renown tube Equalizer in studio history, the \"Pultec EQP-1A\". Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that's nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"533\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/Tk8lOXjyCMw\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTube Equalizer based on the classic \"Pultec\" EQP-1A\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCineMag input and output transformers - Made in U.S.A.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePremium high voltage 12AX7 and 12AU7 tubes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCineMag inductor EQ section\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEQ section is bypassable - signal still passes through tubes and transformers for warming effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNo insertion loss - loss restored by tube amplifier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eXLR and TRS transformer balanced inputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eXLR and TRS transformer balanced outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlat frequency response from 20 Hz - 50 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBoost and Cut controls can be used simultaneously for phase effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh frequency cut - 3, 4, 5, 10, 20 kHz - 14 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e5 added frequency points for greater flexibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSwitchable 115\/230 volt IEC power inlet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDimensions: 19 x 3.5 x 6 inches - 2RU rack mountable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-11-07T20:38:35+02:00","created_at":"2019-03-18T15:47:07+02:00","vendor":"Warm Audio","type":"Equalization","tags":["Brand_Warm Audio","DistBenjamin","dropdown","EQ","HOT Feb","mastering","mixing"],"price":1019500,"price_min":1019500,"price_max":1019500,"available":true,"price_varies":false,"compare_at_price":1169900,"compare_at_price_min":1169900,"compare_at_price_max":1169900,"compare_at_price_varies":false,"variants":[{"id":10603527634980,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"EQP-WA","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-EQP Pultec Style Tube Equalizer","public_title":null,"options":["Default Title"],"price":1019500,"weight":0,"compare_at_price":1169900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/warm-audio-eqp-wa-kmraudio_8853935b-8d76-4095-80e9-2285cf6c799f.jpeg?v=1552916828","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/Circuit_Web_Ready_Snip_6cf14867-9c03-4c5e-95fd-09b30488f705.jpeg?v=1552916828","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/EQP-WA_FACE_Web_Size_b0cf5ad7-c26f-4d96-b283-3ba961c4d8ff.png?v=1552916828"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/warm-audio-eqp-wa-kmraudio_8853935b-8d76-4095-80e9-2285cf6c799f.jpeg?v=1552916828","options":["Title"],"content":"\u003ch1\u003eEQP-WA Pultec Style Tube Equalizer\u003c\/h1\u003e\n\u003cp\u003e\u003cspan\u003eThe EQP-WA is a re-creation of the most renown tube Equalizer in studio history, the \"Pultec EQP-1A\". Not only does the look and feel of the EQP-WA match the classic Pultec units, but the sonic quality has been carefully considered by using top-end components such as CineMag transformers and premium tubes. This fully discrete Tube EQ can pull euphoric sonics from any track and bring a brilliance and luster to mixes that's nearly impossible to achieve inside-the-box. We are proud to have once again redefined the industry standard by bringing a fully professional-grade equalizer to the market at a price that's just as remarkable as the unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ciframe width=\"533\" height=\"300\" src=\"https:\/\/www.youtube.com\/embed\/Tk8lOXjyCMw\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeatures:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eTube Equalizer based on the classic \"Pultec\" EQP-1A\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCineMag input and output transformers - Made in U.S.A.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePremium high voltage 12AX7 and 12AU7 tubes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCineMag inductor EQ section\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEQ section is bypassable - signal still passes through tubes and transformers for warming effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNo insertion loss - loss restored by tube amplifier\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eXLR and TRS transformer balanced inputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eXLR and TRS transformer balanced outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFlat frequency response from 20 Hz - 50 kHz\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBoost and Cut controls can be used simultaneously for phase effect\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow frequency boost - 20, 30, 60, 100, 200, 400, 800 Hz - 12 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLow frequency cut - 20, 30, 60, 100, 200, 400, 800 Hz - 18 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh frequency boost - 3, 4, 5, 8, 10, 12, 16 kHz - 18 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh frequency cut - 3, 4, 5, 10, 20 kHz - 14 db\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e5 added frequency points for greater flexibility\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSwitchable 115\/230 volt IEC power inlet\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDimensions: 19 x 3.5 x 6 inches - 2RU rack mountable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e"}