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RME ADI-2 DAC reference USB DA converter - Temporarily sold out
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{"id":1120978108452,"title":"RME ADI-2 DAC reference USB DA converter - Temporarily sold out","handle":"rme-adi-2-dac-reference-usb-ad-da-converter","description":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRME ADI-2 DAC world class DA Converter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eA New Experience in Sound and Quality \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIn 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD\/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePacked into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAs the most versatile DAC available, the ADI-2 DAC offers balanced\/unbalanced analog outputs, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility and sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"ADI-2 DAC - Features\" src=\"http:\/\/www.rme-audio.de\/images\/products\/adi-2-dac-info.jpg\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith the DAC RME engineers took the opportunity to slightly enhance the DAC's analog output stage to be even more perfect as it already was. More relays, a different double symmetrical attenuator circuit and one additional buffer OP amp succeed in less noise and less THD. As the DAC-chip is the limiting factor here this is hard to measure, but nevertheless an important improvement, especially at lower hardware output levels typical for Cinch\/RCA usage. The new hardware reference levels of +13 dBu, +7 dBu, +1 dBu and -5 dBu also add to this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eModern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eStill RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on\/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"ADI-2 DAC - Advanced IEM output\" src=\"http:\/\/www.rme-audio.de\/images\/products\/adi-2-dac-iem.jpg\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eA studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off \/ on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"ADI-2 DAC - High Resolution Display\" src=\"http:\/\/www.rme-audio.de\/images\/products\/adi-2-dac-screen.jpg\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ADI-2 DAC comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labeled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe DAC remote offers buttons for Standby On\/Off, Volume, input selection (Optical, Coaxial, USB) and Mute. Four programmable buttons are added that can be assigned with 22 different functions and commands for total flexibility. There is no other DAC or similar unit with such a sophisticated, easy to use and versatile remote functionality!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"ADI-2 DAC - Remote Control\" src=\"http:\/\/www.rme-audio.de\/images\/products\/adi-2-dac-remote.jpg\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behavior didn't change in the DAC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith SteadyClock FS the focus was put on reducing the self jitter of SteadyClock to new lows, by improving its second, analog PLL circuit, and referencing both Direct Digital Synthesis and PLL to a low phase noise quartz crystal. The self jitter measured through DA conversion now reaches levels that usually are only available in master quartz clock mode, while SteadyClock still always runs in PLL mode - no matter if internal or external clock, sound is exactly the same (again). The low phase noise oscillator driving the updated circuit reaches jitter specs lower than a picosecond (ps), an area called FemtoSecond. Hence SteadyClock FS.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTech Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Lock Range: 28 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Jitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Accepts Consumer and Professional format\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x RCA, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• High-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• AES\/EBU compatible (AES3-1992)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x optical, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• ADAT compatible\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eXLR\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level switchable +19 dBu, +13 dBu, +7 dBu, +1 dBu @ 0 dBFS\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +7\/+13\/+19 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +1 dBu: 115,4 dB RMS unweighted, 118,9 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 384 kHz, -1 dB: 0 Hz – 115 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 768 kHz, -3 dB: 0 Hz – 109 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -1 dBFS: -112 dB, 0.00025 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ -1 dBFS: -110 dB, 0.00032 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -3 dBFS: -116 dB, 0.00016 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Channel separation: \u0026gt; 120 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 200 Ohm balanced, 100 Ohm unbalanced\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eChinch\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs output XLR, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output: 6.3 mm TS jack, unbalanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level 6 dB lower than XLR (-5 dBu to +13 dBu @ 0 dBFS)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +1\/+7 dBu: 114\/116 dB RMS unweighted, 117\/119 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ -5 dBu: 109 dB RMS unweighted, 113 dBA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePhones\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs Cinch but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output: 6.3 mm TRS jack, unbalanced, stereo\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 0.1 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +7 dBu: 116 dB RMS unweighted, 119 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, High Power, load 100 Ohm or up: +22 dBu (10 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Low Power, load 8 Ohm or up: +7 dBu (1.73 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB, 0.0003 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Max power @ 0.001% THD: 1.5 W per channel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eIEM\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs Phones, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS: -3 dBu, 0.55 V\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ -3 dBu: 115 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Max power, 8 Ohm, 0.001% THD: 40 mW per channel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Clocks: Internal, SPDIF In\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Jitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Effective clock jitter influence on DA conversion: near zero\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• PLL ensures zero dropout, even at more than 100 ns jitter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Additional Digital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Supported sample rates for external clocks: 44.1 kHz up to 192 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Internally supported sample rates: 44.1 kHz up to 768 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Standby power consumption: 120 mW (10 mA)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Idle power consumption: 7 Watts, Max. power consumption: 18 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Idle current at 12 V: 570 mA (6.8 Watts)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Dimensions (WxHxD): 215 x 52 x 150 mm (8.5\" x 2.05\" x 5.9\")\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Weight: 1.0 kg ( 2.2 lbs)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Temperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Relative humidity: \u0026lt; 75%, non condensing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME ADI-2 DAC reference converter from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2019-02-04T13:34:16+02:00","created_at":"2019-02-04T13:25:27+02:00","vendor":"RME","type":"Audio Interfaces","tags":["audio interfaces","Brand_RME","Convert19","converters","dropdown","label new","mastering","on sale","RME","usb interface"],"price":2679900,"price_min":2679900,"price_max":2679900,"available":false,"price_varies":false,"compare_at_price":3346500,"compare_at_price_min":3346500,"compare_at_price_max":3346500,"compare_at_price_varies":false,"variants":[{"id":10165624111140,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"ADI2DAC","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"RME ADI-2 DAC reference USB DA converter - Temporarily sold out","public_title":null,"options":["Default Title"],"price":2679900,"weight":0,"compare_at_price":3346500,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-DAC.jpg?v=1559207142","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-DAC-front.jpg?v=1559207142"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-DAC.jpg?v=1559207142","options":["Title"],"media":[{"alt":null,"id":1538462187556,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-DAC.jpg?v=1569329510"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-DAC.jpg?v=1569329510","width":1000},{"alt":null,"id":1538462220324,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-DAC-front.jpg?v=1569329510"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-DAC-front.jpg?v=1569329510","width":1000}],"content":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRME ADI-2 DAC world class DA Converter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eA New Experience in Sound and Quality \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIn 2016 RME released the ADI-2 Pro. With a lot of fresh ideas, innovative features and numerous useful functions it rolled up the AD\/DA converter scene and quickly became a reference for both AD- and DA conversion. Equipped with two Extreme Power headphone outputs it also found its way into HiFi and home use, getting countless rave reviews for its sound, flexibility and technical prowess.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePacked into the compact half 19” format factor, this little gem is filled with the finest high-end electronics, offering a reference class conversion from SPDIF coaxial, SPDIF optical (ADAT compatible) and USB to RCA, XLR, TRS and mini-TRS.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAs the most versatile DAC available, the ADI-2 DAC offers balanced\/unbalanced analog outputs, an Extreme Power headphone output, a super low noise IEM output, SteadyClock FS, 4-stage hardware output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility and sample rates up to 768 kHz as well as DSD and Direct DSD playback. The SPDIF input signal can even be recorded via USB - as one would expect from RME the DAC is a true 2 channel Full Duplex audio interface.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"ADI-2 DAC - Features\" src=\"http:\/\/www.rme-audio.de\/images\/products\/adi-2-dac-info.jpg\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith the DAC RME engineers took the opportunity to slightly enhance the DAC's analog output stage to be even more perfect as it already was. More relays, a different double symmetrical attenuator circuit and one additional buffer OP amp succeed in less noise and less THD. As the DAC-chip is the limiting factor here this is hard to measure, but nevertheless an important improvement, especially at lower hardware output levels typical for Cinch\/RCA usage. The new hardware reference levels of +13 dBu, +7 dBu, +1 dBu and -5 dBu also add to this.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe headphone revolution not only brought headphones but also IEMs (in ear monitors) back into the attention of audiophiles and music lovers. Modern IEMs have a reference sound that easily competes with bulky over-ear headphones, making them not only a mobile alternative, but also an interesting solution in home.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eModern IEMs are extremely sensitive and operate on very low voltages. As a side effect they uncover the noise floor of the player, DAC or headphone amp. When RME developed its Extreme Power headphone stage the basic noise floor was taken care to be as low as possible. Which was then confirmed in many reviews (most black background…). Even when used with IEMs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eStill RME wanted to make sure that even the most sensitive IEM combined with the most sensitive listener receive the full dynamic range on playback. Also capable outputs like the Extreme Power ones are not fully safe against operating errors and might blow up ears or IEMs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME's solution: adding the most advanced IEM output imaginable as second phones connection to the front of the ADI-2 DAC. Its ground noise floor is an astounding 10 dB lower than the one of the Extreme Power output (black hole background…), output impedance is near zero Ohms, THD reaches new record lows, click-free on\/off is included as well as volume ramp-up, and the sound quality with any IEM is just amazing. We're sure you will love it!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"ADI-2 DAC - Advanced IEM output\" src=\"http:\/\/www.rme-audio.de\/images\/products\/adi-2-dac-iem.jpg\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eA studio converter with all lights off? Defective. But on a DAC it was one of the most often requested features from our ADI-2 Pro HiFi customers. Here we go: display, function keys, volume knob, even the standby button - they all go off after 10 seconds of no user operation when AutoDark is activated in the unit's menu. Touching any button or control will turn on all lights for 10 seconds. Using the remote AutoDark can also be switched off \/ on, and using any button on the remote turns lights on for 3 seconds. Once again: we're sure you will love it!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"ADI-2 DAC - High Resolution Display\" src=\"http:\/\/www.rme-audio.de\/images\/products\/adi-2-dac-screen.jpg\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ADI-2 DAC comes with a remote that is not the usual cheap add-on. This nicely designed remote control has clearly labeled buttons, readable even in low light conditions without reading glasses, a nicely laid out button arrangement that is easy to remember, and perfect button ergonomics. Plus: It won't interfere with your ATV or other devices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe DAC remote offers buttons for Standby On\/Off, Volume, input selection (Optical, Coaxial, USB) and Mute. Four programmable buttons are added that can be assigned with 22 different functions and commands for total flexibility. There is no other DAC or similar unit with such a sophisticated, easy to use and versatile remote functionality!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cimg alt=\"ADI-2 DAC - Remote Control\" src=\"http:\/\/www.rme-audio.de\/images\/products\/adi-2-dac-remote.jpg\" style=\"float: none;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ADI-2 DAC is the first device in RME's range with SteadyClock FS. There is not much to improve with SteadyClock, it has earned its accolades over years of flawless operation in numerous RME devices, guaranteeing that using the internal clock will produce exactly the same sound as when using an external one. SteadyClock highly rejects jitter and handles all digital interface formats in an exemplary way. That's why SteadyClock's design and behavior didn't change in the DAC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith SteadyClock FS the focus was put on reducing the self jitter of SteadyClock to new lows, by improving its second, analog PLL circuit, and referencing both Direct Digital Synthesis and PLL to a low phase noise quartz crystal. The self jitter measured through DA conversion now reaches levels that usually are only available in master quartz clock mode, while SteadyClock still always runs in PLL mode - no matter if internal or external clock, sound is exactly the same (again). The low phase noise oscillator driving the updated circuit reaches jitter specs lower than a picosecond (ps), an area called FemtoSecond. Hence SteadyClock FS.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ADI-2 DAC includes an improved SteadyClock, a fine-tuned to perfection analog circuitry, remote control, Extreme Power headphone output and a very special IEM output. It has all the bells and whistles that made the ADI-2 Pro famous, including its perfectly transparent sound signature and full DSP processing with Bass, Treble, Loudness, 5 Band Parametric EQ, Crossfeed and much more. With its simplified operation and stunning design it is the ideal center piece from home listening up to studio reference playback.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTech Specs:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Lock Range: 28 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Jitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Accepts Consumer and Professional format\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x RCA, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• High-sensitivity input stage (\u0026lt; 0.3 Vpp)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• AES\/EBU compatible (AES3-1992)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x optical, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• ADAT compatible\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eXLR\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level switchable +19 dBu, +13 dBu, +7 dBu, +1 dBu @ 0 dBFS\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +7\/+13\/+19 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +1 dBu: 115,4 dB RMS unweighted, 118,9 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 384 kHz, -1 dB: 0 Hz – 115 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 768 kHz, -3 dB: 0 Hz – 109 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -1 dBFS: -112 dB, 0.00025 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ -1 dBFS: -110 dB, 0.00032 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -3 dBFS: -116 dB, 0.00016 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Channel separation: \u0026gt; 120 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 200 Ohm balanced, 100 Ohm unbalanced\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eChinch\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs output XLR, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output: 6.3 mm TS jack, unbalanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level 6 dB lower than XLR (-5 dBu to +13 dBu @ 0 dBFS)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +1\/+7 dBu: 114\/116 dB RMS unweighted, 117\/119 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ -5 dBu: 109 dB RMS unweighted, 113 dBA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePhones\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs Cinch but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output: 6.3 mm TRS jack, unbalanced, stereo\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 0.1 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +7 dBu: 116 dB RMS unweighted, 119 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, High Power, load 100 Ohm or up: +22 dBu (10 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Low Power, load 8 Ohm or up: +7 dBu (1.73 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB, 0.0003 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Max power @ 0.001% THD: 1.5 W per channel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eIEM\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs Phones, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS: -3 dBu, 0.55 V\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ -3 dBu: 115 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Max power, 8 Ohm, 0.001% THD: 40 mW per channel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Clocks: Internal, SPDIF In\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Jitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Effective clock jitter influence on DA conversion: near zero\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• PLL ensures zero dropout, even at more than 100 ns jitter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Additional Digital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Supported sample rates for external clocks: 44.1 kHz up to 192 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Internally supported sample rates: 44.1 kHz up to 768 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Standby power consumption: 120 mW (10 mA)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Idle power consumption: 7 Watts, Max. power consumption: 18 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Idle current at 12 V: 570 mA (6.8 Watts)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Dimensions (WxHxD): 215 x 52 x 150 mm (8.5\" x 2.05\" x 5.9\")\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Weight: 1.0 kg ( 2.2 lbs)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Temperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Relative humidity: \u0026lt; 75%, non condensing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME ADI-2 DAC reference converter from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e"}
RME Fireface UC 192kHz USB Audio Interface - Sold Out
R28,299.00
R24,899.00
{"id":884672528420,"title":"RME Fireface UC 192kHz USB Audio Interface - Sold Out","handle":"rme-fireface-uc","description":"\u003cp\u003e\u003cstrong\u003e18-in\/18-out 24-bit\/192kHz USB Audio Interface with Two Digitally Controlled Microphone Preamps, TRS I\/O, ADAT, S\/PDIF, MIDI, and Word Clock - Mac\/PC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe compact Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver. Under both Operating Systems the available latencies* are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance previously not available from USB audio interfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet\"\u003e\n\u003cli\u003e18 Input \/ 18 Output channels\u003c\/li\u003e\n\u003cli\u003e8 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O or 1 x SPDIF I\/O optical\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O coaxial\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e1 x USB 2.0\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e2 x Mic Preamp with digitally controlled gain\u003c\/li\u003e\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UC features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I\/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eIntegrated DSP mixer . All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load.\u003c\/p\u003e\n\u003cp\u003eAnalog I\/O . Eight analog inputs and outputs (all balanced, except outputs 7\/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo\/HiGain), realized discretely in the analog domain, ensure highest dynamic range and fidelity. Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones.\u003c\/p\u003e\n\u003cp\u003ePreamps . The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB.\u003c\/p\u003e\n\u003cp\u003eDigital I\/O . One ADAT I\/O provides digital connection to mixers and converters. In combination with an ADI-8 DS\/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I\/O (up to 192 kHz) is fully AES\/EBU compatible. SPDIF can also be accessed through the optical I\/O.\u003c\/p\u003e\n\u003cp\u003eWord Clock \u0026amp; MIDI . A Word Clock input and output plus two MIDI I\/Os (special breakout cable included) complete the list of features and turn the Fireface UC into an entire audio system of the highest quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSample rates up to 192 kHz on all I\/Os (including 2 ADAT channels with SMUX4)\u003c\/li\u003e\n\u003cli\u003eTwo digitally controlled Mic Preamps in high-end quality\u003c\/li\u003e\n\u003cli\u003eTwo balanced universal inputs for line and instrument signals\u003c\/li\u003e\n\u003cli\u003eSteadyClock for maximum jitter suppression and clock refresh\u003c\/li\u003e\n\u003cli\u003eEnhanced stand-alone operation with rotary encoder and front panel display\u003c\/li\u003e\n\u003cli\u003eTotalMix: 648-channel mixer with 42-bit internal resolution\u003c\/li\u003e\n\u003cli\u003e54 Level Meter Peak\/RMS, hardware-calculated\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput AD:\u003c\/strong\u003e 6 x 1\/4\" TRS (4 x Line, 2 x Line\/Instrument), 2 x XLR\/TRS Combo connector (2 x Mic\/Line), all servo-balanced.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput DA:\u003c\/strong\u003e 6 x 1\/4\" TRS, servo-balanced, DC-coupled signal path. 1 x 1\/4\" TRS unbalanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Digital:\u003c\/strong\u003e 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES\/EBU compatible)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Digital:\u003c\/strong\u003e 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES\/EBU compatible)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI:\u003c\/strong\u003e 2 x MIDI I\/O via breakout cable (4 x 5-pin DIN jacks), for 32 channels low jitter hi-speed MIDI\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic range AD:\u003c\/strong\u003e 110 dB RMS unweighted, 113 dBA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD AD:\u003c\/strong\u003e \u0026lt; -100 dB (\u0026lt; 0.001 %)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N AD:\u003c\/strong\u003e \u0026lt; -98 dB (\u0026lt; 0.0012 %)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk AD:\u003c\/strong\u003e \u0026gt; 110 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic range DA:\u003c\/strong\u003e 110 dB RMS unweighted, 113 dBA (unmuted)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD DA:\u003c\/strong\u003e -100 dB (0.001 %)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N DA:\u003c\/strong\u003e -96 dB (0.0015 %)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk DA:\u003c\/strong\u003e \u0026gt; 110 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output level for 0 dBFS @ Hi Gain:\u003c\/strong\u003e +19 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output level for 0 dBFS @ +4 dBu:\u003c\/strong\u003e +13 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output level for 0 dBFS @ -10 dBV:\u003c\/strong\u003e +2 dBV\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSample rate internally:\u003c\/strong\u003e 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSample rate externally:\u003c\/strong\u003e 28 kHz - 200 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e AD\/DA, -0.1 dB: 5 Hz - 20.4 kHz (sf 44.1 kHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e AD\/DA, -0.5 dB: 1 Hz - 43.3 kHz (sf 96 kHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e AD\/DA, -1 dB: 1 Hz - 80 kHz (sf 192 kHz)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-08-27T15:50:53+02:00","created_at":"2018-08-27T15:30:28+02:00","vendor":"RME","type":"Audio Interfaces","tags":["audio interfaces","Brand_RME","converters","dropdown","mastering","on sale","RME","usb interface"],"price":2489900,"price_min":2489900,"price_max":2489900,"available":true,"price_varies":false,"compare_at_price":2829900,"compare_at_price_min":2829900,"compare_at_price_max":2829900,"compare_at_price_varies":false,"variants":[{"id":9103386509348,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEUC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME Fireface UC 192kHz USB Audio Interface - Sold Out","public_title":null,"options":["Default Title"],"price":2489900,"weight":0,"compare_at_price":2829900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC-2.png?v=1535378702","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC.png?v=1535378702","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC-FRONT.png?v=1535378702"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC-2.png?v=1535378702","options":["Title"],"media":[{"alt":null,"id":1306240090148,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC-2.png?v=1569288422"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC-2.png?v=1569288422","width":1500},{"alt":null,"id":1306235830308,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC.png?v=1569288422"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC.png?v=1569288422","width":1000},{"alt":null,"id":1306240122916,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC-FRONT.png?v=1569288422"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UC-FRONT.png?v=1569288422","width":1500}],"content":"\u003cp\u003e\u003cstrong\u003e18-in\/18-out 24-bit\/192kHz USB Audio Interface with Two Digitally Controlled Microphone Preamps, TRS I\/O, ADAT, S\/PDIF, MIDI, and Word Clock - Mac\/PC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe compact Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver. Under both Operating Systems the available latencies* are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance previously not available from USB audio interfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet\"\u003e\n\u003cli\u003e18 Input \/ 18 Output channels\u003c\/li\u003e\n\u003cli\u003e8 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O or 1 x SPDIF I\/O optical\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O coaxial\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O\u003c\/li\u003e\n\u003cli\u003e1 x USB 2.0\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e2 x Mic Preamp with digitally controlled gain\u003c\/li\u003e\n\u003cli\u003eTotalMix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true.\u003c\/p\u003e\n\u003cp\u003eThe Fireface UC features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I\/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz.\u003c\/p\u003e\n\u003cp\u003eIntegrated DSP mixer . All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load.\u003c\/p\u003e\n\u003cp\u003eAnalog I\/O . Eight analog inputs and outputs (all balanced, except outputs 7\/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo\/HiGain), realized discretely in the analog domain, ensure highest dynamic range and fidelity. Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones.\u003c\/p\u003e\n\u003cp\u003ePreamps . The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB.\u003c\/p\u003e\n\u003cp\u003eDigital I\/O . One ADAT I\/O provides digital connection to mixers and converters. In combination with an ADI-8 DS\/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I\/O (up to 192 kHz) is fully AES\/EBU compatible. SPDIF can also be accessed through the optical I\/O.\u003c\/p\u003e\n\u003cp\u003eWord Clock \u0026amp; MIDI . A Word Clock input and output plus two MIDI I\/Os (special breakout cable included) complete the list of features and turn the Fireface UC into an entire audio system of the highest quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSample rates up to 192 kHz on all I\/Os (including 2 ADAT channels with SMUX4)\u003c\/li\u003e\n\u003cli\u003eTwo digitally controlled Mic Preamps in high-end quality\u003c\/li\u003e\n\u003cli\u003eTwo balanced universal inputs for line and instrument signals\u003c\/li\u003e\n\u003cli\u003eSteadyClock for maximum jitter suppression and clock refresh\u003c\/li\u003e\n\u003cli\u003eEnhanced stand-alone operation with rotary encoder and front panel display\u003c\/li\u003e\n\u003cli\u003eTotalMix: 648-channel mixer with 42-bit internal resolution\u003c\/li\u003e\n\u003cli\u003e54 Level Meter Peak\/RMS, hardware-calculated\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput AD:\u003c\/strong\u003e 6 x 1\/4\" TRS (4 x Line, 2 x Line\/Instrument), 2 x XLR\/TRS Combo connector (2 x Mic\/Line), all servo-balanced.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput DA:\u003c\/strong\u003e 6 x 1\/4\" TRS, servo-balanced, DC-coupled signal path. 1 x 1\/4\" TRS unbalanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Digital:\u003c\/strong\u003e 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES\/EBU compatible)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Digital:\u003c\/strong\u003e 1 x ADAT optical or SPDIF optical, SPDIF coaxial (AES\/EBU compatible)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMIDI:\u003c\/strong\u003e 2 x MIDI I\/O via breakout cable (4 x 5-pin DIN jacks), for 32 channels low jitter hi-speed MIDI\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic range AD:\u003c\/strong\u003e 110 dB RMS unweighted, 113 dBA\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD AD:\u003c\/strong\u003e \u0026lt; -100 dB (\u0026lt; 0.001 %)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N AD:\u003c\/strong\u003e \u0026lt; -98 dB (\u0026lt; 0.0012 %)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk AD:\u003c\/strong\u003e \u0026gt; 110 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDynamic range DA:\u003c\/strong\u003e 110 dB RMS unweighted, 113 dBA (unmuted)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD DA:\u003c\/strong\u003e -100 dB (0.001 %)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHD+N DA:\u003c\/strong\u003e -96 dB (0.0015 %)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrosstalk DA:\u003c\/strong\u003e \u0026gt; 110 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output level for 0 dBFS @ Hi Gain:\u003c\/strong\u003e +19 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output level for 0 dBFS @ +4 dBu:\u003c\/strong\u003e +13 dBu\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output level for 0 dBFS @ -10 dBV:\u003c\/strong\u003e +2 dBV\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSample rate internally:\u003c\/strong\u003e 32, 44.1, 48, 64, 88.2 kHz, 96 kHz, 128, 176.4, 192 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSample rate externally:\u003c\/strong\u003e 28 kHz - 200 kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e AD\/DA, -0.1 dB: 5 Hz - 20.4 kHz (sf 44.1 kHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e AD\/DA, -0.5 dB: 1 Hz - 43.3 kHz (sf 96 kHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e AD\/DA, -1 dB: 1 Hz - 80 kHz (sf 192 kHz)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
RME Babyface Pro 24-Channel USB Audio Interface
R22,655.00
R17,695.00
{"id":4647602884,"title":"RME Babyface Pro 24-Channel USB Audio Interface","handle":"rme-babyface-pro-usb-interface","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe \u003cstrong\u003eRME Babyface Pro\u003c\/strong\u003e is a compact USB audio interface which provides direct integration and recording to digital audio workstations via the USB 2.0 connection. With XLR and instrument inputs simply connect your favourite microphones and guitars to start creating and capturing in stunning high audio quality. Also with MIDI compatibility and digital optical in\/out connection you can expand the Babyface Pro with additional mic preamps to utilize up to 12 inputs\/outputs simultaneously.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/4atx4C0o3Zg\" height=\"480\" width=\"854\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/VfJfch0hC0o\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix FX: \u003c\/strong\u003eThe next generation of TotalMix delivers hardware mixing\/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix has been rewritten from the ground up. The DSP mixer now not only matches features of high-end digital consoles but even adds effects like a 3-band parametric EQ plus Low Cut on all input and output channels. The Babyface also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003cstrong\u003eProfessioinal features\u003c\/strong\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ei. \u003c\/strong\u003eStraight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eii. \u003c\/strong\u003eRME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eiii. \u003c\/strong\u003eThe clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eiv. \u003c\/strong\u003eEven in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMain features:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12-in\/12-out audio interface in a sleek, desktop design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAll of the I\/O is integrated directly into the unit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUser interface faceplate offers standalone use\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePowerful TotalMix software mixer via internal DSP\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDurable aluminum housing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2 mic preamp inputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ehi-Z and lo-Z 1\/4\" inputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eADAT\/SPDIF I\/O\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e4 analog outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2 headphone outs for hi- and lo-Z\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eMIDI and USB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX software is compatible with Windows, OS X, and iOS (on iPad)\u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"table\"\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eType: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUSB Interface\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eComputer Connectivity: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUSB 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eForm Factor: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eDesktop\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eSimultaneous I\/O: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e4 x 4 (analog), 12 x 12 (digital)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eNumber of Preamps: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x mic, 2 x instrument\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eInputs:\u003c\/b\u003e 2 x XLR (Microphone), 2 x 1\/4\" Jack (Instrument)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOutputs:\u003c\/b\u003e 2 x XLR (Master Out), 2 x Headphone (3.5mm\/6.1mm)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAdditional Connections:\u003c\/b\u003e USB, MIDI, Optical In\/Out\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eUSB:\u003c\/b\u003e 2.0 (USB 3.0 also Compatible)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003ePhantom Power:\u003c\/b\u003e +48V\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBit Rate:\u003c\/b\u003e 192 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003ePower Supply: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e12V DC power supply \/ USB bus powered\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eOrder the \u003cstrong\u003eRME Babyface Pro 24-channel USB Audio Interface\u003c\/strong\u003e from Audiosaurus. The Online Pro Audio specialists in South Africa.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-09-10T20:08:29+02:00","created_at":"2016-03-25T15:52:16+02:00","vendor":"RME","type":"Audio Interfaces","tags":["audio interfaces","Brand_RME","dropdown","Feature","Friday","Hot Deals","Instrument preamp","mic preamp","on sale","preamp","RME","Spring2020","usb interface"],"price":1769500,"price_min":1769500,"price_max":1769500,"available":true,"price_varies":false,"compare_at_price":2265500,"compare_at_price_min":2265500,"compare_at_price_max":2265500,"compare_at_price_varies":false,"variants":[{"id":17037440324,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AAE 003","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME Babyface Pro 24-Channel USB Audio Interface","public_title":null,"options":["Default Title"],"price":1769500,"weight":0,"compare_at_price":2265500,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro1.jpg?v=1599814120","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro2.jpg?v=1599814120","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro4.jpg?v=1599814140","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro3.jpg?v=1599814140","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro6.jpg?v=1599814165","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro5.jpg?v=1599814165","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro7.jpg?v=1599814179"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro1.jpg?v=1599814120","options":["Title"],"media":[{"alt":null,"id":7381474902052,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro1.jpg?v=1599814116"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro1.jpg?v=1599814116","width":1200},{"alt":null,"id":7381474869284,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro2.jpg?v=1599814117"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro2.jpg?v=1599814117","width":1200},{"alt":null,"id":7381476442148,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro4.jpg?v=1599814140"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro4.jpg?v=1599814140","width":1200},{"alt":null,"id":7381476474916,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro3.jpg?v=1599814140"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro3.jpg?v=1599814140","width":1200},{"alt":null,"id":7381477752868,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro6.jpg?v=1599814164"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro6.jpg?v=1599814164","width":1200},{"alt":null,"id":7381477818404,"position":6,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro5.jpg?v=1599814164"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro5.jpg?v=1599814164","width":1200},{"alt":null,"id":7381478342692,"position":7,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro7.jpg?v=1599814179"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro7.jpg?v=1599814179","width":1200}],"content":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe \u003cstrong\u003eRME Babyface Pro\u003c\/strong\u003e is a compact USB audio interface which provides direct integration and recording to digital audio workstations via the USB 2.0 connection. With XLR and instrument inputs simply connect your favourite microphones and guitars to start creating and capturing in stunning high audio quality. Also with MIDI compatibility and digital optical in\/out connection you can expand the Babyface Pro with additional mic preamps to utilize up to 12 inputs\/outputs simultaneously.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/4atx4C0o3Zg\" height=\"480\" width=\"854\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/VfJfch0hC0o\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix FX: \u003c\/strong\u003eThe next generation of TotalMix delivers hardware mixing\/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix has been rewritten from the ground up. The DSP mixer now not only matches features of high-end digital consoles but even adds effects like a 3-band parametric EQ plus Low Cut on all input and output channels. The Babyface also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e \u003cstrong\u003eProfessioinal features\u003c\/strong\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ei. \u003c\/strong\u003eStraight to the core without interference: the reference design of the Babyface Pro leaves nothing to be desired.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eii. \u003c\/strong\u003eRME devices are designed to conserve music as it is. Audio signals are passed in their entirety, nothing added, nothing taken. For the new Babyface, the audio circuits have been improved to meet even highest gain levels with best dynamic range.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eiii. \u003c\/strong\u003eThe clever user interface is informative and clearly laid out. It makes access to every feature and configuration mode of the Babyface Pro intuitive and easy to use.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eiv. \u003c\/strong\u003eEven in stand-alone mode, routing and mixing of inputs to outputs directly on the device opens a whole world of possible applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMain features:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12-in\/12-out audio interface in a sleek, desktop design\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAll of the I\/O is integrated directly into the unit\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUser interface faceplate offers standalone use\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ePowerful TotalMix software mixer via internal DSP\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDurable aluminum housing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2 mic preamp inputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003ehi-Z and lo-Z 1\/4\" inputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eADAT\/SPDIF I\/O\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e4 analog outputs\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2 headphone outs for hi- and lo-Z\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eMIDI and USB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX software is compatible with Windows, OS X, and iOS (on iPad)\u003c\/span\u003e\u003c\/li\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"table\"\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eType: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUSB Interface\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eComputer Connectivity: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUSB 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eForm Factor: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eDesktop\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eSimultaneous I\/O: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e4 x 4 (analog), 12 x 12 (digital)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003eNumber of Preamps: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x mic, 2 x instrument\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eInputs:\u003c\/b\u003e 2 x XLR (Microphone), 2 x 1\/4\" Jack (Instrument)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eOutputs:\u003c\/b\u003e 2 x XLR (Master Out), 2 x Headphone (3.5mm\/6.1mm)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eAdditional Connections:\u003c\/b\u003e USB, MIDI, Optical In\/Out\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eUSB:\u003c\/b\u003e 2.0 (USB 3.0 also Compatible)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003ePhantom Power:\u003c\/b\u003e +48V\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eBit Rate:\u003c\/b\u003e 192 kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan\u003e\u003cstrong class=\"table__header\"\u003ePower Supply: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e12V DC power supply \/ USB bus powered\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eOrder the \u003cstrong\u003eRME Babyface Pro 24-channel USB Audio Interface\u003c\/strong\u003e from Audiosaurus. The Online Pro Audio specialists in South Africa.\u003c\/span\u003e\u003c\/p\u003e"}
RME Fireface UFX II
Sold Out
{"id":12004680463,"title":"RME Fireface UFX II","handle":"rme-fireface-ufx-ii-usb-interface","description":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eThe unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eNumerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/goIXCaKETjg\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME’s Fireface UFX II incorporates premium AD\/DA converters, optimized analog I\/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFurther, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eImproved DURec (Direct USB Recording)\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eARC USB Remote Control - Plug’n Play Plus\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSince 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnalog\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAD, Line In 1-8, rear \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Resolution AD: 24 bit\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • THD: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • THD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Channel separation: \u0026gt; 110 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input: 6.3 mm TRS jack, electronically balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input impedance: 8 kOhm unbalanced, 12 kOhm balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input sensitivity switchable to Lo Gain, +4 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input level for 0 dBFS @ Lo Gain: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input level for 0 dBFS @ +4 dBu: +13 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Variable gain: 0 to +12 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMicrophone In 9-12, front \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e As AD, but: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input: XLR, electronically balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input impedance: 3.4 kOhm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Gain range: 75 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level, Gain 0 dB: +18 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level, Gain 75 dB: -57 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • CLIP LED: 0 dBFS • SIG LED: -60 dBFS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInstrument In 9-12, front \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e As AD, but: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input: 6.3 mm TS jack, unbalanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input impedance: 1 MOhm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Gain range: 42 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level, Gain 8 dB: +21 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level, Gain 50 dB: -21 dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDA, Line Out 3-8, rear\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Resolution: 24 bit\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • THD: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • THD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Channel separation: \u0026gt; 110 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum output level: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output: 6.3 mm TRS jack, servo-balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output impedance: 75 Ohm unbalanced, 150 Ohm balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level switchable Hi Gain, +4 dBu, -10 dBV\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ Hi Gain: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ +4 dBu: +13 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ -10 dBV: +2 dBV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDA - Stereo Monitor Output XLR (1-2) \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e As DA, but: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output: XLR, balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ 24 dBu: +24 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ Hi Gain: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ +4 dBu: +13 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ -10 dBV: +2 dBV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDA - Stereo Monitor Output Phones (9-12)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e As DA, but: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output: 2 x 6.3 mm TRS stereo jack, unbalanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum output level at 0 dBFS, High: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum output level at 0 dBFS, Low: +2 dBV\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output impedance: 2 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan style=\"color: #000000;\"\u003eMIDI\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003e2 x MIDI I\/O via 5-pin DIN jacks\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Galvanically isolated by optocoupled input\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Hi-speed mode: Jitter and response time typically below 1 ms\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Separate 128 byte FIFOs for input and output\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eDigital\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eClocks: Internal, ADAT, AES, MADI, word clock\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Low Jitter Design: \u0026lt; 1 ns in PLL mode, all inputs\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Internal clock: 800 ps Jitter, Random Spread Spectrum\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter suppression of external clocks: \u0026gt; 30 dB (2.4 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Effective clock jitter influence on AD and DA conversion: near zero \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • PLL ensures zero dropout, even at more than 100 ns jitter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Digital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Supported sample rates: 28 kHz up to 200 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Inputs\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • High-sensitivity input stage (\u0026lt; 0.3 Vpp) • SPDIF compatible (IEC 60958)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Accepts Consumer and Professional format\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Lock range: 27 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter when synced to input signal: \u0026lt; 1 ns\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • 2 x TOSLINK, format according to Alesis specification\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Standard: 2 x 8 channels 24 bit, up to 48 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Double Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Quad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Bitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Lock range: 31.5 kHz – 50 kHz • Jitter when synced to input signal: \u0026lt; 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical (ADAT2)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • 1 x optical, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Accepts Consumer and Professional format\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Lock range: 27 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter when synced to input signal: \u0026lt; 1 ns\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • BNC\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Internal termination 75 Ohm switchable\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Automatic Double\/Quad Speed detection and internal conversion to Single Speed\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • SteadyClock guarantees super low jitter synchronization even in varispeed operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Not affected by DC-offsets within the network\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Overvoltage protection\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Level range: 1.0 Vpp – 5.6 Vpp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Lock Range: 27 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter when synced to input signal: \u0026lt; 1 ns\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Outputs\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Format Professional according to AES3-1992 Amendment 4\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Format Consumer (SPDIF) according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Single Wire mode, sample rate 28 kHz up to 200 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eADAT\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • 2 x TOSLINK\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Standard: 2 x 8 channels 24 bit, up to 48 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Double Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Quad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical (ADAT2)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Format Consumer (SPDIF) according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Sample rate 28 kHz up to 200 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • BNC\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Max. output voltage: 5 Vpp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output voltage @ 75 Ohm termination: 4.0 Vpp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output impedance: 10 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency range: 27 kHz – 200 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003ePower supply: Internal switching PSU, 100 - 240 V AC, 36 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Idle power consumption: 19 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Typical power consumption: 22-25 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19\" x 1.73\" x 8.5\")\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3\" x 1.73\" x 8.3\")\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Total depth: 240 mm (9.4”)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Weight: 3 kg ( 6.6 lbs)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Relative humidity: \u0026lt; 75%, non condensing\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME Fireface UFX II from Audiosaurus today. The Online Pro Audio experts in South Africa. \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-06-29T23:36:55+02:00","created_at":"2017-09-26T13:43:54+02:00","vendor":"RME","type":"USB Audio Interface","tags":["Brand_RME","dropdown","pro audio","Spring2020"],"price":3415500,"price_min":3415500,"price_max":3415500,"available":false,"price_varies":false,"compare_at_price":3999900,"compare_at_price_min":3999900,"compare_at_price_max":3999900,"compare_at_price_varies":false,"variants":[{"id":49898535631,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEUFX II","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"RME Fireface UFX II","public_title":null,"options":["Default Title"],"price":3415500,"weight":0,"compare_at_price":3999900,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME_UFX_II.png?v=1506426277"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME_UFX_II.png?v=1506426277","options":["Title"],"media":[{"alt":null,"id":595069567012,"position":1,"preview_image":{"aspect_ratio":1.008,"height":2480,"width":2500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME_UFX_II.png?v=1569055830"},"aspect_ratio":1.008,"height":2480,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME_UFX_II.png?v=1569055830","width":2500}],"content":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eThe unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eNumerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/goIXCaKETjg\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME’s famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit’s channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME’s optional ARC USB remote controller.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME’s Fireface UFX II incorporates premium AD\/DA converters, optimized analog I\/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFurther, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eImproved DURec (Direct USB Recording)\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eARC USB Remote Control - Plug’n Play Plus\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSince 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnalog\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAD, Line In 1-8, rear \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Resolution AD: 24 bit\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.8 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.8 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 192 kHz, -1 dB: 2 Hz – 92 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • THD: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • THD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Channel separation: \u0026gt; 110 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input: 6.3 mm TRS jack, electronically balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input impedance: 8 kOhm unbalanced, 12 kOhm balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input sensitivity switchable to Lo Gain, +4 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input level for 0 dBFS @ Lo Gain: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input level for 0 dBFS @ +4 dBu: +13 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Variable gain: 0 to +12 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMicrophone In 9-12, front \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e As AD, but: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input: XLR, electronically balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input impedance: 3.4 kOhm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Signal to Noise ratio (SNR): 115 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Gain range: 75 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level, Gain 0 dB: +18 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level, Gain 75 dB: -57 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • CLIP LED: 0 dBFS • SIG LED: -60 dBFS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInstrument In 9-12, front \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e As AD, but: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input: 6.3 mm TS jack, unbalanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Input impedance: 1 MOhm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Signal to Noise ratio (SNR): 114 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Gain range: 42 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level, Gain 8 dB: +21 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum input level, Gain 50 dB: -21 dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDA, Line Out 3-8, rear\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Resolution: 24 bit\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Dynamic range (DR): 115 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 20.8 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 45 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency response @ 192 kHz, -1 dB: 5 Hz - 89 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • THD: \u0026lt; -110 dB, \u0026lt; 0.00032 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • THD+N: \u0026lt; -104 dB, \u0026lt; 0.00063 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Channel separation: \u0026gt; 110 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum output level: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output: 6.3 mm TRS jack, servo-balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output impedance: 75 Ohm unbalanced, 150 Ohm balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level switchable Hi Gain, +4 dBu, -10 dBV\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ Hi Gain: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ +4 dBu: +13 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ -10 dBV: +2 dBV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDA - Stereo Monitor Output XLR (1-2) \u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e As DA, but: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output: XLR, balanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level switchable 24 dBu, Hi Gain, +4 dBu, -10 dBV\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ 24 dBu: +24 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ Hi Gain: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ +4 dBu: +13 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level at 0 dBFS @ -10 dBV: +2 dBV\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDA - Stereo Monitor Output Phones (9-12)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e As DA, but: \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output: 2 x 6.3 mm TRS stereo jack, unbalanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum output level at 0 dBFS, High: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Maximum output level at 0 dBFS, Low: +2 dBV\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output impedance: 2 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Max power per channel @ 32 Ohm load, 0.1% THD: 210 mW (2.6 Vrms, +10.5 dBu)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch1\u003e\u003cspan style=\"color: #000000;\"\u003eMIDI\u003c\/span\u003e\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003e2 x MIDI I\/O via 5-pin DIN jacks\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Galvanically isolated by optocoupled input\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Hi-speed mode: Jitter and response time typically below 1 ms\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Separate 128 byte FIFOs for input and output\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eDigital\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eClocks: Internal, ADAT, AES, MADI, word clock\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Low Jitter Design: \u0026lt; 1 ns in PLL mode, all inputs\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Internal clock: 800 ps Jitter, Random Spread Spectrum\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter suppression of external clocks: \u0026gt; 30 dB (2.4 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Effective clock jitter influence on AD and DA conversion: near zero \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • PLL ensures zero dropout, even at more than 100 ns jitter\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Digital Bitclock PLL for trouble-free varispeed ADAT operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Supported sample rates: 28 kHz up to 200 kHz\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Inputs\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • High-sensitivity input stage (\u0026lt; 0.3 Vpp) • SPDIF compatible (IEC 60958)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Accepts Consumer and Professional format\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Lock range: 27 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter when synced to input signal: \u0026lt; 1 ns\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eADAT Optical\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • 2 x TOSLINK, format according to Alesis specification\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Standard: 2 x 8 channels 24 bit, up to 48 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Double Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Quad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Bitclock PLL ensures perfect synchronisation even in varispeed operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Lock range: 31.5 kHz – 50 kHz • Jitter when synced to input signal: \u0026lt; 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical (ADAT2)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • 1 x optical, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Accepts Consumer and Professional format\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Lock range: 27 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter when synced to input signal: \u0026lt; 1 ns\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • BNC\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Internal termination 75 Ohm switchable\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Automatic Double\/Quad Speed detection and internal conversion to Single Speed\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • SteadyClock guarantees super low jitter synchronization even in varispeed operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Not affected by DC-offsets within the network\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Overvoltage protection\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Level range: 1.0 Vpp – 5.6 Vpp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Lock Range: 27 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter when synced to input signal: \u0026lt; 1 ns\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Jitter suppression: \u0026gt; 30 dB (2.4 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cspan style=\"color: #000000;\"\u003eDigital Outputs\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output level Professional 4.5 Vpp, Consumer 2.6 Vpp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Format Professional according to AES3-1992 Amendment 4\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Format Consumer (SPDIF) according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Single Wire mode, sample rate 28 kHz up to 200 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eADAT\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • 2 x TOSLINK\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Standard: 2 x 8 channels 24 bit, up to 48 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Double Speed (S\/MUX): 2 x 4 channels 24 bit 96 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Quad Speed (S\/MUX4): 2 x 2 channels 24 bit 192 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical (ADAT2)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Format Consumer (SPDIF) according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Sample rate 28 kHz up to 200 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWord Clock\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • BNC\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Max. output voltage: 5 Vpp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output voltage @ 75 Ohm termination: 4.0 Vpp\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Output impedance: 10 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Frequency range: 27 kHz – 200 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eGeneral\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003ePower supply: Internal switching PSU, 100 - 240 V AC, 36 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Idle power consumption: 19 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Typical power consumption: 22-25 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Dimensions including rack ears (WxHxD): 483 x 44 x 210 mm (19\" x 1.73\" x 8.5\")\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Dimensions without rack ears (WxHxD): 440 x 44 x 210 mm (17.3\" x 1.73\" x 8.3\")\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Total depth: 240 mm (9.4”)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Weight: 3 kg ( 6.6 lbs)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Temperature range: +5° up to +50° Celsius (41° F up to 122°F)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e • Relative humidity: \u0026lt; 75%, non condensing\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME Fireface UFX II from Audiosaurus today. The Online Pro Audio experts in South Africa. \u003c\/span\u003e\u003c\/p\u003e"}
RME Babyface Pro FS 24-channel USB Audio Interface (By special order only)
R26,999.00
R22,899.00
{"id":4618629546020,"title":"RME Babyface Pro FS 24-channel USB Audio Interface (By special order only)","handle":"rme-babyface-pro-fs-24-channel-usb-audio-interface-1","description":"\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eThe Stunning New Babyface Pro from RME with Femtosecond Clocking.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe RME Babyface Pro FS is a powerful, yet eminently portable, bus-powered USB audio interface. It features a rugged, low-profile housing with a clean look and easy-to-use interface. Benefit from reference-quality recording, thanks to two digitally controlled microphone preamps, while ample analog, digital, and MIDI connectivity makes integration with your studio easy. The Babyface Pro FS employs the same SteadyClock FS circuit as RME’s reference-quality ADI-2 Pro AD\/DA converter, ensuring ultra-stable clocking, while a bevy of design improvements offers a huge performance boost over its predecessor. Enjoy a fully flexible 288-channel mixer with 46-bit internal resolution, courtesy of RME’s TotalMix FX engine, along with latency-free processing, including a 3-band EQ, low-cut filter, reverb, and echo. Clear-cut onboard metering rounds out this state-of-the-art audio interface’s impressive features. The RME Babyface Pro FS is USB-C compatible and comes with a premium plug-in bundle, plus USB-2 and USB-C cables.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/-o4F8kb95PU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/DikoEPuNiGs\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix FX: \u003c\/strong\u003eThe next generation of TotalMix delivers hardware mixing\/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix has been rewritten from the ground up. The DSP mixer now not only matches features of high-end digital consoles but even adds effects like a 3-band parametric EQ plus Low Cut on all input and output channels. The Babyface also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUltra-stable SteadyClock FS technology\u003c\/strong\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBoasting the same SteadyClock FS circuit as RME’s reference-quality ADI-2 Pro AD\/DA converter, the Babyface Pro FS takes self-jitter to new lows, eclipsing its predecessor’s already impressive performance with an upgraded analog PLL circuit and referencing both Direct Digital Synthesis and PLL to a low-phase-noise quartz crystal. In fact, the Babyface Pro FS's self-jitter reaches levels that are usually only available in master quartz clock mode, even while running in PLL mode. Thanks to this updated circuit, the Babyface Pro FS reaches jitter specs as low as a femtosecond. Just to put it in perspective, that's 1\/1,000,000,000,000,000 of a second!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMain features:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12-in\/12-out portable USB 2.0 audio interface\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eRugged, low-profile housing has a great clean look but still offers deep control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2 digitally controlled microphone preamps enable reference-quality recording\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAmple analog, digital, and MIDI connectivity makes integration with your studio easy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSteadyClock\/femtosecond technology yields ultra-stable clocking\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEclipses the performance of its predecessor, thanks to a bevy of design improvements\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX gives you a fully flexible 288-channel mixer with 46-bit internal resolution\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEach channel boasts latency-free processing, including a 3-band EQ, low-cut filter, reverb, and echo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOnboard metering with peak and RMS calculation for keeping an eye on your levels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eMic stand thread on the bottom for free positioning\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBus-powered for easy portability\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSB-C compatible — USB-2 and USB-C cables are included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIncludes a premium plug-in bundle with Scuffham S-Gear, Brainworx bx_opto, and Brainworx bx_masterdesk, plus trial versions of Modartt Pianoteq 6, GG Audio Blue 3 Organ, and Gig Performer\u003c\/span\u003e\u003c\/li\u003e\n\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e \u003cbr\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"table\"\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eType: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUSB Interface\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eComputer Connectivity: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUSB 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eForm Factor: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eDesktop\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eSimultaneous I\/O: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e4 x 4 (analog), 12 x 12 (digital)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eNumber of Preamps: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x mic, 2 x instrument\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePhantom Power: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eA\/D Resolution: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUp to 24-bit\/192kHz\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eEffects: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eReverb, Delay (via TotalMix FX software)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eAnalog Inputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x XLR (mic), 2 x 1\/4\" (Hi-Z\/line)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eAnalog Outputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x XLR (+4dBu\/+19dBu)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eDigital Inputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x Optical Toslink (ADAT, S\/PDIF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eDigital Outputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x Optical Toslink (ADAT, S\/PDIF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eHeadphones:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x 1\/4\", 1 x 1\/8\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eMIDI I\/O: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eIn\/Out (via breakout cable)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eUSB: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x Type B\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eSoftware: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eRME TotalMix FX, Total Mix Remote (iOS, Mac, PC), Brainworx Plug-ins, Scuffham S-Gear Amp Collection\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eCompatibility: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eiOS, Mac, PC\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eOS Requirements - Mac: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eOS X 10.9 or later\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eOS Requirements - PC: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eWindows 7 SP1 or later\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eBus Powered: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePower Supply: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e12V DC power supply \/ USB bus powered\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eOrder the \u003cstrong\u003eRME Babyface Pro FS 24-channel USB Audio Interface\u003c\/strong\u003e from Audiosaurus. The Online Pro Audio specialists in South Africa.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-05-05T20:02:51+02:00","created_at":"2020-05-01T21:50:54+02:00","vendor":"RME","type":"Audio Interface","tags":["audio interface","Brand_RME","dropdown","Instrument preamp","mic preamp","Preamps","software and plug-ins","USB Audio Interface"],"price":2289900,"price_min":2289900,"price_max":2289900,"available":true,"price_varies":false,"compare_at_price":2699900,"compare_at_price_min":2699900,"compare_at_price_max":2699900,"compare_at_price_varies":false,"variants":[{"id":31919359328292,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RME BF PROFS","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME Babyface Pro FS 24-channel USB Audio Interface (By special order only)","public_title":null,"options":["Default Title"],"price":2289900,"weight":0,"compare_at_price":2699900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs1.jpg?v=1599819865","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs2.jpg?v=1599819865","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs3.jpg?v=1599819865","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs4.jpg?v=1599819865","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs5.jpg?v=1599819865"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs1.jpg?v=1599819865","options":["Title"],"media":[{"alt":null,"id":7381883846692,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs1.jpg?v=1599819810"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs1.jpg?v=1599819810","width":1200},{"alt":null,"id":7381883813924,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs2.jpg?v=1599819810"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs2.jpg?v=1599819810","width":1200},{"alt":null,"id":7381883781156,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs3.jpg?v=1599819810"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs3.jpg?v=1599819810","width":1200},{"alt":null,"id":7381883748388,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs4.jpg?v=1599819810"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs4.jpg?v=1599819810","width":1200},{"alt":null,"id":7381883715620,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs5.jpg?v=1599819810"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RMEBabyfacePro_fs5.jpg?v=1599819810","width":1200}],"content":"\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eThe Stunning New Babyface Pro from RME with Femtosecond Clocking.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe RME Babyface Pro FS is a powerful, yet eminently portable, bus-powered USB audio interface. It features a rugged, low-profile housing with a clean look and easy-to-use interface. Benefit from reference-quality recording, thanks to two digitally controlled microphone preamps, while ample analog, digital, and MIDI connectivity makes integration with your studio easy. The Babyface Pro FS employs the same SteadyClock FS circuit as RME’s reference-quality ADI-2 Pro AD\/DA converter, ensuring ultra-stable clocking, while a bevy of design improvements offers a huge performance boost over its predecessor. Enjoy a fully flexible 288-channel mixer with 46-bit internal resolution, courtesy of RME’s TotalMix FX engine, along with latency-free processing, including a 3-band EQ, low-cut filter, reverb, and echo. Clear-cut onboard metering rounds out this state-of-the-art audio interface’s impressive features. The RME Babyface Pro FS is USB-C compatible and comes with a premium plug-in bundle, plus USB-2 and USB-C cables.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/-o4F8kb95PU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/DikoEPuNiGs\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix FX: \u003c\/strong\u003eThe next generation of TotalMix delivers hardware mixing\/routing with lots of new features and a highly improved usability. For a seamless integration of the new features TotalMix has been rewritten from the ground up. The DSP mixer now not only matches features of high-end digital consoles but even adds effects like a 3-band parametric EQ plus Low Cut on all input and output channels. The Babyface also provides a separate FX send bus for all inputs and software playback channels, feeding two effect engines: Reverb and Echo. Every output channel includes a FX return control for the FX output signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUltra-stable SteadyClock FS technology\u003c\/strong\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBoasting the same SteadyClock FS circuit as RME’s reference-quality ADI-2 Pro AD\/DA converter, the Babyface Pro FS takes self-jitter to new lows, eclipsing its predecessor’s already impressive performance with an upgraded analog PLL circuit and referencing both Direct Digital Synthesis and PLL to a low-phase-noise quartz crystal. In fact, the Babyface Pro FS's self-jitter reaches levels that are usually only available in master quartz clock mode, even while running in PLL mode. Thanks to this updated circuit, the Babyface Pro FS reaches jitter specs as low as a femtosecond. Just to put it in perspective, that's 1\/1,000,000,000,000,000 of a second!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMain features:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e12-in\/12-out portable USB 2.0 audio interface\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eRugged, low-profile housing has a great clean look but still offers deep control\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e2 digitally controlled microphone preamps enable reference-quality recording\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAmple analog, digital, and MIDI connectivity makes integration with your studio easy\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSteadyClock\/femtosecond technology yields ultra-stable clocking\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEclipses the performance of its predecessor, thanks to a bevy of design improvements\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX gives you a fully flexible 288-channel mixer with 46-bit internal resolution\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eEach channel boasts latency-free processing, including a 3-band EQ, low-cut filter, reverb, and echo\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eOnboard metering with peak and RMS calculation for keeping an eye on your levels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eMic stand thread on the bottom for free positioning\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eBus-powered for easy portability\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSB-C compatible — USB-2 and USB-C cables are included\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIncludes a premium plug-in bundle with Scuffham S-Gear, Brainworx bx_opto, and Brainworx bx_masterdesk, plus trial versions of Modartt Pianoteq 6, GG Audio Blue 3 Organ, and Gig Performer\u003c\/span\u003e\u003c\/li\u003e\n\u003cspan style=\"color: #000000;\" color=\"#000000\"\u003e \u003cbr\u003e \u003c\/span\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"table\"\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eType: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUSB Interface\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eComputer Connectivity: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUSB 2.0\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eForm Factor: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eDesktop\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eSimultaneous I\/O: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e4 x 4 (analog), 12 x 12 (digital)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eNumber of Preamps: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x mic, 2 x instrument\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePhantom Power: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eA\/D Resolution: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eUp to 24-bit\/192kHz\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eEffects: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eReverb, Delay (via TotalMix FX software)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eAnalog Inputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x XLR (mic), 2 x 1\/4\" (Hi-Z\/line)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eAnalog Outputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e2 x XLR (+4dBu\/+19dBu)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eDigital Inputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x Optical Toslink (ADAT, S\/PDIF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eDigital Outputs: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x Optical Toslink (ADAT, S\/PDIF)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eHeadphones:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x 1\/4\", 1 x 1\/8\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eMIDI I\/O: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eIn\/Out (via breakout cable)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eUSB: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x Type B\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eSoftware: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eRME TotalMix FX, Total Mix Remote (iOS, Mac, PC), Brainworx Plug-ins, Scuffham S-Gear Amp Collection\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eCompatibility: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eiOS, Mac, PC\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eOS Requirements - Mac: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eOS X 10.9 or later\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eOS Requirements - PC: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eWindows 7 SP1 or later\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eBus Powered: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePower Supply: \u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e12V DC power supply \/ USB bus powered\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eOrder the \u003cstrong\u003eRME Babyface Pro FS 24-channel USB Audio Interface\u003c\/strong\u003e from Audiosaurus. The Online Pro Audio specialists in South Africa.\u003c\/span\u003e\u003c\/p\u003e"}
RME Digiface Dante
R30,819.00
{"id":4474433667108,"title":"RME Digiface Dante","handle":"rme-digiface-dante-256-channel-dante-to-madi-audio-interface-with-usb","description":"\u003cdiv\u003e\n\u003cdiv class=\"productDescription_3d-uhdpIFfxbuhG5B7_INl\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e256-Channel Dante to MADI Audio Interface with USB\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe\u003cb\u003e RME Digiface Dante\u003c\/b\u003e is an audio interface that combines USB 3.0, MADI, and DANTE formats to give you up to 256 channels of digital connectivity. As such, you can route and mix digital audio coming from multiple sources. It does this at low latency and also gives you the TotalMix FX bundle to apply processing to all of your submixes. With various channel configurations, it can operate at sample rates of up to 192 kHz and at resolutions of 24 bits.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eOn the front of the unit, you'll find four RJ45 Ethernet ports for Dante connections. These ports support both 100 Mb\/s and 1 Gb\/s, and can be used in Switched or Redundancy modes. You'll also note 2 BNC sockets for MADI I\/O or wordclock connections and a 1\/4\" headphone output. The headphone output can monitor any audio channel and can also supply an analog stereo mix-down connection.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe rear of the Digiface Dante sports a USB connection for USB 3.0 and USB 2.0 at reduced channel counts (64 channels, Dante only). You can also bus-power the unit over USB, though it's recommended that you use the included power supply if you're running all four network connections and the headphone output at once.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eUse this device with your Mac or Windows computer over USB, or operate the unit in standalone. In standalone, the Digiface Dante turns into a 64-channel Dante\/MADI converter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eTo aid you in routing and mixing signals, the Digiface Dante ships with TotalMix FX. Also included is DiGiCheck DSP, utility software that provides tools to test, measure, and analyze digital audio streams. These tools include peak metering, RMS metering, standardized loudness metering, a vector audio scope, bit statistics, a spectral analyzer, and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSelect Features at a Glance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cli\u003eAll settings can be changed in real-time\u003c\/li\u003e\n\u003cli\u003e64 channels Dante (AES67), 64 channels MADI\u003c\/li\u003e\n\u003cli\u003e32 channels 24-bit \/ 96 kHz of record\/playback on both Dante and MADI \u003c\/li\u003e\n\u003cli\u003e16 channels 24-bit \/ 192 kHz of record\/playback on both Dante and MADI \u003c\/li\u003e\n\u003cli\u003eSlave and Master clock modes \u003c\/li\u003e\n\u003cli\u003eMADI, internal, or Dante clock sources\u003c\/li\u003e\n\u003cli\u003e4 x Gigabit Ethernet port, 100 Mb\/s compatible\u003c\/li\u003e\n\u003cli\u003eTotalMix 4096 channel mixer with 46-bit internal resolution, for latency-free submixes and ASIO Direct Monitoring\u003c\/li\u003e\n\u003cli\u003eAnalog\/Line headphone output, separate output for independent submix\u003c\/li\u003e\n\u003cli\u003eDIGICheck DSP for metering needs\u003c\/li\u003e\n\u003cli\u003eStandalone mode with Dante-to-MADI\/MADI-to-Dante converter functionality\u003c\/li\u003e\n\u003cli\u003eUSB error analysis, displayed in the Settings dialog\u003c\/li\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the \u003cstrong\u003eRME Digiface Dante interface from Audiosaurus.\u003c\/strong\u003e The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2020-01-23T10:21:45+02:00","created_at":"2020-01-23T10:21:45+02:00","vendor":"RME","type":"Audio Interfaces","tags":["ADAT","audio interfaces","Brand_RME","converters","dropdown","on sale","RME","Spring2020","usb interface"],"price":3081900,"price_min":3081900,"price_max":3081900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":31610938032164,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEDFDante","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME Digiface Dante","public_title":null,"options":["Default Title"],"price":3081900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante_1.jpg?v=1579768282","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante2.jpg?v=1579768282","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante3.jpg?v=1579768282"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante_1.jpg?v=1579768282","options":["Title"],"media":[{"alt":null,"id":6190627422244,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante_1.jpg?v=1579768282"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante_1.jpg?v=1579768282","width":1000},{"alt":null,"id":6190627455012,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante2.jpg?v=1579768282"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante2.jpg?v=1579768282","width":1000},{"alt":null,"id":6190627487780,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante3.jpg?v=1579768282"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME_Digiface_Dante3.jpg?v=1579768282","width":1000}],"content":"\u003cdiv\u003e\n\u003cdiv class=\"productDescription_3d-uhdpIFfxbuhG5B7_INl\" data-selenium=\"overviewLongDescription\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e256-Channel Dante to MADI Audio Interface with USB\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe\u003cb\u003e RME Digiface Dante\u003c\/b\u003e is an audio interface that combines USB 3.0, MADI, and DANTE formats to give you up to 256 channels of digital connectivity. As such, you can route and mix digital audio coming from multiple sources. It does this at low latency and also gives you the TotalMix FX bundle to apply processing to all of your submixes. With various channel configurations, it can operate at sample rates of up to 192 kHz and at resolutions of 24 bits.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eOn the front of the unit, you'll find four RJ45 Ethernet ports for Dante connections. These ports support both 100 Mb\/s and 1 Gb\/s, and can be used in Switched or Redundancy modes. You'll also note 2 BNC sockets for MADI I\/O or wordclock connections and a 1\/4\" headphone output. The headphone output can monitor any audio channel and can also supply an analog stereo mix-down connection.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eThe rear of the Digiface Dante sports a USB connection for USB 3.0 and USB 2.0 at reduced channel counts (64 channels, Dante only). You can also bus-power the unit over USB, though it's recommended that you use the included power supply if you're running all four network connections and the headphone output at once.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eUse this device with your Mac or Windows computer over USB, or operate the unit in standalone. In standalone, the Digiface Dante turns into a 64-channel Dante\/MADI converter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eTo aid you in routing and mixing signals, the Digiface Dante ships with TotalMix FX. Also included is DiGiCheck DSP, utility software that provides tools to test, measure, and analyze digital audio streams. These tools include peak metering, RMS metering, standardized loudness metering, a vector audio scope, bit statistics, a spectral analyzer, and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSelect Features at a Glance\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cli\u003eAll settings can be changed in real-time\u003c\/li\u003e\n\u003cli\u003e64 channels Dante (AES67), 64 channels MADI\u003c\/li\u003e\n\u003cli\u003e32 channels 24-bit \/ 96 kHz of record\/playback on both Dante and MADI \u003c\/li\u003e\n\u003cli\u003e16 channels 24-bit \/ 192 kHz of record\/playback on both Dante and MADI \u003c\/li\u003e\n\u003cli\u003eSlave and Master clock modes \u003c\/li\u003e\n\u003cli\u003eMADI, internal, or Dante clock sources\u003c\/li\u003e\n\u003cli\u003e4 x Gigabit Ethernet port, 100 Mb\/s compatible\u003c\/li\u003e\n\u003cli\u003eTotalMix 4096 channel mixer with 46-bit internal resolution, for latency-free submixes and ASIO Direct Monitoring\u003c\/li\u003e\n\u003cli\u003eAnalog\/Line headphone output, separate output for independent submix\u003c\/li\u003e\n\u003cli\u003eDIGICheck DSP for metering needs\u003c\/li\u003e\n\u003cli\u003eStandalone mode with Dante-to-MADI\/MADI-to-Dante converter functionality\u003c\/li\u003e\n\u003cli\u003eUSB error analysis, displayed in the Settings dialog\u003c\/li\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the \u003cstrong\u003eRME Digiface Dante interface from Audiosaurus.\u003c\/strong\u003e The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Heritage Audio HA73 ELITE - Single Channel Mic Preamp
R11,245.00
{"id":4416869105700,"title":"Heritage Audio HA73 ELITE - Single Channel Mic Preamp","handle":"heritage-audio-ha73-elite-single-channel-mic-preamp","description":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSingle Channel Microphone Preamplifier with 80dB of Gain, 20dB Pad, 80Hz Highpass Filter, and DI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Heritage Audio HA 73 is a 1 RU single-channel Elite Series microphone preamplifier designed to provide the sound of classic Neve 1073 preamps for recording engineers, musicians, and vocalists in mobile-recording rigs and home, project, and commercial studios. It features 80 dB of gain via a three-stage discrete Class-A preamp, which utilizes stepped input gain and a -20 dB pad. Hand-wound Carnhill transformers impart color and character to the output. Connect a mic or line input via balanced XLR jacks or hook up a guitar, bass, or keyboard to the integrated Hi-Z, JFET-based DI via the front-panel 1\/4\" jack. The selectable 82 Hz high-pass filter enables quick low-end management when rumble or proximity effect needs to be attenuated. Phantom power and input impedance are selectable and the output level is continuously variable. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe HA 73 ships with an external universal power supply for worry-free use anywhere in the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHeritage Audio HA73 ELITE Mic Preamp Features:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFully discrete, 3-stage Class A mic preamp with 80dB of gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIndustry standard Carnhill transformers hand-wound in St Ives, England\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSeparate input and output gain controls let you drive the input for saturation without overloading the output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eLine input on separate XLR for adding warmth and girth to prerecorded tracks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e20dB PAD on the mic input to avoid overloading the input transformer when desired\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eLOZ switches the input impedance of the mic transformer from 1200 to 300 ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e80Hz highpass filter; +48V phantom power; polarity reverse\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUltra-high-impedance JFET-based DI input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eRugged 19\" 1RU format chassis\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eExternal universal power supply for worldwide use\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e-\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"table\"\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePreamp Type:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eClass A Solid State\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eNumber of Channels:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eSingle channel\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePhantom Power:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePads:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e-20dB\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePolarity Switch:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eEQ:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e80Hz High Pass Filter\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eAnalog Inputs:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x 1\/4\" (Hi-Z), 1 x XLR (mic), 1 x XLR (line)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eAnalog Outputs:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x XLR\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eRack Spaces:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1U\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePower Source:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eExternal AC adapter power supply (included)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"table__cell\" style=\"color: #000000;\"\u003eBuy the \u003cstrong\u003eHeritage Audio HA73 ELITE - Single Channel Mic Preamp \u003c\/strong\u003efrom Audiosaurus. The Online Pro Specialists in South Africa. \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-06-23T12:37:17+02:00","created_at":"2019-12-11T14:13:58+02:00","vendor":"Heritage Audio","type":"Microphone Preamplifier","tags":["Brand_RME","dropdown","Heritage Audio"],"price":1124500,"price_min":1124500,"price_max":1124500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":31443815006244,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"HA73 Elite","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Heritage Audio HA73 ELITE - Single Channel Mic Preamp","public_title":null,"options":["Default Title"],"price":1124500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE_2.jpg?v=1576066911","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE_c.jpg?v=1576066911","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE.jpg?v=1576066911"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE_2.jpg?v=1576066911","options":["Title"],"media":[{"alt":null,"id":5919995691044,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE_2.jpg?v=1576066911"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE_2.jpg?v=1576066911","width":1500},{"alt":null,"id":5919995723812,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE_c.jpg?v=1576066911"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE_c.jpg?v=1576066911","width":1500},{"alt":null,"id":5919995756580,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE.jpg?v=1576066911"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_Heritage_Audio_HA73_ELITE.jpg?v=1576066911","width":1500}],"content":"\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSingle Channel Microphone Preamplifier with 80dB of Gain, 20dB Pad, 80Hz Highpass Filter, and DI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Heritage Audio HA 73 is a 1 RU single-channel Elite Series microphone preamplifier designed to provide the sound of classic Neve 1073 preamps for recording engineers, musicians, and vocalists in mobile-recording rigs and home, project, and commercial studios. It features 80 dB of gain via a three-stage discrete Class-A preamp, which utilizes stepped input gain and a -20 dB pad. Hand-wound Carnhill transformers impart color and character to the output. Connect a mic or line input via balanced XLR jacks or hook up a guitar, bass, or keyboard to the integrated Hi-Z, JFET-based DI via the front-panel 1\/4\" jack. The selectable 82 Hz high-pass filter enables quick low-end management when rumble or proximity effect needs to be attenuated. Phantom power and input impedance are selectable and the output level is continuously variable. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe HA 73 ships with an external universal power supply for worry-free use anywhere in the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHeritage Audio HA73 ELITE Mic Preamp Features:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"webtext-block--colcount\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFully discrete, 3-stage Class A mic preamp with 80dB of gain\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIndustry standard Carnhill transformers hand-wound in St Ives, England\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eSeparate input and output gain controls let you drive the input for saturation without overloading the output\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eLine input on separate XLR for adding warmth and girth to prerecorded tracks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e20dB PAD on the mic input to avoid overloading the input transformer when desired\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eLOZ switches the input impedance of the mic transformer from 1200 to 300 ohms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e80Hz highpass filter; +48V phantom power; polarity reverse\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUltra-high-impedance JFET-based DI input\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eRugged 19\" 1RU format chassis\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eExternal universal power supply for worldwide use\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e-\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"table\"\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePreamp Type:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eClass A Solid State\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eNumber of Channels:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eSingle channel\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePhantom Power:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePads:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e-20dB\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePolarity Switch:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eYes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eEQ:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e80Hz High Pass Filter\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eAnalog Inputs:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x 1\/4\" (Hi-Z), 1 x XLR (mic), 1 x XLR (line)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eAnalog Outputs:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1 x XLR\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003eRack Spaces:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003e1U\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"table__row\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"table__header\"\u003ePower Source:\u003c\/strong\u003e\u003cspan class=\"table__cell\"\u003eExternal AC adapter power supply (included)\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan class=\"table__cell\" style=\"color: #000000;\"\u003eBuy the \u003cstrong\u003eHeritage Audio HA73 ELITE - Single Channel Mic Preamp \u003c\/strong\u003efrom Audiosaurus. The Online Pro Specialists in South Africa. \u003c\/span\u003e\u003c\/p\u003e"}
RME ADI-2 Pro FS reference USB AD/DA converter - B Stock
R44,699.00
R28,899.00
{"id":1120960577572,"title":"RME ADI-2 Pro FS reference USB AD\/DA converter - B Stock","handle":"rme-adi-2-pro-fs-reference-ad-da-converter","description":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRME ADI-2 Pro 2-in\/4-out world class AD\/DA Converter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eA New Experience in Sound and Quality \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e2-in\/4-out Multi-format AD\/DA Converter with DSD Record\/Playback, 2 Headphone Amplifiers, High-resolution Display, Onboard DSP, and USB - Mac\/PC\/iOS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME’s anniversary reference AD\/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. ME's anniversary reference AD\/DA converter is:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA high-end AD\/DA converter in professional studio quality\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA double headphone amplifier in true high-end quality\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA USB DAC like no other - the most versatile and capable one\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA high-end AD\/DA frontend and headphone amp for iPad \/ iPhone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA multi-format converter (AES, SPDIF, ADAT) with monitoring function\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA DSD record and playback solution\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAn AD\/DA frontend for audio measurement at up to 768 kHz sample rate\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAs the most flexible converter available, the ADI-2 Pro offers balanced\/unbalanced analog I\/Os, double Extreme Power headphone outputs, SteadyClock FS, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 \/ 11.2 MHz). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnalog or Digital - Options Galore\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ADI-2 Pro includes two servo-balanced analog inputs on combo XLR \/ TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I\/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I\/O (XLR) via an included breakout cable. This universal set of I\/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAs a computer interface the ADI-2 Pro offers a stereo (2 in \/ 2 out) and a multichannel mode (6 in \/ 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePerfect Sound Capture and Reproduction\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFor easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHigh Resolution Display Operation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass\/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD\/DA filters, four discrete I\/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eProfessional features such as M\/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThere is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eHaving two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eTech Specs:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eXLR\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13\/19\/24 dBu: 120.x dB RMS unweighted, 124.x dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 384 kHz, -1 dB: \u0026lt; 1 Hz – 124 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 768 kHz, -3 dB: \u0026lt; 1 Hz – 180 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -1 dBFS: -116 dB, 0.00016 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ -1 dBFS: -112 dB, 0.00025 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Channel separation: \u0026gt; 110 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTRS\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs input XLR, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e1\/2 XLR\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13\/19\/24 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -1 dBFS: -112 dB, 0.00025 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ -1 dBFS: -110 dB, 0.00032 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -3 dBFS: -116 dB, 0.00016 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Channel separation: \u0026gt; 110 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 200 Ohm balanced, 100 Ohm unbalanced\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e1\/2 TS (rear)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs output XLR, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output: 6.3 mm TS jack, unbalanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Maximum output level: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13\/19 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 100 Ohm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePhones 1\/2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs Output 1\/2 TS, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output: 6.3 mm TRS jack, unbalanced, stereo\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 0.1 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOutput Phones 3\/4\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs Output Phones 1\/2, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBalanced Phones mode\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs before, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 0.2 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Max power @ 0.001% THD: 2.9 W per channel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"dashlist\"\u003eGeneral\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Lock Range: 28 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Jitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• SPDIF compatible (IEC 60958)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x RCA, transformer-balanced, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• AES\/EBU compatible (AES3-1992)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x optical, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• ADAT compatible\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Single Wire mode, sample rate 44 kHz up to 192 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x RCA, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Single Wire mode, sample rate 44 kHz up to 192 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x optical, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Sample rate 44 kHz up to 192 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Clocks: Internal, AES In, SPDIF In, ADAT In\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Jitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Supported sample rates for external clocks: 32 kHz up to 192 kHz \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Internal Clocks: 44.1 kHz up to 768 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Standby power consumption: 50 mW\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Idle power consumption: 10 Watts, Max. power consumption: 22 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Idle current at 12 V: 850 mA (10 Watts)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Dimensions (WxHxD): 215 x 44 x 130 mm (8.5\" x 1.73\" x 5.1\")\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME ADI-2 Pro FS reference AD\/DA converter from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2019-02-04T13:13:14+02:00","created_at":"2019-02-04T13:01:26+02:00","vendor":"RME","type":"Audio Interfaces","tags":["audio interfaces","BLACK","Brand_RME","Convert19","converters","dropdown","label new","mastering","on sale","RME","usb interface"],"price":2889900,"price_min":2889900,"price_max":2889900,"available":true,"price_varies":false,"compare_at_price":4469900,"compare_at_price_min":4469900,"compare_at_price_max":4469900,"compare_at_price_varies":false,"variants":[{"id":10165102608420,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AAE ADI2P FS","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME ADI-2 Pro FS reference USB AD\/DA converter - B Stock","public_title":null,"options":["Default Title"],"price":2889900,"weight":0,"compare_at_price":4469900,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS.jpg?v=1549278789","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-front.jpg?v=1549278789","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-rear.jpg?v=1549278789","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-side.jpg?v=1549278789"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS.jpg?v=1549278789","options":["Title"],"media":[{"alt":null,"id":1538182610980,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS.jpg?v=1569329468"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS.jpg?v=1569329468","width":1000},{"alt":null,"id":1538184773668,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-front.jpg?v=1569329468"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-front.jpg?v=1569329468","width":1000},{"alt":null,"id":1538184806436,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-rear.jpg?v=1569329468"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-rear.jpg?v=1569329468","width":1000},{"alt":null,"id":1538187034660,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-side.jpg?v=1569329468"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ADI-2-Pro-FS-side.jpg?v=1569329468","width":1000}],"content":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRME ADI-2 Pro 2-in\/4-out world class AD\/DA Converter\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eA New Experience in Sound and Quality \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e2-in\/4-out Multi-format AD\/DA Converter with DSD Record\/Playback, 2 Headphone Amplifiers, High-resolution Display, Onboard DSP, and USB - Mac\/PC\/iOS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME’s anniversary reference AD\/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. ME's anniversary reference AD\/DA converter is:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet\"\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA high-end AD\/DA converter in professional studio quality\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA double headphone amplifier in true high-end quality\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA USB DAC like no other - the most versatile and capable one\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA high-end AD\/DA frontend and headphone amp for iPad \/ iPhone\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA multi-format converter (AES, SPDIF, ADAT) with monitoring function\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eA DSD record and playback solution\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eAn AD\/DA frontend for audio measurement at up to 768 kHz sample rate\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAs the most flexible converter available, the ADI-2 Pro offers balanced\/unbalanced analog I\/Os, double Extreme Power headphone outputs, SteadyClock FS, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 \/ 11.2 MHz). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnalog or Digital - Options Galore\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ADI-2 Pro includes two servo-balanced analog inputs on combo XLR \/ TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I\/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I\/O (XLR) via an included breakout cable. This universal set of I\/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAs a computer interface the ADI-2 Pro offers a stereo (2 in \/ 2 out) and a multichannel mode (6 in \/ 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePerfect Sound Capture and Reproduction\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFor easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock FS technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHigh Resolution Display Operation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass\/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD\/DA filters, four discrete I\/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eProfessional features such as M\/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThere is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eHaving two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #000000;\"\u003eTech Specs:\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eXLR\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Input: XLR, servo-balanced • Input sensitivity switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13\/19\/24 dBu: 120.x dB RMS unweighted, 124.x dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +4 dBu: 119 dB RMS unweighted, 123 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 44.1 kHz, -0.1 dB: 5 Hz – 20.5 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 96 kHz, -0.5 dB: 3 Hz – 45.5 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 192 kHz, -1 dB: 2 Hz – 92.7 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 384 kHz, -1 dB: \u0026lt; 1 Hz – 124 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 768 kHz, -3 dB: \u0026lt; 1 Hz – 180 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -1 dBFS: -116 dB, 0.00016 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ -1 dBFS: -112 dB, 0.00025 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Channel separation: \u0026gt; 110 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTRS\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs input XLR, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Input: 6.3 mm TRS jack, servo-balanced, fully compatible to TS and RCA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e1\/2 XLR\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level switchable +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13\/19\/24 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +4 dBu: 115 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.9 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Frequency response @ 192 kHz, -1 dB: 0 Hz – 88 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -1 dBFS: -112 dB, 0.00025 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ -1 dBFS: -110 dB, 0.00032 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ -3 dBFS: -116 dB, 0.00016 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Channel separation: \u0026gt; 110 dB\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 200 Ohm balanced, 100 Ohm unbalanced\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e1\/2 TS (rear)\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs output XLR, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output: 6.3 mm TS jack, unbalanced\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Maximum output level: +19 dBu\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13\/19 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +4 dBu: 113 dB RMS unweighted, 117 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 100 Ohm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePhones 1\/2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs Output 1\/2 TS, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output: 6.3 mm TRS jack, unbalanced, stereo\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 0.1 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +22 dBu: 117 dB RMS unweighted, 120 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +7 dBu: 114 dB RMS unweighted, 118 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Ref Level +19 dBu, load 100 Ohm or up: +22 dBu (10 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Ref Level +4 dBu, load 8 Ohm or up: +7 dBu (1.73 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ +18 dBu, 32 Ohm load, 1.2 Watt: -110 dB, 0.0003 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD+N @ + 18 dBu, 32 Ohm load: -107 dB, 0.00045 %\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• THD @ +14 dBu, 16 Ohm load, 0.94 Watt: -110 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOutput Phones 3\/4\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs Output Phones 1\/2, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output levels at 0 dBFS: Hi-Power off +7 dBu, Hi-Power On +22 dBu\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBalanced Phones mode\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eAs before, but:\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output levels at 0 dBFS: Hi-Power off +13 dBu (9.8 V), Hi-Power On +28 dBu (19.5 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output impedance: 0.2 Ohm\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +28 dBu: 120 dB RMS unweighted, 123 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Signal to Noise ratio (SNR) @ +13 dBu: 118.4 dB RMS unweighted, 122 dBA\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Hi-Power On, load 150 Ohm or up: +28 dBu (19.5 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Output level at 0 dBFS, Hi-Power Off, load 8 Ohm or up: +13 dBu (9.8 V)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Max power @ 0.001% THD: 2.9 W per channel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong class=\"dashlist\"\u003eGeneral\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Lock Range: 28 kHz – 200 kHz\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Jitter suppression: \u0026gt; 50 dB (2.4 kHz)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• SPDIF compatible (IEC 60958)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x RCA, transformer-balanced, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• AES\/EBU compatible (AES3-1992)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x optical, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• ADAT compatible\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAES\/EBU\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Single Wire mode, sample rate 44 kHz up to 192 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF coaxial\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x RCA, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Single Wire mode, sample rate 44 kHz up to 192 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSPDIF optical\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x optical, according to IEC 60958\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Sample rate 44 kHz up to 192 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Clocks: Internal, AES In, SPDIF In, ADAT In\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Jitter suppression of external clocks: \u0026gt; 50 dB (2.4 kHz)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Supported sample rates for external clocks: 32 kHz up to 192 kHz \u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Internal Clocks: 44.1 kHz up to 768 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Included power supply: external switching PSU, 100 - 240 V AC, 2 A, 24 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Standby power consumption: 50 mW\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Idle power consumption: 10 Watts, Max. power consumption: 22 Watts\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Idle current at 12 V: 850 mA (10 Watts)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Dimensions (WxHxD): 215 x 44 x 130 mm (8.5\" x 1.73\" x 5.1\")\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME ADI-2 Pro FS reference AD\/DA converter from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e"}
RME MADIface XT USB
Sold Out
{"id":885016494116,"title":"RME MADIface XT USB","handle":"rme-madiface-xt-usb","description":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eManage Up to 196 Channels of Digital Audio via USB 3.0\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUSB 3.0\/2.0 Audio Interface with 2 x MADI I\/O (Optical), 1 x MADI I\/O (Coax), 2 x XLR Mic\/Line Inputs, 4 x Analog Outputs, AES\/EBU, and MIDI I\/O\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/pH7Q0yadhxo\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME's MADIface XT is the world's first USB3 audio interface - and the world's smallest portable interface that provides access to hundreds of audio channels in such a small package. For highest usability and connectivity the XT can also be used with USB 2.0 (computer I\/O limited to 70 channels). Its unique PCI Express port connects to External PCI Express cards as well as adapters to Thunderbolt, providing all the fastest interfacing technologies available for maximum channel count and lowest latency in one unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTo bring together the most complete I\/O set for live or studio usage, two digitally controlled high end mic\/line preamps, two balanced line outputs and one stereo phones output are included. Full stand-alone operation with remote control over MADI plus TotalMix FX for unlimited mixing, routing and processing open an endless world of possible applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFor the most convenient desktop operation RME's Advanced Remote Control can be connected (option).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe RME MADIface XT is capable of transferring digital audio data directly into a computer, from any device equipped with a MADI interface. Analog sources can be connected to a stereo analog input, and 2 stereo analog outputs add full monitoring connectivity. Installation is simple, even for the inexperienced user, thanks to the latest Plug and Play technology. The numerous unique features and well thought-out configuration dialogs put the MADIface XT at the very top of the range of digital audio interfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"aligncentermargin\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"http:\/\/www.rme-audio.de\/images\/products\/products_madiface_xt_3b.jpg\" alt=\"MADIface XT\" width=\"710\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe front of the MADIface XT has 2 XLR\/TRS line and microphone inputs, a stereo line\/headphone output, two rotary encoders with push functionality, four menu keys, a graphical colour display, and six status LEDs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMic\/Line Inputs.\u003c\/strong\u003e The Neutrik combo sockets of the two Mic\/Line inputs provide XLR and 6.3 mm \/ 1\/4\" TRS connection. They have LEDs for Signal (SIG), Overload (Clip) and phantom power (48V).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHeadphone Output.\u003c\/strong\u003e Channels 3\/4 feed the headphone output, which also operates as high-quality unbalanced line output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDisplay.\u003c\/strong\u003e The display main screen (Global Level Meters) shows the current state of interface mode (PCIe orange, USB 2 yellow, USB 3 blue), the sync state of MADI and AES inputs, and incoming and outgoing MIDI data.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe\u003cstrong\u003e four keys\u003c\/strong\u003e, the \u003cstrong\u003etwo encoders 1\u003c\/strong\u003e and \u003cstrong\u003e2\u003c\/strong\u003e, the high-resolution and clear colour display, and a well thought-out menu structure enable the user to quickly change and configure the device’s settings completely without a computer. Help notes and clear markers in the display guide the user through all functions. The rotary encoder \u003cstrong\u003e1\u003c\/strong\u003e and \u003cstrong\u003e2\u003c\/strong\u003e set the monitoring volume of the rear and front output directly at the device.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRear Panel\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"aligncentermargin\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"http:\/\/www.rme-audio.de\/images\/products\/products_madiface_xt_4b.jpg\" alt=\"MADIface XT\" width=\"710\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe rear panel of the MADIface XT has two balanced analog outputs, word clock I\/O, MADI coaxial I\/O, two MADI optical I\/O, USB 3 port (compatible to USB 2), PCI Express connector, MIDI\/AES I\/O, the power socket and a power switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBalanced Line Level Outputs. \u003c\/strong\u003e2 balanced analog outputs via XLR.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWord Clock I\/O. \u003c\/strong\u003eBNC. In menu \u003cem\u003eOptions – Clock\u003c\/em\u003e the input can be set to be terminated with 75 Ohms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMADI I\/O coaxial:\u003c\/strong\u003e Standard coaxial MADI ports.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMADI I\/O optical: \u003c\/strong\u003e2 x standard optical MADI ports.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRemote.\u003c\/strong\u003e Mini-DIN. Connector for the optional remote controls with Volume, Store, Dim and Recall functions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMIDI I\/O and AES\/EBU I\/O.\u003c\/strong\u003e D-sub connector for the included breakout cable with XLR for AES I\/O and 5-pin DIN for MIDI I\/O.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUSB 3.0.\u003c\/strong\u003e USB socket for connection to the computer. USB bus power is not supported. Compatible to \u003cstrong\u003eUSB 2.0\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePCI Express.\u003c\/strong\u003e External PCI Express connector for Molex E-PCIe standard cables.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e (switch): Turns the MADIface XT on and off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSocket\u003c\/strong\u003e for power connection. The locking type jack fits the locking type DC connector on the included power supply. After inserting the connector carefully turn it so that it locks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe included hi-performance switch mode power supply operates in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotal Mix FX\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe MADIface XT includes a powerful digital real-time mixer, the Hammerfall DSP mixer, based on RME’s unique, sample-rate independent \u003cstrong\u003eTotalMix\u003c\/strong\u003e technology. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"aligncentermargin\" style=\"text-align: center;\"\u003e\u003cimg alt=\"MADIface XT\" src=\"http:\/\/www.rme-audio.de\/images\/products\/products_madiface_xt_tm.jpg\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHere are some typical applications for TotalMix:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSetting up delay-free submixes (headphone mixes). The MADIface XT allows for up to 99 (!) fully independent stereo submixes. On an analog mixing desk, this would equal 198 (!) Aux sends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eUnlimited routing of inputs and outputs (free utilisation, patchbay functionality).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDistributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSimultaneous playback of different programs using only one stereo output. The ASIO multiclient driver handles several programs at the same time, even identical playback channels. TotalMix provides the means to mix and monitor these on a single stereo output, even when originating on different playback channels.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIntegration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEvery single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware (hardware output is Peak only). These level displays are very useful to determine the presence and routing destinations of the audio signals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eInterface for External PCI Express, USB 3.0 and USB 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eSample rates: 32 kHz up to 192 kHz, variable (Sync\/word clock)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eAnalog input gain range: 60 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eSNR input: 108 dB RMS unweighted, 111 dBA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eSNR output: 112 dB RMS unweigthed, 115 dBA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e3 virtual MIDI over MADI I\/Os, one external MIDI I\/O\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix: 4096-channel mixer with 46-bit internal resolution\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eSteadyClock™: super-stable digital clock, highest jitter suppression\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eFull stand-alone operation, including MIDI remote control\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eComes with DIGICheck, RME's ultimate measurement, analysis and test tool\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e MADIface XT is not compatible with RME Rackmount 'RM-19'\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNotes on USB 3.0 Operation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe special features and possible problems of using USB 3 are described in more detail in the manual.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eCurrent Compatibility Information:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFully compatible to \u003cb\u003eIntel's USB 3\u003c\/b\u003e implementation, which - on current Windows and Mac computers - is part of the chipset. USB 3 sockets that are connected via an internal cable (not directly soldered onto the motherboard) can cause transmission errors. These are shown in the Settings dialog.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFully compatible to \u003cb\u003eAMD's USB 3\u003c\/b\u003e implementation. USB 3 sockets that are connected via an internal cable (not directly soldered onto the motherboard) can cause transmission errors. These are shown in the Settings dialog.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFully compatible to \u003cb\u003eFresco USB 3\u003c\/b\u003e. This rarely used chip can be found for example on the Sonnet Tango 3.0 PCIe card.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eCompatible to \u003cb\u003eNEC \/ Renesas USB 3\u003c\/b\u003e. Real-world performance and error-free operation depend on the firmware version, driver version and the PCB layout of the respective extension card\/motherboard.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eASMedia\u003c\/b\u003e - not compatible.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEtron EJ168A\u003c\/b\u003e - not compatible.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eTexas TUSB7340\u003c\/b\u003e - not compatible.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eVia VL800\/805\u003c\/b\u003e - not compatible.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-06-23T12:52:58+02:00","created_at":"2018-08-27T20:49:34+02:00","vendor":"RME","type":"Audio Interfaces","tags":["ADAT","audio interfaces","Brand_RME","converters","dropdown","MADI","on sale","RME","usb interface"],"price":4899900,"price_min":4899900,"price_max":4899900,"available":false,"price_varies":false,"compare_at_price":5393500,"compare_at_price_min":5393500,"compare_at_price_max":5393500,"compare_at_price_varies":false,"variants":[{"id":9105095622692,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEMADIFXT","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"RME MADIface XT USB","public_title":null,"options":["Default Title"],"price":4899900,"weight":0,"compare_at_price":5393500,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-XT.png?v=1535396248","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-rear.png?v=1535396260","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-side.png?v=1535396270","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-side2.png?v=1535396282"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-XT.png?v=1535396248","options":["Title"],"media":[{"alt":null,"id":1306405732388,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-XT.png?v=1569288453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-XT.png?v=1569288453","width":1200},{"alt":null,"id":1306405863460,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-rear.png?v=1569288453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-rear.png?v=1569288453","width":1200},{"alt":null,"id":1306405994532,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-side.png?v=1569288453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-side.png?v=1569288453","width":1200},{"alt":null,"id":1306406060068,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-side2.png?v=1569288453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIface-XT-side2.png?v=1569288453","width":1200}],"content":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eManage Up to 196 Channels of Digital Audio via USB 3.0\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUSB 3.0\/2.0 Audio Interface with 2 x MADI I\/O (Optical), 1 x MADI I\/O (Coax), 2 x XLR Mic\/Line Inputs, 4 x Analog Outputs, AES\/EBU, and MIDI I\/O\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/pH7Q0yadhxo\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eRME's MADIface XT is the world's first USB3 audio interface - and the world's smallest portable interface that provides access to hundreds of audio channels in such a small package. For highest usability and connectivity the XT can also be used with USB 2.0 (computer I\/O limited to 70 channels). Its unique PCI Express port connects to External PCI Express cards as well as adapters to Thunderbolt, providing all the fastest interfacing technologies available for maximum channel count and lowest latency in one unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTo bring together the most complete I\/O set for live or studio usage, two digitally controlled high end mic\/line preamps, two balanced line outputs and one stereo phones output are included. Full stand-alone operation with remote control over MADI plus TotalMix FX for unlimited mixing, routing and processing open an endless world of possible applications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFor the most convenient desktop operation RME's Advanced Remote Control can be connected (option).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe RME MADIface XT is capable of transferring digital audio data directly into a computer, from any device equipped with a MADI interface. Analog sources can be connected to a stereo analog input, and 2 stereo analog outputs add full monitoring connectivity. Installation is simple, even for the inexperienced user, thanks to the latest Plug and Play technology. The numerous unique features and well thought-out configuration dialogs put the MADIface XT at the very top of the range of digital audio interfaces.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFront Panel\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"aligncentermargin\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"http:\/\/www.rme-audio.de\/images\/products\/products_madiface_xt_3b.jpg\" alt=\"MADIface XT\" width=\"710\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe front of the MADIface XT has 2 XLR\/TRS line and microphone inputs, a stereo line\/headphone output, two rotary encoders with push functionality, four menu keys, a graphical colour display, and six status LEDs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMic\/Line Inputs.\u003c\/strong\u003e The Neutrik combo sockets of the two Mic\/Line inputs provide XLR and 6.3 mm \/ 1\/4\" TRS connection. They have LEDs for Signal (SIG), Overload (Clip) and phantom power (48V).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHeadphone Output.\u003c\/strong\u003e Channels 3\/4 feed the headphone output, which also operates as high-quality unbalanced line output.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDisplay.\u003c\/strong\u003e The display main screen (Global Level Meters) shows the current state of interface mode (PCIe orange, USB 2 yellow, USB 3 blue), the sync state of MADI and AES inputs, and incoming and outgoing MIDI data.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe\u003cstrong\u003e four keys\u003c\/strong\u003e, the \u003cstrong\u003etwo encoders 1\u003c\/strong\u003e and \u003cstrong\u003e2\u003c\/strong\u003e, the high-resolution and clear colour display, and a well thought-out menu structure enable the user to quickly change and configure the device’s settings completely without a computer. Help notes and clear markers in the display guide the user through all functions. The rotary encoder \u003cstrong\u003e1\u003c\/strong\u003e and \u003cstrong\u003e2\u003c\/strong\u003e set the monitoring volume of the rear and front output directly at the device.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRear Panel\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"aligncentermargin\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"http:\/\/www.rme-audio.de\/images\/products\/products_madiface_xt_4b.jpg\" alt=\"MADIface XT\" width=\"710\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe rear panel of the MADIface XT has two balanced analog outputs, word clock I\/O, MADI coaxial I\/O, two MADI optical I\/O, USB 3 port (compatible to USB 2), PCI Express connector, MIDI\/AES I\/O, the power socket and a power switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBalanced Line Level Outputs. \u003c\/strong\u003e2 balanced analog outputs via XLR.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWord Clock I\/O. \u003c\/strong\u003eBNC. In menu \u003cem\u003eOptions – Clock\u003c\/em\u003e the input can be set to be terminated with 75 Ohms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMADI I\/O coaxial:\u003c\/strong\u003e Standard coaxial MADI ports.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMADI I\/O optical: \u003c\/strong\u003e2 x standard optical MADI ports.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRemote.\u003c\/strong\u003e Mini-DIN. Connector for the optional remote controls with Volume, Store, Dim and Recall functions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMIDI I\/O and AES\/EBU I\/O.\u003c\/strong\u003e D-sub connector for the included breakout cable with XLR for AES I\/O and 5-pin DIN for MIDI I\/O.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUSB 3.0.\u003c\/strong\u003e USB socket for connection to the computer. USB bus power is not supported. Compatible to \u003cstrong\u003eUSB 2.0\u003c\/strong\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePCI Express.\u003c\/strong\u003e External PCI Express connector for Molex E-PCIe standard cables.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePOWER\u003c\/strong\u003e (switch): Turns the MADIface XT on and off.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSocket\u003c\/strong\u003e for power connection. The locking type jack fits the locking type DC connector on the included power supply. After inserting the connector carefully turn it so that it locks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe included hi-performance switch mode power supply operates in the range of 100V to 240V AC. It is short-circuit-proof, has an integrated line-filter, is fully regulated against voltage fluctuations, and suppresses mains interference.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotal Mix FX\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe MADIface XT includes a powerful digital real-time mixer, the Hammerfall DSP mixer, based on RME’s unique, sample-rate independent \u003cstrong\u003eTotalMix\u003c\/strong\u003e technology. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"aligncentermargin\" style=\"text-align: center;\"\u003e\u003cimg alt=\"MADIface XT\" src=\"http:\/\/www.rme-audio.de\/images\/products\/products_madiface_xt_tm.jpg\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHere are some typical applications for TotalMix:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSetting up delay-free submixes (headphone mixes). The MADIface XT allows for up to 99 (!) fully independent stereo submixes. On an analog mixing desk, this would equal 198 (!) Aux sends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eUnlimited routing of inputs and outputs (free utilisation, patchbay functionality).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDistributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSimultaneous playback of different programs using only one stereo output. The ASIO multiclient driver handles several programs at the same time, even identical playback channels. TotalMix provides the means to mix and monitor these on a single stereo output, even when originating on different playback channels.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIntegration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEvery single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware (hardware output is Peak only). These level displays are very useful to determine the presence and routing destinations of the audio signals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eInterface for External PCI Express, USB 3.0 and USB 2.0\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eSample rates: 32 kHz up to 192 kHz, variable (Sync\/word clock)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eAnalog input gain range: 60 dB\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eSNR input: 108 dB RMS unweighted, 111 dBA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eSNR output: 112 dB RMS unweigthed, 115 dBA\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e3 virtual MIDI over MADI I\/Os, one external MIDI I\/O\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix: 4096-channel mixer with 46-bit internal resolution\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eSteadyClock™: super-stable digital clock, highest jitter suppression\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eFull stand-alone operation, including MIDI remote control\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eComes with DIGICheck, RME's ultimate measurement, analysis and test tool\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\u003cstrong\u003ePlease note:\u003c\/strong\u003e MADIface XT is not compatible with RME Rackmount 'RM-19'\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNotes on USB 3.0 Operation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe special features and possible problems of using USB 3 are described in more detail in the manual.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eCurrent Compatibility Information:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFully compatible to \u003cb\u003eIntel's USB 3\u003c\/b\u003e implementation, which - on current Windows and Mac computers - is part of the chipset. USB 3 sockets that are connected via an internal cable (not directly soldered onto the motherboard) can cause transmission errors. These are shown in the Settings dialog.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFully compatible to \u003cb\u003eAMD's USB 3\u003c\/b\u003e implementation. USB 3 sockets that are connected via an internal cable (not directly soldered onto the motherboard) can cause transmission errors. These are shown in the Settings dialog.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eFully compatible to \u003cb\u003eFresco USB 3\u003c\/b\u003e. This rarely used chip can be found for example on the Sonnet Tango 3.0 PCIe card.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eCompatible to \u003cb\u003eNEC \/ Renesas USB 3\u003c\/b\u003e. Real-world performance and error-free operation depend on the firmware version, driver version and the PCB layout of the respective extension card\/motherboard.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eASMedia\u003c\/b\u003e - not compatible.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eEtron EJ168A\u003c\/b\u003e - not compatible.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eTexas TUSB7340\u003c\/b\u003e - not compatible.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cb\u003eVia VL800\/805\u003c\/b\u003e - not compatible.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e"}
RME MADIface USB
R17,595.00
{"id":885002371108,"title":"RME MADIface USB","handle":"rme-madiface-usb","description":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMADI portability at its best!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe compact MADIface USB provides MADI I\/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I\/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eConnectivity:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Record\/Playback channels: 64 in \/ 64 out\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 2 x MADI I\/O (optical and coaxial)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• TotalMix\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• No external power supply required\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Stand-alone mode operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Seamless Redundancy Operation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures and Operation Modes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIts sturdy and bus-powered design makes it as easy to use as reliable in operation. MADIface USB is both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC. A real gem in flexibility, usefullness and trouble-free operation - as you expect it from RME.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eMADIface USB offers several operation modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix and a straight routing mode.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe option \u003cstrong\u003eDisable TotalMix\u003c\/strong\u003e completely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data is going straight to record\/coming from playback, with no mixing or routing involved. In this mode the outputs are mirrored, carrying the same signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIn \u003cstrong\u003e64 Channel Mix\u003c\/strong\u003e mode TotalMix shows 64 input, playback and output channels. All settings in TotalMix use the data from one MADI input port, and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe option \u003cstrong\u003eAutoSelect\u003c\/strong\u003e activates an automatic input selection. Using both inputs at the same time, AutoSelect puts the device into Seamless Redundancy mode. The MADIface USB will switch to the other input in real-time if the current one fails.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIn \u003cstrong\u003e128 Channel Mix\u003c\/strong\u003e mode record and playback is still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available through TotalMix, and the output signal is not mirrored, but separated, with TotalMix having 128 output channels. Applications like independent mix output, monitoring and serial pass-through of the second source are just a few clicks away.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSteadyClock\u003c\/strong\u003e as well as RME's well known \u003cstrong\u003eMADI compatibility\u003c\/strong\u003e ensure hassle-free operation with other devices. \u003cstrong\u003eMIDI over MADI\u003c\/strong\u003etechnology may be used to remote-control other MADI devices. \u003cstrong\u003eDIGICheck\u003c\/strong\u003e, an included complete audio analyzing suite, supports the user under Mac OS X and Windows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotal Mix\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLike all the latest RME interfaces, the MADIface USB also includes the powerful digital real-time mixer \u003cstrong\u003eTotalMix FX\u003c\/strong\u003e. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The MADIface does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHere are some typical applications for TotalMix:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSetting up delay-free submixes (headphone mixes). The MADIface allows for up to 32 fully independent stereo submixes. On an analog mixing desk, this would equal 64 Aux sends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eUnlimited routing of inputs and outputs (free utilisation, patchbay functionality).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDistributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSimultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIntegration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eEvery single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eStand-alone Operation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFor stand-alone operation the MADIface USB can be powered by any USB power wall wart or USB battery, like those for mobile phones and MP3 players. Without a computer host the device enters a pre-configured mode. Using one input the MADIface USB is clock slave, using the sample rate found at the input. AutoSelect is active, so either input can be used. The input's audio data is transferred to the outputs unchanged. The output format follows the input format (56\/64 channel mode, 48k\/96k Frame). Using two inputs Double Processing Mode becomes active, for two independent paths, including two SteadyClocks. The internal routing changes from parallel output to cross-coupled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTherefore in stand-alone mode the unit automatically operates as \u003cstrong\u003eactive repeater\u003c\/strong\u003e, effectively doubling the maximum cable length of 100 m coaxial and 2,000 m optical. With two inputs connected the unit works as \u003cstrong\u003ebi-directional format converter\u003c\/strong\u003e, converting coaxial to optical and vice versa simultaneously. This is even possible when the connected device uses sample rate converters for independent clocking - the sample rate can be different in both paths.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThanks to a completely newly generated signal, jitter suppression by SteadyClock, and reclocking of the MADI output, the MADIface USB provides not simple but sophisticated format conversion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInputs\/Outputs:\u003c\/strong\u003e2 x MADI I\/O, optical and coaxial (BNC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMIDI input and output:\u003c\/strong\u003e via virtual MIDI port\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eClock modes: \u003c\/strong\u003emaster (internal) and slave (MADI input)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/DDS)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJitter: \u003c\/strong\u003e\u0026lt; 1 ns, internal and all inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJitter sensitivity:\u003c\/strong\u003e PLL operates even at 100 ns Jitter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSeamless Redundancy operation\u003c\/strong\u003e with both inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix:\u003c\/strong\u003e 2048 channel mixer with 48-bit internal resolution\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix:\u003c\/strong\u003e latency-free submixes and perfect ASIO Direct Monitoring\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInterface:\u003c\/strong\u003e USB 2.0, bus-powered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eComes with \u003cstrong\u003eDIGICheck\u003c\/strong\u003e, RME's ultimate measurement, analysis and test tool\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDrivers:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e Vista\/7\/8 (Multi-Client operation of ASIO 2.3 and WDM)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMac\u003c\/strong\u003e OS X (10.6 or up, Core Audio, Core MIDI)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME MADIface USB from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-08-27T20:46:25+02:00","created_at":"2018-08-27T20:37:18+02:00","vendor":"RME","type":"Audio Interfaces","tags":["ADAT","audio interfaces","Brand_RME","converters","dropdown","MADI","on sale","RME","usb interface"],"price":1759500,"price_min":1759500,"price_max":1759500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":9105024811044,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEMADIUSB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME MADIface USB","public_title":null,"options":["Default Title"],"price":1759500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-USB-side.png?v=1535395518","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-USB.png?v=1535395518"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-USB-side.png?v=1535395518","options":["Title"],"media":[{"alt":null,"id":1306400915492,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-USB-side.png?v=1569288452"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-USB-side.png?v=1569288452","width":1200},{"alt":null,"id":1306400882724,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-USB.png?v=1569288452"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-MADIFACE-USB.png?v=1569288452","width":1200}],"content":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMADI portability at its best!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe compact MADIface USB provides MADI I\/O over USB 2.0 while supporting the format's full 64 channels for recording and playback, under Mac and Windows. Both inputs can be used for full redundancy operation. Optionally both MADI I\/Os can be operated simultaneously for full 128 channel input and output access, mixed and routed by TotalMix. Even without computer the small box delivers extraordinary bi-directional format converter and active repeater functionality.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eConnectivity:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• Record\/Playback channels: 64 in \/ 64 out\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 2 x MADI I\/O (optical and coaxial)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• TotalMix\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• No external power supply required\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Stand-alone mode operation\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• Seamless Redundancy Operation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures and Operation Modes\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIts sturdy and bus-powered design makes it as easy to use as reliable in operation. MADIface USB is both MADI portability at its best as also a perfect desktop solution to connect MADI equipment to any Mac and PC. A real gem in flexibility, usefullness and trouble-free operation - as you expect it from RME.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eMADIface USB offers several operation modes when used with a Mac or Windows computer: 64 Channel Mix, Redundancy mode, 128 Channel Mix and a straight routing mode.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe option \u003cstrong\u003eDisable TotalMix\u003c\/strong\u003e completely disables TotalMix, the unit's flexible internal mixer and routing matrix. All input and output data is going straight to record\/coming from playback, with no mixing or routing involved. In this mode the outputs are mirrored, carrying the same signal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIn \u003cstrong\u003e64 Channel Mix\u003c\/strong\u003e mode TotalMix shows 64 input, playback and output channels. All settings in TotalMix use the data from one MADI input port, and send identical data to both MADI output ports. The currently active MADI input port can be configured in the Settings dialog.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe option \u003cstrong\u003eAutoSelect\u003c\/strong\u003e activates an automatic input selection. Using both inputs at the same time, AutoSelect puts the device into Seamless Redundancy mode. The MADIface USB will switch to the other input in real-time if the current one fails.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIn \u003cstrong\u003e128 Channel Mix\u003c\/strong\u003e mode record and playback is still limited to 64 channels, with the current input selected in the Settings dialog. But the other input is also available through TotalMix, and the output signal is not mirrored, but separated, with TotalMix having 128 output channels. Applications like independent mix output, monitoring and serial pass-through of the second source are just a few clicks away.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSteadyClock\u003c\/strong\u003e as well as RME's well known \u003cstrong\u003eMADI compatibility\u003c\/strong\u003e ensure hassle-free operation with other devices. \u003cstrong\u003eMIDI over MADI\u003c\/strong\u003etechnology may be used to remote-control other MADI devices. \u003cstrong\u003eDIGICheck\u003c\/strong\u003e, an included complete audio analyzing suite, supports the user under Mac OS X and Windows.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotal Mix\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLike all the latest RME interfaces, the MADIface USB also includes the powerful digital real-time mixer \u003cstrong\u003eTotalMix FX\u003c\/strong\u003e. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The MADIface does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHere are some typical applications for TotalMix:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSetting up delay-free submixes (headphone mixes). The MADIface allows for up to 32 fully independent stereo submixes. On an analog mixing desk, this would equal 64 Aux sends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eUnlimited routing of inputs and outputs (free utilisation, patchbay functionality).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDistributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSimultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIntegration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eEvery single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eStand-alone Operation\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eFor stand-alone operation the MADIface USB can be powered by any USB power wall wart or USB battery, like those for mobile phones and MP3 players. Without a computer host the device enters a pre-configured mode. Using one input the MADIface USB is clock slave, using the sample rate found at the input. AutoSelect is active, so either input can be used. The input's audio data is transferred to the outputs unchanged. The output format follows the input format (56\/64 channel mode, 48k\/96k Frame). Using two inputs Double Processing Mode becomes active, for two independent paths, including two SteadyClocks. The internal routing changes from parallel output to cross-coupled.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTherefore in stand-alone mode the unit automatically operates as \u003cstrong\u003eactive repeater\u003c\/strong\u003e, effectively doubling the maximum cable length of 100 m coaxial and 2,000 m optical. With two inputs connected the unit works as \u003cstrong\u003ebi-directional format converter\u003c\/strong\u003e, converting coaxial to optical and vice versa simultaneously. This is even possible when the connected device uses sample rate converters for independent clocking - the sample rate can be different in both paths.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThanks to a completely newly generated signal, jitter suppression by SteadyClock, and reclocking of the MADI output, the MADIface USB provides not simple but sophisticated format conversion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInputs\/Outputs:\u003c\/strong\u003e2 x MADI I\/O, optical and coaxial (BNC)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMIDI input and output:\u003c\/strong\u003e via virtual MIDI port\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eClock modes: \u003c\/strong\u003emaster (internal) and slave (MADI input)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSample rates:\u003c\/strong\u003e 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/DDS)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJitter: \u003c\/strong\u003e\u0026lt; 1 ns, internal and all inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJitter sensitivity:\u003c\/strong\u003e PLL operates even at 100 ns Jitter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSeamless Redundancy operation\u003c\/strong\u003e with both inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix:\u003c\/strong\u003e 2048 channel mixer with 48-bit internal resolution\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix:\u003c\/strong\u003e latency-free submixes and perfect ASIO Direct Monitoring\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInterface:\u003c\/strong\u003e USB 2.0, bus-powered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eComes with \u003cstrong\u003eDIGICheck\u003c\/strong\u003e, RME's ultimate measurement, analysis and test tool\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDrivers:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e Vista\/7\/8 (Multi-Client operation of ASIO 2.3 and WDM)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMac\u003c\/strong\u003e OS X (10.6 or up, Core Audio, Core MIDI)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME MADIface USB from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e"}
RME OctaMic II 8-channel 24-bit/192kHz A/D Converter
R35,650.00
R28,999.00
{"id":884988543012,"title":"RME OctaMic II 8-channel 24-bit\/192kHz A\/D Converter","handle":"rme-octamic-ii","description":"\u003ch3\u003eKeep Jitter to a Minimum with the OctaMic II\u003c\/h3\u003e\n\u003cp\u003e8-channel 24-bit\/192kHz A\/D Converter with Dual Digital Outputs\u003c\/p\u003e\n\u003cp\u003eStop annoying jitter in your studio with the RME OctaMic II! This 8-channel A\/D converter keeps your audio rock solid from input to output. You'll love the convenience of eight XLR combo jack inputs with individual phantom power, phase, and low cut controls. The OctaMic II features RME's SteadyClock technology that virtually eliminates jitter in your recordings. Optical and analog outputs give you the flexibility to get your signal where you need it and how you need it. Your audio has never sounded better thanks to the latest A\/D converters capable of 24-bit\/192kHz and a signal to noise ratio of 110dB. Get clear, precise, jitter-free audio with the RME OctaMic II.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME OctaMic II Preamp and A\/D Converter at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlexible and convenient I\/O\u003c\/li\u003e\n\u003cli\u003eDetect clipping easier than ever\u003c\/li\u003e\n\u003cli\u003eSteadyClock for optimal converter quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible and convenient I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RME OctaMic II has a large selection of inputs and outputs to handle any situation you may come up against. Eight phantom-powered XLR combo jacks let you plug in anything from condenser microphones to guitars to keyboards. Each channel gives you switches for phase, low cut, and phantom power. An improved input-circuit design allows you tons of headroom and a gain range up to 60dB. You have access to eight stereo TRS-balanced line outputs, dual optical outputs, and a single DB-25 output. The dual ADAT optical outs can be configured for S\/MUX up to 96kHZ.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetect clipping easier than ever\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo more having to watch LED meters like a hawk to catch clipping! The RME OctaMic's Clip Hold mode detects clipping and causes the corresponding LED to flash continually. This makes it easy to see which of your channels is having constant overages.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteadyClock or optimal converter quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteadyClock is a proprietary clock technology for maximum jitter suppression. SteadyClock guarantees superb sound quality completely independent from the quality of the current reference clock. The OctaMic II uses the latest generation of A\/D converters capable of giving you up to 24-bit\/192kHz sampling frequency at a S\/N ratio of 110dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME OctaMic II Preamp and A\/D Converter Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKeeps your input signals intact and unchanged without jitter\u003c\/li\u003e\n\u003cli\u003eImproved THD and SNR for cleaner audio\u003c\/li\u003e\n\u003cli\u003eEasy peak monitoring with Clip Hold mode\u003c\/li\u003e\n\u003cli\u003eFlexible I\/O for all your studio needs\u003c\/li\u003e\n\u003cli\u003eLots of input headroom with an input range up to 21dBu\u003c\/li\u003e\n\u003cli\u003eSwitch-mode power supply operates in the range of 100V to 240V AC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKeep your signal clean and jitter free with the RME OctaMic II\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreamp Type:\u003c\/strong\u003eSolid State\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumber of Channels:\u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power:\u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Inputs:\u003c\/strong\u003e8 x XLR\/TRS mic\/line inputs (Combo Jacks)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Outputs:\u003c\/strong\u003e8 x TRS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Outputs:\u003c\/strong\u003e2 x Optical ADAT, 1 x AES\/EBU via DB-25\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e5Hz-200kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRack Spaces:\u003c\/strong\u003e1U\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e75\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e19\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eManufacturer Part Number:\u003c\/strong\u003eOCTAMIC II\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBuy the RME OctaMic II \u003cspan\u003e8-channel 24-bit\/192kHz A\/D Converter from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-08-27T20:33:38+02:00","created_at":"2018-08-27T20:23:48+02:00","vendor":"RME","type":"Microphone Preamps","tags":["ADAT","adat preamp","audio interfaces","Brand_RME","converters","dropdown","mic preamp","on sale","RME","studio accessories","usb interface"],"price":2899900,"price_min":2899900,"price_max":2899900,"available":true,"price_varies":false,"compare_at_price":3565000,"compare_at_price_min":3565000,"compare_at_price_max":3565000,"compare_at_price_varies":false,"variants":[{"id":9104955342884,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEOCTAMIC2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME OctaMic II 8-channel 24-bit\/192kHz A\/D Converter","public_title":null,"options":["Default Title"],"price":2899900,"weight":0,"compare_at_price":3565000,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II.png?v=1535394707","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-back.png?v=1535394710","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-front.png?v=1535394713","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-Z.png?v=1535394720"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II.png?v=1535394707","options":["Title"],"media":[{"alt":null,"id":1306395967524,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II.png?v=1569288451"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II.png?v=1569288451","width":1500},{"alt":null,"id":1306396000292,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-back.png?v=1569288451"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-back.png?v=1569288451","width":1500},{"alt":null,"id":1306396033060,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-front.png?v=1569288451"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-front.png?v=1569288451","width":1500},{"alt":null,"id":1306396131364,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-Z.png?v=1569288451"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-OCTAMIC-II-Z.png?v=1569288451","width":1500}],"content":"\u003ch3\u003eKeep Jitter to a Minimum with the OctaMic II\u003c\/h3\u003e\n\u003cp\u003e8-channel 24-bit\/192kHz A\/D Converter with Dual Digital Outputs\u003c\/p\u003e\n\u003cp\u003eStop annoying jitter in your studio with the RME OctaMic II! This 8-channel A\/D converter keeps your audio rock solid from input to output. You'll love the convenience of eight XLR combo jack inputs with individual phantom power, phase, and low cut controls. The OctaMic II features RME's SteadyClock technology that virtually eliminates jitter in your recordings. Optical and analog outputs give you the flexibility to get your signal where you need it and how you need it. Your audio has never sounded better thanks to the latest A\/D converters capable of 24-bit\/192kHz and a signal to noise ratio of 110dB. Get clear, precise, jitter-free audio with the RME OctaMic II.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME OctaMic II Preamp and A\/D Converter at a Glance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFlexible and convenient I\/O\u003c\/li\u003e\n\u003cli\u003eDetect clipping easier than ever\u003c\/li\u003e\n\u003cli\u003eSteadyClock for optimal converter quality\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible and convenient I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe RME OctaMic II has a large selection of inputs and outputs to handle any situation you may come up against. Eight phantom-powered XLR combo jacks let you plug in anything from condenser microphones to guitars to keyboards. Each channel gives you switches for phase, low cut, and phantom power. An improved input-circuit design allows you tons of headroom and a gain range up to 60dB. You have access to eight stereo TRS-balanced line outputs, dual optical outputs, and a single DB-25 output. The dual ADAT optical outs can be configured for S\/MUX up to 96kHZ.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDetect clipping easier than ever\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo more having to watch LED meters like a hawk to catch clipping! The RME OctaMic's Clip Hold mode detects clipping and causes the corresponding LED to flash continually. This makes it easy to see which of your channels is having constant overages.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSteadyClock or optimal converter quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSteadyClock is a proprietary clock technology for maximum jitter suppression. SteadyClock guarantees superb sound quality completely independent from the quality of the current reference clock. The OctaMic II uses the latest generation of A\/D converters capable of giving you up to 24-bit\/192kHz sampling frequency at a S\/N ratio of 110dB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRME OctaMic II Preamp and A\/D Converter Features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKeeps your input signals intact and unchanged without jitter\u003c\/li\u003e\n\u003cli\u003eImproved THD and SNR for cleaner audio\u003c\/li\u003e\n\u003cli\u003eEasy peak monitoring with Clip Hold mode\u003c\/li\u003e\n\u003cli\u003eFlexible I\/O for all your studio needs\u003c\/li\u003e\n\u003cli\u003eLots of input headroom with an input range up to 21dBu\u003c\/li\u003e\n\u003cli\u003eSwitch-mode power supply operates in the range of 100V to 240V AC\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKeep your signal clean and jitter free with the RME OctaMic II\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreamp Type:\u003c\/strong\u003eSolid State\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumber of Channels:\u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhantom Power:\u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Inputs:\u003c\/strong\u003e8 x XLR\/TRS mic\/line inputs (Combo Jacks)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Outputs:\u003c\/strong\u003e8 x TRS\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDigital Outputs:\u003c\/strong\u003e2 x Optical ADAT, 1 x AES\/EBU via DB-25\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e5Hz-200kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRack Spaces:\u003c\/strong\u003e1U\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHeight:\u003c\/strong\u003e75\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e19\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eManufacturer Part Number:\u003c\/strong\u003eOCTAMIC II\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBuy the RME OctaMic II \u003cspan\u003e8-channel 24-bit\/192kHz A\/D Converter from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
RME ARC-USB Advanced Remote Control
R3,899.00
R3,295.00
{"id":884972617764,"title":"RME ARC-USB Advanced Remote Control","handle":"rme-arc-usb-advanced-remote-control","description":"\u003ch3\u003e\u003cspan\u003eRemote Control for RME Audio Interfaces.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS_arc-usb_6e528041-188a-496f-9d62-ca2004db9956_1024x1024.jpg?v=1535393808\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/L7RfBj2ReF4\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAnd because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface.\u003c\/p\u003e\n\u003cp\u003eWith the UFX+ and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX+ and UFX II.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is bus powered, but draws only little current. Also it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 meter to 10 meter length, and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends to use active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe lower three keys have a useful diagnostic functionality.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTalkback:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis lit dim as soon as the ARC USB is running on 5 V USB bus power.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeaker B:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis lit dim as soon as a USB communication is possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIM:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis lit dim as soon as a communication with TotalMix FX is established.\u003c\/p\u003e\n\u003cp\u003eTherefore in normal operation all three lower keys are lit dim constantly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe ARC USB comes with a standard set of Key Commands that already cover most usage scenarios, printed directly beneath the keys:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRow 1 and 2:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eactivating Snapshots 1 to 8.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRow 3:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMono, Volume Phones 1, Volume Phones 2, External Input\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLower keys:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eTalkback, Speaker B, Dim.\u003c\/p\u003e\n\u003cp\u003eA set of stickers with all currently available TotalMix FX commands is included. These can be used to label all keys reflecting the current user configuration.\u003c\/p\u003e\n\u003cp\u003eThe rotary encoder wheel is used to change various parameters, like gain and volume. It is pro-grammable in TotalMix FX as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConfiguration of the ARC USB\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Advanced Remote Control is configured in the Options menu via the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKey Commands\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edialog of TotalMix FX, tab ARC USB Settings. As the ARC does not have any memory, all configuration and storage is done via TotalMix FX. All settings of the ARC USB are stored within a Workspace, and are therefore identical in all Snapshots of that current Workspace.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"http:\/\/www.rme-audio.de\/images\/products\/products_arc_usb_setup1.jpg\" alt=\"ARC USB Setup\" width=\"314\"\u003e\u003c\/p\u003e\n\u003cp\u003eMore than 36 different commands can be assigned to the 15 keys. The behaviour of each individual button can be changed between\u003cspan\u003e \u003c\/span\u003e\u003cem\u003epush, toggle, enable\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003edisable\u003c\/em\u003e, depending on the base function.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent list of available functions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e- No Funktion\u003cbr\u003e- Global Mute\u003cbr\u003e- Global Solo\u003cbr\u003e- Mute Group 1 to 4\u003cbr\u003e- Solo Group 1 to 4\u003cbr\u003e- Fader Group 1 to 4\u003cbr\u003e- Link Main AB\u003cbr\u003e- Speaker B Select\u003cbr\u003e- DIM (Main Out)\u003cbr\u003e- Mute (Main Out)\u003cbr\u003e- Mute FX (Main Out)\u003cbr\u003e- Mono (Main Out)\u003cbr\u003e- Talkback\u003cbr\u003e- External Input\u003cbr\u003e- Reverb\u003cbr\u003e- Echo\u003cbr\u003e- Cue Phones 1 to 4\u003cbr\u003e- Snapshot 1 to 8\u003cbr\u003e- Layout Preset 1 to 8\u003cbr\u003e- Volume Main\u003cbr\u003e- Volume Phones 1 to 4\u003cbr\u003e- Mic Gain 1, Mic Gain 2, Mic Gain 1+2\u003cbr\u003e- Inst. Gain 3, Inst. Gain 4, Inst. Gain 3+4\u003cbr\u003e- Mic\/Inst. Gain 9, Mic\/Inst. Gain 10, Mic\/Inst. Gain 9+10\u003cbr\u003e- Mic\/Inst. Gain 11, Mic\/Inst. Gain 12, Mic\/Inst. Gain 11+12\u003c\/p\u003e\n\u003cp\u003eSome commands are not available at certain interfaces, or slightly changed due to different functionality. Fireface UFX, UFX II and UFX+ have additional commands for DURec: Record, Play and Stop.\u003c\/p\u003e\n\u003cp\u003eSeveral functions can be activated at the same time. Example: Button\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis set to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCue Phones 1\u003c\/strong\u003e. That means the phones submix is heard via the Main output (the studio monitors). To be able to also change the volume of the phones submix itself, set button\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e2\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVolume Phones 1\u003c\/strong\u003e. Activating both will allow you to listen to the phones submix via the main output, and also to change its volume (the fader in the third row) by turning the encoder knob.\u003c\/p\u003e\n\u003cp\u003eA standard footswitch (with switch, sustain pedals with pot are not supported) can be connected to the 1\/4\" TS jack on the left side. In Key Commands Settings the same options are available for the footswitch as for the 15 keys.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS_ufxplus_arc_usb_1024x1024.jpg?v=1535393784\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARC USB and UFX+ \/ UFX II in Stand-Alone Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn stand-alone mode of Fireface UFX+ \/ UFX II a fixed set of functions is activated on the keys:\u003c\/p\u003e\n\u003cp\u003eRow 1: Setup 1-4\u003cbr\u003eRow 2: Setup 5-6 x x\u003cbr\u003eRow 3: Mono, Volume Phones 1, Volume Phones 2, DIM\u003c\/p\u003e\n\u003cp\u003eLower keys: DURec: Rec, Play\/Pause, Stop\u003c\/p\u003e\n\u003cp\u003ex = no function\u003c\/p\u003e\n\u003cp\u003eThe included stickers also offer the stand-alone layout.\u003c\/p\u003e\n\u003cp\u003eIn the UFX+ \/ UFX II display’s menu the way of operating the ARC USB can be configured for stand-alone mode. Those options are found under\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSETUP\/REV, Options, Hardware\/Diagnosis:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandalone ARC Volume\u003c\/strong\u003e\u003cbr\u003eDeactivates all keys. Only the encoder wheel works, with a fixed assignment to Main Volume.\u003c\/p\u003e\n\u003cp\u003eThis option is also a safety function in case the ARC USB is connected to the UFX+ \/ UFX II, but oper-ated online (with computer). When the system goes offline (computer removed, sleep state…) the functions on the keys change, because online mode changed to stand-alone mode. Operating the keys then could activate unintended functionality or changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandalone ARC 1 s op\u003c\/strong\u003e\u003cbr\u003eEach key has to be pressed for one second to activate the programmed functionality. This safety function prevents unintentional changes. It can be stored within the Setups, activating this mode automatically when such a Setup is loaded. When loading a Setup where this function had not been active this mode is automatically deactivated at the UFX+ \/ UFX II.\u003c\/p\u003e\n\u003cp\u003eBuy the RME ARC-USB Advanced Remote Control from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-08-27T20:17:31+02:00","created_at":"2018-08-27T20:10:57+02:00","vendor":"RME","type":"Audio Interfaces","tags":["ADAT","audio interfaces","Brand_RME","converters","dropdown","on sale","RME","studio accessories","usb interface"],"price":329500,"price_min":329500,"price_max":329500,"available":true,"price_varies":false,"compare_at_price":389900,"compare_at_price_min":389900,"compare_at_price_max":389900,"compare_at_price_varies":false,"variants":[{"id":9104885973028,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEARC-USB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME ARC-USB Advanced Remote Control","public_title":null,"options":["Default Title"],"price":329500,"weight":0,"compare_at_price":389900,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-REMOTE.png?v=1535394092","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote1.png?v=1535394092","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote_75d41d0b-7cb1-4fc7-ad69-b0a504e32077.png?v=1535394092"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-REMOTE.png?v=1535394092","options":["Title"],"media":[{"alt":null,"id":1306391576612,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-REMOTE.png?v=1569288451"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-REMOTE.png?v=1569288451","width":1500},{"alt":null,"id":1306391805988,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote1.png?v=1569288451"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote1.png?v=1569288451","width":1500},{"alt":null,"id":1306391052324,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1800,"width":1800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote_75d41d0b-7cb1-4fc7-ad69-b0a504e32077.png?v=1569288451"},"aspect_ratio":1.0,"height":1800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote_75d41d0b-7cb1-4fc7-ad69-b0a504e32077.png?v=1569288451","width":1800}],"content":"\u003ch3\u003e\u003cspan\u003eRemote Control for RME Audio Interfaces.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS_arc-usb_6e528041-188a-496f-9d62-ca2004db9956_1024x1024.jpg?v=1535393808\" alt=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis wired remote has been designed for direct access to the most frequently used actions and commands of TotalMix FX, being an indispensable tool in the studio's daily applications. Its extremely flexible configuration through TotalMix FX will simplify workflow and greatly increase the usability of the RME interface in most real world situations.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/L7RfBj2ReF4\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is a USB 1.1 (UAC1) MIDI remote control, natively compatible to Windows and Mac OS X. As soon as it is present in the operating system TotaIMix FX will detect it and communicate with it, without disturbing other remote controls. Therefore it is also not necessary to switch the ARC USB on or off within TotalMix FX - it will just work.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eAnd because it communicates with TotalMix FX (via USB) it is compatible to all RME audio interfaces that are detected and supported by TotalMix FX. This goes back to RME interfaces released 2001!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAs soon as the ARC USB is connected to a computer any button press or wheel turning will cause the respective action performed by TotalMix FX - and therefore also by the RME audio interface.\u003c\/p\u003e\n\u003cp\u003eWith the UFX+ and UFX II the ARC USB can also be connected directly to these devices, currently the only RME interfaces having an internal USB 1.1 host with matching connector. This way of connecting is handy in stand-alone mode, where the ARC USB is also supported by the UFX+ and UFX II.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB is bus powered, but draws only little current. Also it uses USB 1.1 as bus standard, which these days is uncritical due to its lower frequency and speed demands. USB 2 cables with 5 meter to 10 meter length, and cheap USB 2 cable extensions that usually make a bus-powered interface fail will work perfectly for the ARC USB. Still at higher lengths RME recommends to use active USB 2 cables (also called extension or repeater cables), which are not expensive and work over lengths of more than 20 meters.\u003c\/p\u003e\n\u003cp\u003eThe ARC USB can control several interfaces simultaneously, which happens automatically as the Key Commands dialog in TotalMix FX is specific to the currently selected audio interface. Just assign only the functions that are desired for each respective interface. After that the ARC USB keys and the encoder wheel remote the respective interface where they have been assigned to, without the need to further switch or select anything in normal operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe lower three keys have a useful diagnostic functionality.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTalkback:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis lit dim as soon as the ARC USB is running on 5 V USB bus power.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpeaker B:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis lit dim as soon as a USB communication is possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIM:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis lit dim as soon as a communication with TotalMix FX is established.\u003c\/p\u003e\n\u003cp\u003eTherefore in normal operation all three lower keys are lit dim constantly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe ARC USB comes with a standard set of Key Commands that already cover most usage scenarios, printed directly beneath the keys:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRow 1 and 2:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eactivating Snapshots 1 to 8.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRow 3:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMono, Volume Phones 1, Volume Phones 2, External Input\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLower keys:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eTalkback, Speaker B, Dim.\u003c\/p\u003e\n\u003cp\u003eA set of stickers with all currently available TotalMix FX commands is included. These can be used to label all keys reflecting the current user configuration.\u003c\/p\u003e\n\u003cp\u003eThe rotary encoder wheel is used to change various parameters, like gain and volume. It is pro-grammable in TotalMix FX as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConfiguration of the ARC USB\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Advanced Remote Control is configured in the Options menu via the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKey Commands\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edialog of TotalMix FX, tab ARC USB Settings. As the ARC does not have any memory, all configuration and storage is done via TotalMix FX. All settings of the ARC USB are stored within a Workspace, and are therefore identical in all Snapshots of that current Workspace.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"http:\/\/www.rme-audio.de\/images\/products\/products_arc_usb_setup1.jpg\" alt=\"ARC USB Setup\" width=\"314\"\u003e\u003c\/p\u003e\n\u003cp\u003eMore than 36 different commands can be assigned to the 15 keys. The behaviour of each individual button can be changed between\u003cspan\u003e \u003c\/span\u003e\u003cem\u003epush, toggle, enable\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003edisable\u003c\/em\u003e, depending on the base function.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCurrent list of available functions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e- No Funktion\u003cbr\u003e- Global Mute\u003cbr\u003e- Global Solo\u003cbr\u003e- Mute Group 1 to 4\u003cbr\u003e- Solo Group 1 to 4\u003cbr\u003e- Fader Group 1 to 4\u003cbr\u003e- Link Main AB\u003cbr\u003e- Speaker B Select\u003cbr\u003e- DIM (Main Out)\u003cbr\u003e- Mute (Main Out)\u003cbr\u003e- Mute FX (Main Out)\u003cbr\u003e- Mono (Main Out)\u003cbr\u003e- Talkback\u003cbr\u003e- External Input\u003cbr\u003e- Reverb\u003cbr\u003e- Echo\u003cbr\u003e- Cue Phones 1 to 4\u003cbr\u003e- Snapshot 1 to 8\u003cbr\u003e- Layout Preset 1 to 8\u003cbr\u003e- Volume Main\u003cbr\u003e- Volume Phones 1 to 4\u003cbr\u003e- Mic Gain 1, Mic Gain 2, Mic Gain 1+2\u003cbr\u003e- Inst. Gain 3, Inst. Gain 4, Inst. Gain 3+4\u003cbr\u003e- Mic\/Inst. Gain 9, Mic\/Inst. Gain 10, Mic\/Inst. Gain 9+10\u003cbr\u003e- Mic\/Inst. Gain 11, Mic\/Inst. Gain 12, Mic\/Inst. Gain 11+12\u003c\/p\u003e\n\u003cp\u003eSome commands are not available at certain interfaces, or slightly changed due to different functionality. Fireface UFX, UFX II and UFX+ have additional commands for DURec: Record, Play and Stop.\u003c\/p\u003e\n\u003cp\u003eSeveral functions can be activated at the same time. Example: Button\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e1\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis set to\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCue Phones 1\u003c\/strong\u003e. That means the phones submix is heard via the Main output (the studio monitors). To be able to also change the volume of the phones submix itself, set button\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e2\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eVolume Phones 1\u003c\/strong\u003e. Activating both will allow you to listen to the phones submix via the main output, and also to change its volume (the fader in the third row) by turning the encoder knob.\u003c\/p\u003e\n\u003cp\u003eA standard footswitch (with switch, sustain pedals with pot are not supported) can be connected to the 1\/4\" TS jack on the left side. In Key Commands Settings the same options are available for the footswitch as for the 15 keys.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS_ufxplus_arc_usb_1024x1024.jpg?v=1535393784\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eARC USB and UFX+ \/ UFX II in Stand-Alone Mode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn stand-alone mode of Fireface UFX+ \/ UFX II a fixed set of functions is activated on the keys:\u003c\/p\u003e\n\u003cp\u003eRow 1: Setup 1-4\u003cbr\u003eRow 2: Setup 5-6 x x\u003cbr\u003eRow 3: Mono, Volume Phones 1, Volume Phones 2, DIM\u003c\/p\u003e\n\u003cp\u003eLower keys: DURec: Rec, Play\/Pause, Stop\u003c\/p\u003e\n\u003cp\u003ex = no function\u003c\/p\u003e\n\u003cp\u003eThe included stickers also offer the stand-alone layout.\u003c\/p\u003e\n\u003cp\u003eIn the UFX+ \/ UFX II display’s menu the way of operating the ARC USB can be configured for stand-alone mode. Those options are found under\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSETUP\/REV, Options, Hardware\/Diagnosis:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandalone ARC Volume\u003c\/strong\u003e\u003cbr\u003eDeactivates all keys. Only the encoder wheel works, with a fixed assignment to Main Volume.\u003c\/p\u003e\n\u003cp\u003eThis option is also a safety function in case the ARC USB is connected to the UFX+ \/ UFX II, but oper-ated online (with computer). When the system goes offline (computer removed, sleep state…) the functions on the keys change, because online mode changed to stand-alone mode. Operating the keys then could activate unintended functionality or changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandalone ARC 1 s op\u003c\/strong\u003e\u003cbr\u003eEach key has to be pressed for one second to activate the programmed functionality. This safety function prevents unintentional changes. It can be stored within the Setups, activating this mode automatically when such a Setup is loaded. When loading a Setup where this function had not been active this mode is automatically deactivated at the UFX+ \/ UFX II.\u003c\/p\u003e\n\u003cp\u003eBuy the RME ARC-USB Advanced Remote Control from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
RME M-16 AD 16-channel high-end AD converter - Call to Confirm Stock
R68,995.00
R56,995.00
{"id":884723318820,"title":"RME M-16 AD 16-channel high-end AD converter - Call to Confirm Stock","handle":"rme-m-16-ad-16-channel-high-end-ad-converter","description":"\u003ch3\u003eRME's M-16 AD 16-channel high-end AD converter\u003c\/h3\u003e\n\u003cp\u003eEasy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 32 times!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eM-16 AD\u003c\/strong\u003e: 16 x Analog In\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O (optical and coaxial)\u003c\/li\u003e\n\u003cli\u003e4 x ADAT Out (TOSLINK)\u003c\/li\u003e\n\u003cli\u003e1 x ADAT In (Sync only)\u003c\/li\u003e\n\u003cli\u003eMIDI I\/O (5-pin DIN)\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O (BNC)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe unit's unique set of features includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I\/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure. An extraordinary limiter, conceived and optimised for professional studio, stage, and broadcast applications, offers essential operational safety with its capability to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).\u003c\/p\u003e\n\u003cp\u003eThe M-32 provides multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet2\"\u003e\n\u003cli\u003e32-channel* AD converter, fully symmetrical design, 116 dBA\u003c\/li\u003e\n\u003cli\u003e19\" enclosure with only 2 units height\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O, 32 chanels @ 96 kHz, 16 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e4 x ADAT Out, 16 channels @ 96 kHz, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003eAutomatic Delay Compensation: no user operation necessary when stacking units\u003c\/li\u003e\n\u003cli\u003eAnalog limiter can be activated\u003c\/li\u003e\n\u003cli\u003e32* LED level meters with 5 LEDs each\u003c\/li\u003e\n\u003cli\u003e32* LEDs to display the Limiter state per channel\u003c\/li\u003e\n\u003cli\u003eSteadyClock(TM) - pristine sound quality independently from the quality of the external clock signal\u003c\/li\u003e\n\u003cli\u003eSyncCheck(TM) - unique technology to check clock synchronization\u003c\/li\u003e\n\u003cli\u003eAll settings are stored permanently\u003c\/li\u003e\n\u003cli\u003eFully remote controllable via MIDI and MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eM-16 AD\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis fully identical to the M-32 AD, with these exceptions:\u003c\/p\u003e\n\u003cul class=\"listbullet2\"\u003e\n\u003cli\u003eonly one 16-channel AD board fitted\u003c\/li\u003e\n\u003cli\u003eno fan\u003c\/li\u003e\n\u003cli\u003elower power consumption, 40 Watts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe M-32 AD offers an outstanding AD conversion to MADI and ADAT formats in a compact 19\" unit with only 2U height. The balanced analog inputs based on RME's reference design from the ADI-8 QS guarantee excellent S\/N and THD specs across a wide analog level range. Three different hardware levels are available. Using up-to-date converter technology, the device not only works up to 192 kHz, but also reaches a real-world signal-to-noise ratio of 116 dBA - on all channels.\u003c\/p\u003e\n\u003cp\u003eSteadyClock(TM) guarantees perfect sound quality through efficient jitter suppression, making the device completely independent from the quality of external clock signals. Intelligent Clock Control not only displays every clock status by means of flashing LEDs, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck allow quick detection of clock problems.\u003c\/p\u003e\n\u003cp\u003eAll M-series converters are fully remote controllable and configurable via MIDI. Each unit's complete status can be monitored, including all the front panel's displays. Individual IDs can be set for each unit, for separated control of multiple units via a single MIDI channel. Control software for Mac and PC is supplied and allows easy remote control, also with MIDI transfer via MADI (MIDI Extender).\u003c\/p\u003e\n\u003cp\u003eM-32 AD and M-16 AD have optical and coaxial MADI inputs. In case of failure of an input signal, the source is switched immediately, if a valid signal is present on the other input.\u003c\/p\u003e\n\u003cp\u003eThe M-32 AD's four ADAT outputs provide simple connectivity with other studio equipment. A combination with RME's HDSPe RayDAT makes a perfect partnership, allowing the transfer of 32 channels into a Mac or PC with regular optical Toslink cables at an unbeatable price. The converter's ADAT input only serves as an optional source for external synchronization.\u003c\/p\u003e\n\u003cp\u003eAll settings are retained when the unit is powered off.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStacking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MADI input serves as optional external clock source, but also as MADI pass-through input. Since the M-32 AD uses only 32* channnels of the MADI signal, unused channels of the input signal are fed through to the output. This way, the signals of two or more units can be combined into one MADI stream of 64 channels, with every unit adding its channels to the input signal, resulting in one line at the output of the last unit.\u003c\/p\u003e\n\u003cp\u003eM-32 AD and M-16 AD can be freely combined up to a total of 64 channels. One M-32 AD can be combined with one or two M-16 AD, as can be up to four M-16 AD. Of course, the units can be synced with sample accuracy by word clock.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe number of channels that can be achieved with MADI depends on the sample rate range. At 48 kHz there are up to 64 channels, at 96 kHz 32, at 192 kHz 16 channels. Therefore at 192 kHz the M-32 AD can only work as 16 channel converter.\u003c\/p\u003e\n\u003cp\u003eThe number of channels that can be achieved with ADAT depends on the sample rate range. At 48 kHz there are 8 channels per port, at 96 kHz 4, at 192 kHz 2 channels. Therefore at 192 kHz the M-32 AD can convert only 8 channels via its four ADAT ports.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eInput AD\u003c\/strong\u003e: 1\/4\" TRS jack and 25 pin D-sub, servo balanced, completely symmetrical audio path\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eOutput AD\u003c\/strong\u003e: 4 x ADAT optical, 1 x MADI optical\/coaxial\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eDynamic Range AD\u003c\/strong\u003e: 113 dB RMS unweighted, 116 dBA\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eTHD AD\u003c\/strong\u003e: \u0026lt; -110 dB (\u0026lt; 0.00032 %)\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eTHD+N AD\u003c\/strong\u003e: \u0026lt; -104 dB (\u0026lt; 0.00063 %)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eCrosstalk AD\u003c\/strong\u003e: \u0026gt; 130 dB\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eInput level for 0 dBFS\u003c\/strong\u003e: +24 dBu, +19 dBu, +13 dBu\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eFrequency response AD\u003c\/strong\u003e, -0.1 dB: 10 Hz - 23.2 kHz (sf 48 kHz)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eFrequency response AD\u003c\/strong\u003e, -0.5 dB: \u0026lt; 5 Hz - 45 kHz (sf 96 kHz)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eFrequency response AD\u003c\/strong\u003e, -1 dB: \u0026lt; 5 Hz - 80 kHz (sf 192 kHz)\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eSample rates\u003c\/strong\u003e: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/WC)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eJitter\u003c\/strong\u003e: Typical \u0026lt; 1 ns for internal, Word Clock, ADAT and MADI input\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eJitter sensitivity\u003c\/strong\u003e: all PLLs operate error-free even at 100 ns\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eJitter suppression\u003c\/strong\u003e: \u0026gt; 30 dB (2.4 kHz)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e: Internal switching mode PS, 100V - 240V AC, 60 Watt\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: (WxHxD) 483 x 88 x 200 mm\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e \u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003eBuy the RME M-16 AD 16-channel high-end AD converter from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/p\u003e","published_at":"2018-08-27T16:25:22+02:00","created_at":"2018-08-27T16:17:51+02:00","vendor":"RME","type":"Audio Interfaces","tags":["audio interfaces","Brand_RME","converters","dropdown","mastering","on sale","RME","usb interface"],"price":5699500,"price_min":5699500,"price_max":5699500,"available":true,"price_varies":false,"compare_at_price":6899500,"compare_at_price_min":6899500,"compare_at_price_max":6899500,"compare_at_price_varies":false,"variants":[{"id":9103628468260,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEMY16AD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME M-16 AD 16-channel high-end AD converter - Call to Confirm Stock","public_title":null,"options":["Default Title"],"price":5699500,"weight":0,"compare_at_price":6899500,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-AD16.png?v=1535379822","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-AD16-rear.png?v=1535379825"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-AD16.png?v=1535379822","options":["Title"],"media":[{"alt":null,"id":1306252443684,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1800,"width":1800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-AD16.png?v=1569288424"},"aspect_ratio":1.0,"height":1800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-AD16.png?v=1569288424","width":1800},{"alt":null,"id":1306252541988,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1800,"width":1800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-AD16-rear.png?v=1569288424"},"aspect_ratio":1.0,"height":1800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-AD16-rear.png?v=1569288424","width":1800}],"content":"\u003ch3\u003eRME's M-16 AD 16-channel high-end AD converter\u003c\/h3\u003e\n\u003cp\u003eEasy to operate yet having a comprehensive feature set. The unit combines excellent analog circuit design with the latest converter chips and RME's superior SteadyClock, resulting in a state-of-the-art AD conversion - 32 times!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnectivity:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet\"\u003e\n\u003cli\u003e\n\u003cstrong\u003eM-16 AD\u003c\/strong\u003e: 16 x Analog In\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O (optical and coaxial)\u003c\/li\u003e\n\u003cli\u003e4 x ADAT Out (TOSLINK)\u003c\/li\u003e\n\u003cli\u003e1 x ADAT In (Sync only)\u003c\/li\u003e\n\u003cli\u003eMIDI I\/O (5-pin DIN)\u003c\/li\u003e\n\u003cli\u003eWord Clock I\/O (BNC)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe unit's unique set of features includes analog limiters, three hardware reference levels up to +24 dBu, MADI and ADAT I\/O up to 192 kHz, 6.3 mm TRS and D-sub inputs, remote control via MIDI, and operation across a wide range of mains voltages, all packed into a 2U enclosure. An extraordinary limiter, conceived and optimised for professional studio, stage, and broadcast applications, offers essential operational safety with its capability to limit an input's overload of up to 17 dB without audible distortion (max. input level + 30 dBu).\u003c\/p\u003e\n\u003cp\u003eThe M-32 provides multichannel conversion in reference quality - at an unbeatable price\/performance ratio!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHighlights\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul class=\"listbullet2\"\u003e\n\u003cli\u003e32-channel* AD converter, fully symmetrical design, 116 dBA\u003c\/li\u003e\n\u003cli\u003e19\" enclosure with only 2 units height\u003c\/li\u003e\n\u003cli\u003e1 x MADI I\/O, 32 chanels @ 96 kHz, 16 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003e4 x ADAT Out, 16 channels @ 96 kHz, 8 channels @ 192 kHz\u003c\/li\u003e\n\u003cli\u003eAutomatic Delay Compensation: no user operation necessary when stacking units\u003c\/li\u003e\n\u003cli\u003eAnalog limiter can be activated\u003c\/li\u003e\n\u003cli\u003e32* LED level meters with 5 LEDs each\u003c\/li\u003e\n\u003cli\u003e32* LEDs to display the Limiter state per channel\u003c\/li\u003e\n\u003cli\u003eSteadyClock(TM) - pristine sound quality independently from the quality of the external clock signal\u003c\/li\u003e\n\u003cli\u003eSyncCheck(TM) - unique technology to check clock synchronization\u003c\/li\u003e\n\u003cli\u003eAll settings are stored permanently\u003c\/li\u003e\n\u003cli\u003eFully remote controllable via MIDI and MIDI over MADI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eM-16 AD\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis fully identical to the M-32 AD, with these exceptions:\u003c\/p\u003e\n\u003cul class=\"listbullet2\"\u003e\n\u003cli\u003eonly one 16-channel AD board fitted\u003c\/li\u003e\n\u003cli\u003eno fan\u003c\/li\u003e\n\u003cli\u003elower power consumption, 40 Watts\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe M-32 AD offers an outstanding AD conversion to MADI and ADAT formats in a compact 19\" unit with only 2U height. The balanced analog inputs based on RME's reference design from the ADI-8 QS guarantee excellent S\/N and THD specs across a wide analog level range. Three different hardware levels are available. Using up-to-date converter technology, the device not only works up to 192 kHz, but also reaches a real-world signal-to-noise ratio of 116 dBA - on all channels.\u003c\/p\u003e\n\u003cp\u003eSteadyClock(TM) guarantees perfect sound quality through efficient jitter suppression, making the device completely independent from the quality of external clock signals. Intelligent Clock Control not only displays every clock status by means of flashing LEDs, but will also retain the last valid input sample rate in case of failure of the external source. Other renowned RME technologies like SyncCheck allow quick detection of clock problems.\u003c\/p\u003e\n\u003cp\u003eAll M-series converters are fully remote controllable and configurable via MIDI. Each unit's complete status can be monitored, including all the front panel's displays. Individual IDs can be set for each unit, for separated control of multiple units via a single MIDI channel. Control software for Mac and PC is supplied and allows easy remote control, also with MIDI transfer via MADI (MIDI Extender).\u003c\/p\u003e\n\u003cp\u003eM-32 AD and M-16 AD have optical and coaxial MADI inputs. In case of failure of an input signal, the source is switched immediately, if a valid signal is present on the other input.\u003c\/p\u003e\n\u003cp\u003eThe M-32 AD's four ADAT outputs provide simple connectivity with other studio equipment. A combination with RME's HDSPe RayDAT makes a perfect partnership, allowing the transfer of 32 channels into a Mac or PC with regular optical Toslink cables at an unbeatable price. The converter's ADAT input only serves as an optional source for external synchronization.\u003c\/p\u003e\n\u003cp\u003eAll settings are retained when the unit is powered off.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStacking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MADI input serves as optional external clock source, but also as MADI pass-through input. Since the M-32 AD uses only 32* channnels of the MADI signal, unused channels of the input signal are fed through to the output. This way, the signals of two or more units can be combined into one MADI stream of 64 channels, with every unit adding its channels to the input signal, resulting in one line at the output of the last unit.\u003c\/p\u003e\n\u003cp\u003eM-32 AD and M-16 AD can be freely combined up to a total of 64 channels. One M-32 AD can be combined with one or two M-16 AD, as can be up to four M-16 AD. Of course, the units can be synced with sample accuracy by word clock.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore...\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe number of channels that can be achieved with MADI depends on the sample rate range. At 48 kHz there are up to 64 channels, at 96 kHz 32, at 192 kHz 16 channels. Therefore at 192 kHz the M-32 AD can only work as 16 channel converter.\u003c\/p\u003e\n\u003cp\u003eThe number of channels that can be achieved with ADAT depends on the sample rate range. At 48 kHz there are 8 channels per port, at 96 kHz 4, at 192 kHz 2 channels. Therefore at 192 kHz the M-32 AD can convert only 8 channels via its four ADAT ports.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eInput AD\u003c\/strong\u003e: 1\/4\" TRS jack and 25 pin D-sub, servo balanced, completely symmetrical audio path\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eOutput AD\u003c\/strong\u003e: 4 x ADAT optical, 1 x MADI optical\/coaxial\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eDynamic Range AD\u003c\/strong\u003e: 113 dB RMS unweighted, 116 dBA\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eTHD AD\u003c\/strong\u003e: \u0026lt; -110 dB (\u0026lt; 0.00032 %)\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eTHD+N AD\u003c\/strong\u003e: \u0026lt; -104 dB (\u0026lt; 0.00063 %)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eCrosstalk AD\u003c\/strong\u003e: \u0026gt; 130 dB\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eInput level for 0 dBFS\u003c\/strong\u003e: +24 dBu, +19 dBu, +13 dBu\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eFrequency response AD\u003c\/strong\u003e, -0.1 dB: 10 Hz - 23.2 kHz (sf 48 kHz)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eFrequency response AD\u003c\/strong\u003e, -0.5 dB: \u0026lt; 5 Hz - 45 kHz (sf 96 kHz)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eFrequency response AD\u003c\/strong\u003e, -1 dB: \u0026lt; 5 Hz - 80 kHz (sf 192 kHz)\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eSample rates\u003c\/strong\u003e: 44.1, 48, 88.2, 96, 176.4, 192 kHz, variable (Sync\/WC)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eJitter\u003c\/strong\u003e: Typical \u0026lt; 1 ns for internal, Word Clock, ADAT and MADI input\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003eJitter sensitivity\u003c\/strong\u003e: all PLLs operate error-free even at 100 ns\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eJitter suppression\u003c\/strong\u003e: \u0026gt; 30 dB (2.4 kHz)\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e: Internal switching mode PS, 100V - 240V AC, 60 Watt\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e: (WxHxD) 483 x 88 x 200 mm\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e \u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003eBuy the RME M-16 AD 16-channel high-end AD converter from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/p\u003e"}
RME Digiface USB Portable Digital Audio Interface
Sold Out
{"id":884711096356,"title":"RME Digiface USB Portable Digital Audio Interface","handle":"rme-digiface-usb-portable-digital-audio-interface","description":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDigiface USB - The Optical Box\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e32-in\/32-out, 24-bit\/192kHz USB Digital Audio Interface with 4 Optical Inputs\/Outputs and Bus Power - Mac\/PC\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/jc-2kt6Zgc4\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis compact, portable and lightweight audio interface (only 220 g \/0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eConnectivity:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• 66 channels: 32 in \/ 34 out\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 4 x ADAT\/SPDIF Input\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 4 x ADAT\/SPDIF Output\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x Phones TRS Stereo Output\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• TotalMix\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• No external power supply required\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Digiface USB is an extremely compact \u0026amp; portable digital audio interface with 4 optical ADAT \/ SPDIF I\/Os, and an analog high-quality line\/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I\/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I\/O, resulting in 32 channels input and output each when using ADAT optical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe analog output hosts channels 33\/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEach single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIts small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"alignright\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca class=\"link-top\" href=\"http:\/\/www.rme-audio.de\/en\/products\/digiface_usb.php#1\" style=\"color: #000000;\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLike all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer \u003cstrong\u003eTotalMix FX\u003c\/strong\u003e. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHere are some typical applications for TotalMix:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSetting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eUnlimited routing of inputs and outputs (free utilisation, patchbay functionality).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDistributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSimultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIntegration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eEvery single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInputs:\u003c\/strong\u003e4 x ADAT\/SPDIF\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOutputs:\u003c\/strong\u003e4 x ADAT\/SPDIF \/ 1 x Phones TRS Stereo 6.3 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eClock modes:\u003c\/strong\u003e Internal, ADAT In, SPDIF In\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSample rates:\u003c\/strong\u003e 28 kHz up to 200 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJitter: \u003c\/strong\u003e\u0026lt; 1 ns, internal and all inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJitter sensitivity:\u003c\/strong\u003e PLL operates even at 100 ns Jitter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix:\u003c\/strong\u003e 2244 channel mixer with 46-bit internal resolution\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix:\u003c\/strong\u003e latency-free submixes and perfect ASIO Direct Monitoring\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInterface:\u003c\/strong\u003e USB 2.0, bus-powered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eComes with \u003cstrong\u003eDIGICheck\u003c\/strong\u003e, RME's ultimate measurement, analysis and test tool\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDrivers:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e 7\/8\/10 (Multi-Client operation of ASIO and WDM)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMac\u003c\/strong\u003e OS X (10.6 or up, Core Audio)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME Digiface USB interface from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-06-23T12:52:58+02:00","created_at":"2018-08-27T16:06:59+02:00","vendor":"RME","type":"Audio Interfaces","tags":["ADAT","audio interfaces","Brand_RME","converters","dropdown","on sale","RME","usb interface"],"price":985500,"price_min":985500,"price_max":985500,"available":false,"price_varies":false,"compare_at_price":1599500,"compare_at_price_min":1599500,"compare_at_price_max":1599500,"compare_at_price_varies":false,"variants":[{"id":9103565127716,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEDIGFUSB","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"RME Digiface USB Portable Digital Audio Interface","public_title":null,"options":["Default Title"],"price":985500,"weight":0,"compare_at_price":1599500,"inventory_quantity":0,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-1.png?v=1535379075","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-2.png?v=1535379130","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-3.png?v=1535379237"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-1.png?v=1535379075","options":["Title"],"media":[{"alt":null,"id":1306246643748,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-1.png?v=1569288423"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-1.png?v=1569288423","width":1500},{"alt":null,"id":1306247233572,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-2.png?v=1569288423"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-2.png?v=1569288423","width":1500},{"alt":null,"id":1306248249380,"position":3,"preview_image":{"aspect_ratio":0.999,"height":829,"width":828,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-3.png?v=1569288424"},"aspect_ratio":0.999,"height":829,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_DIGIFACE-USB-3.png?v=1569288424","width":828}],"content":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDigiface USB - The Optical Box\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e32-in\/32-out, 24-bit\/192kHz USB Digital Audio Interface with 4 Optical Inputs\/Outputs and Bus Power - Mac\/PC\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/jc-2kt6Zgc4\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThis compact, portable and lightweight audio interface (only 220 g \/0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers. The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eConnectivity:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e• 66 channels: 32 in \/ 34 out\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 4 x ADAT\/SPDIF Input\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 4 x ADAT\/SPDIF Output\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• 1 x Phones TRS Stereo Output\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• TotalMix\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e• No external power supply required\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Digiface USB is an extremely compact \u0026amp; portable digital audio interface with 4 optical ADAT \/ SPDIF I\/Os, and an analog high-quality line\/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I\/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I\/O, resulting in 32 channels input and output each when using ADAT optical.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe analog output hosts channels 33\/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eEach single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIts small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"alignright\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca class=\"link-top\" href=\"http:\/\/www.rme-audio.de\/en\/products\/digiface_usb.php#1\" style=\"color: #000000;\"\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eLike all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer \u003cstrong\u003eTotalMix FX\u003c\/strong\u003e. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main\/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHere are some typical applications for TotalMix:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSetting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eUnlimited routing of inputs and outputs (free utilisation, patchbay functionality).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eDistributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eSimultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan style=\"color: #000000;\"\u003eMixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eIntegration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eEvery single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInputs:\u003c\/strong\u003e4 x ADAT\/SPDIF\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOutputs:\u003c\/strong\u003e4 x ADAT\/SPDIF \/ 1 x Phones TRS Stereo 6.3 mm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eClock modes:\u003c\/strong\u003e Internal, ADAT In, SPDIF In\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSample rates:\u003c\/strong\u003e 28 kHz up to 200 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJitter: \u003c\/strong\u003e\u0026lt; 1 ns, internal and all inputs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eJitter sensitivity:\u003c\/strong\u003e PLL operates even at 100 ns Jitter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix:\u003c\/strong\u003e 2244 channel mixer with 46-bit internal resolution\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix:\u003c\/strong\u003e latency-free submixes and perfect ASIO Direct Monitoring\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eInterface:\u003c\/strong\u003e USB 2.0, bus-powered\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eComes with \u003cstrong\u003eDIGICheck\u003c\/strong\u003e, RME's ultimate measurement, analysis and test tool\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDrivers:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e 7\/8\/10 (Multi-Client operation of ASIO and WDM)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMac\u003c\/strong\u003e OS X (10.6 or up, Core Audio)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"dashlist\"\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME Digiface USB interface from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e"}
RME Fireface UFX+ USB 3.0/Thunderbolt Audio Interface
R70,035.00
R58,999.00
{"id":883482066980,"title":"RME Fireface UFX+ USB 3.0\/Thunderbolt Audio Interface","handle":"rrme-fireface-ufx-usb-3-0-thunderbolt-audio-interface","description":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eRME 20th Anniversary Flagship Interface\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e94-in\/94-out, 24-bit\/192kHz USB 3.0\/Thunderbolt Audio\/MIDI Interface with 4 Mic\/Instrument Preamps, MADI Connectivity, DSP Mixer, and Direct USB Recording - Mac\/PC\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/goIXCaKETjg\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMain features at a glance:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e94 channels of I\/O creates incredible flexibility\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSB 3.0\/Thunderbolt connectivity works with almost any computer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eThunderbolt technology delivers ultra-low latency, system overhead, and CPU load\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUpgraded AD\/DA converters and optimized analog I\/O yield crystal-clear audio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eComprehensive MADI connectivity expands your I\/O by 64 channels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e4 mic preamps with a +18dBu maximum input level and 75dB of gain for capturing a variety of sources\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDURec enables direct recording of 76 simultaneous channels to a USB flash drive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX mixer gives you powerful control over inputs, outputs, mix levels, and more\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eARC USB remote (sold separately) provides convenient desktop control\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Fireface UFX+ becomes the center of any multitrack studio because it is able to handle up to 94 channels I\/O with ease. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePacked with features not found on its older sibling, including MADI I\/O (188 channels of I\/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt™ technology, and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eYou name it, you connect it!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIts flexibility in connectivity and expansion is unrivalled – Analog, ADAT, MADI, AES, SPDIF. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAll new AD\/DA converters, optimized analog I\/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eNew low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS_ufx-plus-connection_1024x1024.jpg?v=1535370241\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eComprehensive MADI Connectivity\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I\/O solutions. Expanding your analog channel count, the ability to route\/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTo further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I\/O (12 analog plus 16 ADAT plus AES), the MADI I\/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I\/O (BNC) can be switched to MADI I\/O (coaxial), and a special split mode even supports the use of both MADI I\/Os simultaneously, with 32 channel each on optical and coaxial.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eImproved DURec (Direct USB Recording)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eDURec, which is available on the front of the Fireface UFX+, now offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives. The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously. An internal Realtime Clock (RTC) delivers time-stamped files, and playback now includes several advanced player functions previously unavailable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eARC USB Remote Control - Plug’n Play Plus\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS_arc-usb_1024x1024.jpg?v=1535370375\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSince 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix FX for iPad™ App\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS-totalmix-fx-ipad_grande.png?v=1534274235\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eComputer Connectivity:\u003c\/strong\u003eThunderbolt, USB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eForm Factor:\u003c\/strong\u003eRackmount\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSimultaneous I\/O:\u003c\/strong\u003e94 x 94\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eA\/D Resolution:\u003c\/strong\u003eUp to 24-bit\/192kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBuilt In DSP\/FX:\u003c\/strong\u003eEQ, Dynamics, Reverb, Delay (via Total Mix FX software)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNumber of Preamps:\u003c\/strong\u003e4\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePhantom Power:\u003c\/strong\u003eYes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnalog Inputs:\u003c\/strong\u003e4 x XLR-1\/4\" combo (mic\/line), 8 x 1\/4\" (line in)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnalog Outputs:\u003c\/strong\u003e2 x XLR, 8 x 1\/4\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDigital Inputs:\u003c\/strong\u003e1 x XLR (AES\/EBU), 2 x Optical Toslink (ADAT, S\/MUX, S\/PDIF - ADAT2), 1 x BNC (MADI), 1 x SC Duplex connector (MADI)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDigital Outputs:\u003c\/strong\u003e1 x XLR (AES\/EBU), 2 x Optical Toslink (ADAT, S\/MUX, S\/PDIF - ADAT2), 1 x BNC (MADI), 1 x SC Duplex connector (MADI)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHeadphones:\u003c\/strong\u003e2 x 1\/4\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUSB:\u003c\/strong\u003e1 x Type B 3.0, 2 x Type A (memory\/remote)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMIDI I\/O:\u003c\/strong\u003e2 x In, 2 x Out\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eClock I\/O:\u003c\/strong\u003e2 x BNC In\/Out (shared with MADI)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSoftware:\u003c\/strong\u003eTotal Mix FX, Total Mix FX for iPad\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOS Requirements - Mac:\u003c\/strong\u003eOS X 10.6 or later\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOS Requirements - PC:\u003c\/strong\u003eWindows 7 or later\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRack Spaces:\u003c\/strong\u003e1U\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e5\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e19\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHeight:\u003c\/strong\u003e73\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e6 lbs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eManufacturer Part Number:\u003c\/strong\u003eUFX+\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME Fireface UFX+ USB 3.0\/Thunderbolt Audio Interface from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2018-08-27T14:51:13+02:00","created_at":"2018-08-26T21:36:31+02:00","vendor":"RME","type":"Audio Interfaces","tags":["audio interfaces","Brand_RME","converters","dropdown","mastering","on sale","RME","usb interface"],"price":5899900,"price_min":5899900,"price_max":5899900,"available":true,"price_varies":false,"compare_at_price":7003500,"compare_at_price_min":7003500,"compare_at_price_max":7003500,"compare_at_price_varies":false,"variants":[{"id":9097485778980,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RMEUFX+","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME Fireface UFX+ USB 3.0\/Thunderbolt Audio Interface","public_title":null,"options":["Default Title"],"price":5899900,"weight":0,"compare_at_price":7003500,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX.png?v=1535372579","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-Front.png?v=1535372581","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-Rear.png?v=1535372585","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote.png?v=1535372588","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ufxplus_arc_usb.jpg?v=1535372612"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX.png?v=1535372579","options":["Title"],"media":[{"alt":null,"id":1306211745828,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1400,"width":1400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX.png?v=1569288418"},"aspect_ratio":1.0,"height":1400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX.png?v=1569288418","width":1400},{"alt":null,"id":1306211844132,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-Front.png?v=1569288418"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-Front.png?v=1569288418","width":1500},{"alt":null,"id":1306212335652,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1800,"width":1800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-Rear.png?v=1569288418"},"aspect_ratio":1.0,"height":1800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-Rear.png?v=1569288418","width":1800},{"alt":null,"id":1306212466724,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1800,"width":1800,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote.png?v=1569288418"},"aspect_ratio":1.0,"height":1800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_RME-UFX-_-remote.png?v=1569288418","width":1800},{"alt":null,"id":1306212499492,"position":5,"preview_image":{"aspect_ratio":2.0,"height":195,"width":390,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ufxplus_arc_usb.jpg?v=1569288418"},"aspect_ratio":2.0,"height":195,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/AS_ufxplus_arc_usb.jpg?v=1569288418","width":390}],"content":"\u003ch3\u003e\u003cspan style=\"color: #000000;\"\u003eRME 20th Anniversary Flagship Interface\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e94-in\/94-out, 24-bit\/192kHz USB 3.0\/Thunderbolt Audio\/MIDI Interface with 4 Mic\/Instrument Preamps, MADI Connectivity, DSP Mixer, and Direct USB Recording - Mac\/PC\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ciframe width=\"854\" height=\"480\" src=\"https:\/\/www.youtube.com\/embed\/goIXCaKETjg\" frameborder=\"0\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMain features at a glance:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e94 channels of I\/O creates incredible flexibility\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUSB 3.0\/Thunderbolt connectivity works with almost any computer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eThunderbolt technology delivers ultra-low latency, system overhead, and CPU load\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eUpgraded AD\/DA converters and optimized analog I\/O yield crystal-clear audio\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eComprehensive MADI connectivity expands your I\/O by 64 channels\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e4 mic preamps with a +18dBu maximum input level and 75dB of gain for capturing a variety of sources\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eDURec enables direct recording of 76 simultaneous channels to a USB flash drive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX mixer gives you powerful control over inputs, outputs, mix levels, and more\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003eARC USB remote (sold separately) provides convenient desktop control\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Fireface UFX+ becomes the center of any multitrack studio because it is able to handle up to 94 channels I\/O with ease. With unprecedented flexibility, compatibility, the inclusion of DURec (Direct USB Recording) and RME’s famous low latency hardware and driver designs, the Fireface UFX+ raises the bar to new heights.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003ePacked with features not found on its older sibling, including MADI I\/O (188 channels of I\/O, 128 channels more than the Fireface UFX), a more powerful DSP, USB 3.0, Thunderbolt™ technology, and a new optional remote control firmly places the RME Fireface UFX+ as the new reference in multitrack recording, mixing and monitoring.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eYou name it, you connect it!\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eIts flexibility in connectivity and expansion is unrivalled – Analog, ADAT, MADI, AES, SPDIF. USB 2, USB 3 and Thunderbolt technology are standard on the Fireface UFX+. The UFX+ has an impressive channel count: 12 analog + 16 ADAT + 2 AES + 64 MADI = 94 channels input plus output = 188 channels in total. Thunderbolt technology gives the Fireface UFX+ real PCI Express audio performance under Mac and Windows, with lowest latency, lowest system overhead and lowest CPU load. The Fireface UFX+ is fully Thunderbolt technology compatible under Windows, including hot-plugging.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eAll new AD\/DA converters, optimized analog I\/O circuits, as well as improved SNR and THD values guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range serves even the most critical recording situation and source trouble-free.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eNew low impedance Hi-Power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power as well as volume on any phones, high or low impedance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS_ufx-plus-connection_1024x1024.jpg?v=1535370241\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eComprehensive MADI Connectivity\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe Fireface UFX+ opens the doors to a host of RME and 3rd party digital and analog I\/O solutions. Expanding your analog channel count, the ability to route\/mix within the digital domain through numerous sources presents many flexible options. Multiple external MADI devices can also be connected in series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTo further enhance MADI flexibility, the Fireface UFX+ boasts some typical RME-style features. For example in USB 2 mode, which is limited to 30 channels I\/O (12 analog plus 16 ADAT plus AES), the MADI I\/O is still available via RME’s integrated hardware mixer TotalMix FX. Word Clock I\/O (BNC) can be switched to MADI I\/O (coaxial), and a special split mode even supports the use of both MADI I\/Os simultaneously, with 32 channel each on optical and coaxial.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eImproved DURec (Direct USB Recording)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eDURec, which is available on the front of the Fireface UFX+, now offers second generation hardware with improved USB functionality and compatibility, providing greater reliability even with slower or multi-partitioned USB thumb drives. The maximum number of recordable channels has been raised to 76, meaning all 12 analog inputs plus 64 MADI channels can be recorded simultaneously. An internal Realtime Clock (RTC) delivers time-stamped files, and playback now includes several advanced player functions previously unavailable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eARC USB Remote Control - Plug’n Play Plus\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eThe ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS_arc-usb_1024x1024.jpg?v=1535370375\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix FX\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eSince 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eWith supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTotalMix FX for iPad™ App\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/AS-totalmix-fx-ipad_grande.png?v=1534274235\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eTotalMix FX for iPad™ adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad™ \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eTech Specs:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eComputer Connectivity:\u003c\/strong\u003eThunderbolt, USB\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eForm Factor:\u003c\/strong\u003eRackmount\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSimultaneous I\/O:\u003c\/strong\u003e94 x 94\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eA\/D Resolution:\u003c\/strong\u003eUp to 24-bit\/192kHz\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eBuilt In DSP\/FX:\u003c\/strong\u003eEQ, Dynamics, Reverb, Delay (via Total Mix FX software)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eNumber of Preamps:\u003c\/strong\u003e4\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003ePhantom Power:\u003c\/strong\u003eYes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnalog Inputs:\u003c\/strong\u003e4 x XLR-1\/4\" combo (mic\/line), 8 x 1\/4\" (line in)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eAnalog Outputs:\u003c\/strong\u003e2 x XLR, 8 x 1\/4\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDigital Inputs:\u003c\/strong\u003e1 x XLR (AES\/EBU), 2 x Optical Toslink (ADAT, S\/MUX, S\/PDIF - ADAT2), 1 x BNC (MADI), 1 x SC Duplex connector (MADI)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDigital Outputs:\u003c\/strong\u003e1 x XLR (AES\/EBU), 2 x Optical Toslink (ADAT, S\/MUX, S\/PDIF - ADAT2), 1 x BNC (MADI), 1 x SC Duplex connector (MADI)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHeadphones:\u003c\/strong\u003e2 x 1\/4\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eUSB:\u003c\/strong\u003e1 x Type B 3.0, 2 x Type A (memory\/remote)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eMIDI I\/O:\u003c\/strong\u003e2 x In, 2 x Out\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eClock I\/O:\u003c\/strong\u003e2 x BNC In\/Out (shared with MADI)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eSoftware:\u003c\/strong\u003eTotal Mix FX, Total Mix FX for iPad\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOS Requirements - Mac:\u003c\/strong\u003eOS X 10.6 or later\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eOS Requirements - PC:\u003c\/strong\u003eWindows 7 or later\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eRack Spaces:\u003c\/strong\u003e1U\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eDepth:\u003c\/strong\u003e5\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWidth:\u003c\/strong\u003e19\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eHeight:\u003c\/strong\u003e73\"\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e6 lbs.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eManufacturer Part Number:\u003c\/strong\u003eUFX+\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003eBuy the RME Fireface UFX+ USB 3.0\/Thunderbolt Audio Interface from Audiosaurus. The Online Pro Audio Experts in South Africa.\u003c\/span\u003e\u003c\/p\u003e"}
RME UCX
R30,195.00
R26,899.00
{"id":4886478148,"title":"RME UCX","handle":"rme-ucx","description":"\u003cp\u003e\u003cstrong\u003eThe Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/ucx_large.png?13934924949181974395\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/ucx1_large.png?16209008757574603\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"grey-rounded-box-top\"\u003e\n\u003ch2\u003eConnectivity\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"grey-rounded-box-text\"\u003e\n\u003cul class=\"listbullet\"\u003e\n\u003cli\u003e18 Input \/ 18 Output channels\u003c\/li\u003e\n\u003cli\u003e8 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e2 x Mic\/ Line Preamps, digitally controlled\u003c\/li\u003e\n\u003cli\u003e2 x Line \/ Instrument inputs, digitally controlled\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O coaxial\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O (or 1 x SPDIF I\/O optical)\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O (via breakout cable)\u003c\/li\u003e\n\u003cli\u003e1 x FireWire 400\u003c\/li\u003e\n\u003cli\u003e1 x USB 2.0 (USB 3 compatible)\u003c\/li\u003e\n\u003cli\u003eoptional: \u003ca class=\"textlinkred\" href=\"http:\/\/www.rme-audio.de\/en\/products\/advanced_remote.php\" title=\"Remote\"\u003eAdvanced Remote Control\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTotalMix FX (with UFX effects engine)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"underline\"\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cdiv class=\"float-left\"\u003e\n\u003cstrong\u003eAD, Line In 5-8, rear\u003c\/strong\u003e\n\u003cp class=\"dashlist2\"\u003eSignal to Noise ratio (SNR): 111 dB RMS unweighted, 113 dBA\u003cbr\u003eFrequency response @ 44.1 kHz, -0.5 dB: 6 Hz - 20.6 kHz\u003cbr\u003eFrequency response @ 96 kHz, -0.5 dB: 6 Hz - 45.3 kHz\u003cbr\u003eFrequency response @ 192 kHz, -1 dB: -1 dB: 5 Hz - 90 kHz\u003cbr\u003eTHD: \u0026lt; -105 dB, \u0026lt; 0.0005 %\u003cbr\u003eTHD+N: \u0026lt; -98 dB, \u0026lt; 0.0012%\u003cbr\u003eMaximum input level: +19 dBu\u003cbr\u003eChannel separation: \u0026gt; 110 dB\u003cbr\u003eInput: 6.3 mm TRS jack, electronically balanced\u003cbr\u003eInput sensitivity switchable to Lo Gain, +4 dBu, -10 dBV\u003cbr\u003eInput level for 0 dBFS @ Lo Gain: +19 dBu\u003cbr\u003eInput level for 0 dBFS @ +4 dBu: +13 dBu\u003cbr\u003eInput level for 0 dBFS @ -10 dBV: +2 dBV\u003c\/p\u003e\n\u003cstrong\u003eDA, Line Out 1-6, rear\u003c\/strong\u003e\n\u003cp class=\"dashlist2\"\u003eDynamic range (DR): 111 dB, 113 dBA @ 44.1 kHz (unmuted)\u003cbr\u003eFrequency response @ 44.1 kHz, -0.1 dB: 8 Hz - 20.4 kHz\u003cbr\u003eFrequency response @ 96 kHz, -0.5 dB: 6 Hz - 45 kHz\u003cbr\u003eFrequency response @ 192 kHz, -1 dB: 6 Hz - 90 kHz\u003cbr\u003eTHD: -100 dB, \u0026lt; 0.001 %\u003cbr\u003eTHD+N: -96 dB, \u0026lt; 0.0015 %\u003cbr\u003eChannel separation: \u0026gt; 110 dB\u003cbr\u003eMaximum output level: +19 dBu\u003cbr\u003eOutput: 6.3 mm TRS jack, servo-balanced\u003cbr\u003eOutput impedance: 75 Ohm\u003cbr\u003eOutput level switchable: Hi Gain, +4 dBu, -10 dBV\u003c\/p\u003e\n\u003cstrong\u003eLine In 3-4, front \/ As AD, but:\u003c\/strong\u003e\n\u003cp class=\"dashlist2\"\u003eAdditional Gain stage: 0 up to +12 dB\u003cbr\u003eMaximum input level, Lo Gain, Gain 0 dB: \u003cbr\u003eLine +19 dBu, Inst +13 dBu\u003cbr\u003eMaximum input level, -10 dBV, Gain 12 dB, Line: \u003cbr\u003e-7,5 dBu, Inst: -13,5 dBu\u003cbr\u003eInput impedance Inst: 470 kOhm\u003cbr\u003eInput Gain Inst: +6 dB\u003cbr\u003eInput mode: Line balanced (TRS), Inst unbalanced (TS)\u003cbr\u003eCLIP LED: 0 dBFS\u003cbr\u003eSIG LED: -60 dBFS\u003c\/p\u003e\n\u003cstrong\u003eMicrophone\/Line 1-2, front \/ as AD Line In 5-8, but:\u003c\/strong\u003e\n\u003cp class=\"dashlist2\"\u003eInput: Neutrik XLR\/TRS Combo jack, electronically balanced\u003cbr\u003eInput impedance: XLR 2 kOhm, TRS 8 kOhm balanced\u003cbr\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA\u003cbr\u003eLow Roll Off -0.5 dB: 18 Hz, -1 dB: 12 Hz\u003cbr\u003eGain range: 0 dB, +10 up to +65 dB\u003cbr\u003eMaximum input level XLR, Gain 0 dB: +10 dBu\u003cbr\u003eMaximum input level XLR, Gain 65 dB: -55 dBu\u003cbr\u003eMaximum input level TRS, Gain +0 dB: +21 dBu\u003cbr\u003eMaximum input level TRS, Gain +65 dB: -44 dBu\u003cbr\u003eCLIP LED: 0 dBFS\u003cbr\u003eSIG LED: -60 dBFS\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cbr\u003eOutput level at 0 dBFS @ Hi Gain: +19 dBu\u003cbr\u003eOutput level at 0 dBFS @ +4 dBu: +13 dBu\u003cbr\u003eOutput level at 0 dBFS @ -10 dBV: +2 dBV\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"grey-rounded-box-text\"\u003e\n\u003cdiv class=\"float-left\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-05-06T12:16:00+02:00","created_at":"2016-05-06T12:23:57+02:00","vendor":"RME","type":"Converters","tags":["audio interface","audio interfaces","Brand_RME","dropdown","RME"],"price":2689900,"price_min":2689900,"price_max":2689900,"available":true,"price_varies":false,"compare_at_price":3019500,"compare_at_price_min":3019500,"compare_at_price_max":3019500,"compare_at_price_varies":false,"variants":[{"id":18556727172,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"RME UCX","public_title":null,"options":["Default Title"],"price":2689900,"weight":0,"compare_at_price":3019500,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME-UCX.png?v=1462530255","\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME-UCXd.png?v=1462530261"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME-UCX.png?v=1462530255","options":["Title"],"media":[{"alt":null,"id":60209889316,"position":1,"preview_image":{"aspect_ratio":1.807,"height":498,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME-UCX.png?v=1568793117"},"aspect_ratio":1.807,"height":498,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME-UCX.png?v=1568793117","width":900},{"alt":null,"id":60209922084,"position":2,"preview_image":{"aspect_ratio":1.807,"height":498,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME-UCXd.png?v=1568793117"},"aspect_ratio":1.807,"height":498,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/products\/RME-UCXd.png?v=1568793117","width":900}],"content":"\u003cp\u003e\u003cstrong\u003eThe Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/ucx_large.png?13934924949181974395\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIt continues RME's long tradition of designing compact high-end interfaces, packing into a half-rack size unit what usually would be spread out over two or three 19 inch panels.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cimg src=\"\/\/cdn.shopify.com\/s\/files\/1\/0984\/8294\/files\/ucx1_large.png?16209008757574603\" alt=\"\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"grey-rounded-box-top\"\u003e\n\u003ch2\u003eConnectivity\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"grey-rounded-box-text\"\u003e\n\u003cul class=\"listbullet\"\u003e\n\u003cli\u003e18 Input \/ 18 Output channels\u003c\/li\u003e\n\u003cli\u003e8 x Analog I\/O\u003c\/li\u003e\n\u003cli\u003e2 x Mic\/ Line Preamps, digitally controlled\u003c\/li\u003e\n\u003cli\u003e2 x Line \/ Instrument inputs, digitally controlled\u003c\/li\u003e\n\u003cli\u003e1 x SPDIF I\/O coaxial\u003c\/li\u003e\n\u003cli\u003e1 x ADAT I\/O (or 1 x SPDIF I\/O optical)\u003c\/li\u003e\n\u003cli\u003e1 x Word Clock I\/O\u003c\/li\u003e\n\u003cli\u003e2 x MIDI I\/O (via breakout cable)\u003c\/li\u003e\n\u003cli\u003e1 x FireWire 400\u003c\/li\u003e\n\u003cli\u003e1 x USB 2.0 (USB 3 compatible)\u003c\/li\u003e\n\u003cli\u003eoptional: \u003ca class=\"textlinkred\" href=\"http:\/\/www.rme-audio.de\/en\/products\/advanced_remote.php\" title=\"Remote\"\u003eAdvanced Remote Control\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003eTotalMix FX (with UFX effects engine)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"underline\"\u003eTechnical Specifications\u003c\/h3\u003e\n\u003cdiv class=\"float-left\"\u003e\n\u003cstrong\u003eAD, Line In 5-8, rear\u003c\/strong\u003e\n\u003cp class=\"dashlist2\"\u003eSignal to Noise ratio (SNR): 111 dB RMS unweighted, 113 dBA\u003cbr\u003eFrequency response @ 44.1 kHz, -0.5 dB: 6 Hz - 20.6 kHz\u003cbr\u003eFrequency response @ 96 kHz, -0.5 dB: 6 Hz - 45.3 kHz\u003cbr\u003eFrequency response @ 192 kHz, -1 dB: -1 dB: 5 Hz - 90 kHz\u003cbr\u003eTHD: \u0026lt; -105 dB, \u0026lt; 0.0005 %\u003cbr\u003eTHD+N: \u0026lt; -98 dB, \u0026lt; 0.0012%\u003cbr\u003eMaximum input level: +19 dBu\u003cbr\u003eChannel separation: \u0026gt; 110 dB\u003cbr\u003eInput: 6.3 mm TRS jack, electronically balanced\u003cbr\u003eInput sensitivity switchable to Lo Gain, +4 dBu, -10 dBV\u003cbr\u003eInput level for 0 dBFS @ Lo Gain: +19 dBu\u003cbr\u003eInput level for 0 dBFS @ +4 dBu: +13 dBu\u003cbr\u003eInput level for 0 dBFS @ -10 dBV: +2 dBV\u003c\/p\u003e\n\u003cstrong\u003eDA, Line Out 1-6, rear\u003c\/strong\u003e\n\u003cp class=\"dashlist2\"\u003eDynamic range (DR): 111 dB, 113 dBA @ 44.1 kHz (unmuted)\u003cbr\u003eFrequency response @ 44.1 kHz, -0.1 dB: 8 Hz - 20.4 kHz\u003cbr\u003eFrequency response @ 96 kHz, -0.5 dB: 6 Hz - 45 kHz\u003cbr\u003eFrequency response @ 192 kHz, -1 dB: 6 Hz - 90 kHz\u003cbr\u003eTHD: -100 dB, \u0026lt; 0.001 %\u003cbr\u003eTHD+N: -96 dB, \u0026lt; 0.0015 %\u003cbr\u003eChannel separation: \u0026gt; 110 dB\u003cbr\u003eMaximum output level: +19 dBu\u003cbr\u003eOutput: 6.3 mm TRS jack, servo-balanced\u003cbr\u003eOutput impedance: 75 Ohm\u003cbr\u003eOutput level switchable: Hi Gain, +4 dBu, -10 dBV\u003c\/p\u003e\n\u003cstrong\u003eLine In 3-4, front \/ As AD, but:\u003c\/strong\u003e\n\u003cp class=\"dashlist2\"\u003eAdditional Gain stage: 0 up to +12 dB\u003cbr\u003eMaximum input level, Lo Gain, Gain 0 dB: \u003cbr\u003eLine +19 dBu, Inst +13 dBu\u003cbr\u003eMaximum input level, -10 dBV, Gain 12 dB, Line: \u003cbr\u003e-7,5 dBu, Inst: -13,5 dBu\u003cbr\u003eInput impedance Inst: 470 kOhm\u003cbr\u003eInput Gain Inst: +6 dB\u003cbr\u003eInput mode: Line balanced (TRS), Inst unbalanced (TS)\u003cbr\u003eCLIP LED: 0 dBFS\u003cbr\u003eSIG LED: -60 dBFS\u003c\/p\u003e\n\u003cstrong\u003eMicrophone\/Line 1-2, front \/ as AD Line In 5-8, but:\u003c\/strong\u003e\n\u003cp class=\"dashlist2\"\u003eInput: Neutrik XLR\/TRS Combo jack, electronically balanced\u003cbr\u003eInput impedance: XLR 2 kOhm, TRS 8 kOhm balanced\u003cbr\u003eSignal to Noise ratio (SNR): 112 dB RMS unweighted, 115 dBA\u003cbr\u003eLow Roll Off -0.5 dB: 18 Hz, -1 dB: 12 Hz\u003cbr\u003eGain range: 0 dB, +10 up to +65 dB\u003cbr\u003eMaximum input level XLR, Gain 0 dB: +10 dBu\u003cbr\u003eMaximum input level XLR, Gain 65 dB: -55 dBu\u003cbr\u003eMaximum input level TRS, Gain +0 dB: +21 dBu\u003cbr\u003eMaximum input level TRS, Gain +65 dB: -44 dBu\u003cbr\u003eCLIP LED: 0 dBFS\u003cbr\u003eSIG LED: -60 dBFS\u003c\/p\u003e\n\u003cp class=\"dashlist2\"\u003e\u003cbr\u003eOutput level at 0 dBFS @ Hi Gain: +19 dBu\u003cbr\u003eOutput level at 0 dBFS @ +4 dBu: +13 dBu\u003cbr\u003eOutput level at 0 dBFS @ -10 dBV: +2 dBV\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"grey-rounded-box-text\"\u003e\n\u003cdiv class=\"float-left\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}