Ashly digiMIX18 - 18-Channel Digital Mixer

Ashly digiMIX18 - 18-Channel Digital Mixer

The digiMIX18 is the only live digital mixing solution in it’s price range that doesn’t rely on WiFi to mix! The digiMIX series of digital...

Vendor :Ashly

Type :Digital Consoles

R19,995.00

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The digiMIX18 is the only live digital mixing solution in it’s price range that doesn’t rely on WiFi to mix!

The digiMIX series of digital mixers give you complete control over your performance space. Whether you’re mixing live bands, a high school musical, a worship service, or recording in a project studio―there are many applications where digiMIX feels right at home.

 

With a USB option interface, process 24-bit audio for recording with a computer.

Product Highlights:

  • 18 Total Inputs, 12 Total Output Buses
  • 16 Discrete Ashly Class-A Mic Preamps
  • Rack-Mountable or Desktop
  • 24-Bit / 48 kHz Converters & 32-Bit DSP
  • 7" Color-LCD Touchscreen
  • 31-Band Graphic EQ
  • EZ-Mode for Non-Technical Users
  • Single Motorized 100mm Fader

Tech Specs:

Microphone Input Class-A discrete balanced, 7.3 kOhm input impedance
Frequency Response to L/R Main Output: 20 Hz to 20 kHz (0 / -0.5 dB)
Distortion (THD + N) to L/R Main Output: < 0.01% at 0 dBu, 20 Hz to 20 kHz
Equivalent Input Noise: -126 dBu, unweighted, 20 Hz to 20 kHz (150 Ohm source)
Gain (Trim): 0 to +50 dB
Maximum Input Level: +20 dBu, balanced
Phantom Power: +48 VDC, +0 / -4 V (assignable to channels 1-16)
Line Inputs Balanced, 75 kOhm input impedance
Frequency Response to Main L/R Output: 20 Hz to 20 kHz at 0 dBu (0 / -1.5 dB)
Distortion (THD + N) to Main L/R Output: < 0.01% at 0 dBu, 20 Hz to 20 kHz
Gain (Trim): -20 to +30 dB
Maximum Input Level: +20 dBu
Inserts Channels 1 to 8 only
Connector Type: 1/4" TRS, unbalanced, tip = send, ring = return
Maximum Output Level: +20 dBu, 120 Ohm source impedance
Maximum Input Level: +20 dBu, 5 kOhm source impedance
Stereo Line Inputs 17 to 18: 2 x stereo pairs
Connector Type: 1/4" TRS, balanced
Impedance: 27 kOhms
Frequency Response to Main L/R Output: 20 Hz to 20 kHz, ±0.5 dB
Distortion (THD + N) to Main Output: < 0.07% at 0 dBu, 20 Hz to 20 kHz
Gain: -∞ to +10 dB
Input Level (Max): +20 dBu
Maximum Output Levels 240 Ohm source impedance
Main L/R Outputs (Max): Balanced XLR and TRS phone jack, +20 dBu
AUX 1-8 Outputs: Pseudo-balanced TRS phone jack, +20 dBu
Control Room Outputs: Balanced TRS phone jack, +20 dBu
Residual Output Noise: -88 dBu unweighted (one mic input channel assigned at 0 dB), -78 dBu unweighted (16 mic inputs assigned at 0 dB), -78 dBu unweighted (18 mic inputs assigned at 0 dB)
Crosstalk Adjacent Channels (1 kHz): -82 dB
Noise: -70 dB (bus noise, adjacent channels 20 Hz to 20 kHz)
Analog to Digital Converter Bit Rate: 24
A-D Converter Dynamic Range: 104dB, unweighted
Internal Processor: 32-bit floating point
D-A Converter Dynamic Range: 105 dB, unweighted
Latency: 5.8 ms, 1 kHz, analog input to analog output
Channel DSP Functions Polarity Invert (inputs, main L/R, aux 1-8, FX 1-2): Per channel, on/off
Delay Time (inputs, main L/R, aux 1-8, FX 1-2): Per channel, 0 to 300 ms in 0.2 ms increments
Noise Gate / Expander On inputs, FX 1-2
Threshold Range: -84 to 0 dB
Attack Time: 0.5 to 200 ms
Release Time: 10 to 1000 ms
Ratio; 1:1 to ∞
Compressor / Limiter On inputs, main, aux, FX 1-2
Threshold Range: -50 to 0 dB
Attack Time: 10 to 150 ms
Release Time: 10 to 1000 ms
Ratio: 1:1 to ∞
Gain: 0 to +24 dB
Parametric Equalizer On inputs, main, aux 1-8, FX 1-2
Filter Type (EQ1, EQ2, EQ3, EQ4): Parametric, low shelf, high shelf
Parametric Filters: 20.6 Hz to 20 kHz, Q 0.4 to 24, boost / cut ±24 dB
Shelving Filters: 20.6 Hz to 20 kHz, boost / cut ±24 dB
HPF and LPF: 20.6 Hz to 20 kHz, 20 filter types
HPF and LPF Filter Types: Bypass, Butterworth (BW) 6 dB/oct, Bessel (BS) 6 dB/oct, BW 12 dB/oct, BS 12 dB/oct, Linkowitz/Riley (LR) 12 dB/oct, BW 18 dB/oct, BS 18 dB/oct, BW 24 dB/oct, BS 24 dB/oct, LR 24 dB/oct, BW 30 dB/oct, BS 30 dB/oct, BW 36 dB/oct, BS 36 dB/oct, LR 36 dB/oct, BW 42 dB/oct, BS 42 dB/oct, BW 48 dB/oct, BS 48 dB/oct, LR 48 dB/oct
Graphic Equalizer On main L/R, aux 1-8, outputs
Filter Type: 31-band, constant Q, boost/cut ± 24 dB
FX Sends from all 18 inputs
FX output assigns to aux 1-8, main L/R
Effect Types: 3 x reverbs, delay (1200 ms), tremolo, flange, chorus, combinations
Features Automixer (for speech only): Gain-sharing type, individual assignment of channels 1-16
Crossfade Mode (system screen): Pan control fades between any two assigned inputs, outputs, or FX
Stereo Link: Inputs 1-16, aux 1-8 outputs, paired only as 1-2, 3-4, 5-6, etc.
DCA groups: 6 x groups, level, mute, soloEZ Mixer: Simplified individual fader adjust, on/off, icon assign
EZ Mixer #1: Main L/R, DCA1-4, aux 1-4, password lock
EZ Mixer #2: Main L/R, DCA1-6, aux 1-8, ch. 17-18, password lock
Preset Types: Scene (24), DSP channel (48), FX (104), GEQ (48)
Optional Accessories Optional Digital Audio Modules: Dante-3018, USB-3018 (field installable)
Dante-3018 Bit Depth, Sampling Rate: 24-bit, 48 kHz
USB-3018 Bit Depth, Sampling Rate: 24-bit, 48 kHz
Digital I/O Digital In Ch 1-18 (pre-DSP): On/Off, level control +10dB to -70dB, off, fixed channel mapping
Digital Out Ch 1-16 (Selectable as group pre- or post-DSP): On/Off, +10dB to -70dB level, fixed channel mapping
Digital Out Ch 17-18, main L/R, Aux 1-8, Solo (post-DSP Only): On/Off, +10dB to -70dB level, fixed channel mapping
Temperature Operating (Free-Air): 41 to 113° F / 5 to 45° C Storage: -4 to 140° F / -20 to 60° C
Power Requirements AC Mains: 100-240 VAC, 50/60 Hz, 120 W max
Safety Compliance cTUVus, CE, FCC, RoHs
Dimensions (W × H × D) 19.3 x 5.7 x 14.0" / 49.0 x 14.4 x 35.6 cm
Weight 17.0 lb / 7.7 kg

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